Hua Feng continued to listen to the characters in the seal of Emperor Yan said: This statement is suspicious, because the existence of the river map and Luo Shu with the yin and yang fish as the base cannot be determined, how can it be said that "three pictures are one picture"?

In addition to Zhang Xingben, who really attaches importance to this picture and realizes the "wonderful" way, even Zhao Yuqian said: "Taste and play, there is Taiji Han Yin and Yang, Yin and Yang Han Bagua Natural Wonder." ”

This "wonderful" word was realized after Zhao's repeated play ("familiar play"), which shows that the predecessors did not play like this, did not understand the subtlety, and of course did not pay attention to it. Therefore, it cannot be denied that Zhang Xingcheng passed on or made this picture because Hong Mai and Zhu Xi did not comment on the yin and yang fish picture.

Third, it doesn't matter whether Shao Yong uses the heavens to speak of heaven here, the question is how Zhang Xingcheng understands Shao Yong's innate diagram. In Guo's text, a dash is used between "Yi Xiantiantu" and "Armillan Phenomena", while in "Yixuan", the four characters "Hun Tianxiangye" are double-lined small characters attached to the bottom of "Yi Xiantiantu", which is obviously a commentary, but Guo Shi mistakenly took this as the main text.

Zhang Xingcheng believes that "Yi" is the armillary phenomenon, and Shao Yong's congenital diagram is the main armillary theory. "Gai Hun's reason is no different, Tang and his party can know it, but the Gai Tian family has lost its origin, so Ziyun and Kang Jie are not what they say" ("Yixuan" volume 1) believes that Shao Yong does not approve of Gai Tian's theory.

He also made it clear: "The number of heaven and earth is the number of heaven and earth...... The number of the earthly phenomena is also the number of the earth's inheritance of the heavens...... Cover the celestial phenomena also. ”

Fourth, Guo said that there could not be a picture of binary symbols in Yixuan. I wonder if Mr. Guo has ever read "Yi Xuan"? "Yi Xuan" is almost entirely a comparison between "Yi" and "Xuan", in other words, "Yi Xuan" is a comparison with "Yi" to annotate "Tai Xuan", it can be said that there is "Yi" everywhere, and there are binary symbols everywhere.

As the opening of the first volume, it is clearly stated: "One, Xuanye." Three in life, its number is six, and the use of heaven is also. Therefore, it is easy to hexagram six ya". "Yi, the heavens, those who are divided into the earth, the king uses the ministers, the mysterious, the earth, the sect is in the sky, and the ministers respect the king. "Xuan uses nine numbers, so it is in eight, and it is easy to use fifteen numbers, so it is in nine."

Yi and ninety-six, Xuan Du uses nine. The eight of Yi are celestial bodies, and the nine of Xuan are also used on the ground. Besides, the "Yi Xiantian Diagram" is compared with the "Taixuan Diagram", and it is believed that the "Innate Diagram" is an armillary celestial phenomenon, and the "Taixuan Diagram" is a celestial phenomenon.

The above four points are only debated against Guo Wen, and they can only show that Zhang Xingcheng may have made a Taiji diagram (Yi Xiantian diagram), which is not enough to prove that the Taiji diagram must have been made by Zhang Xingcheng.

This needs to be analyzed from Zhang Xingcheng's own writings. There are about three "Yi Xiantian diagrams" mentioned by Zhang Xingcheng in "Yi Xuan": one is the innate square diagram, one is the congenital circle diagram, and the other is the square and circle diagram.

(1) Yi Fangyuan is a one-in-one diagram. Volume 1: "Yi Fangyuan two diagrams, heaven and earth are also used for the body." "The one who covers the change, the number of heaven and earth, the two diagrams of the square and the circle are combined into one, and the circle is wrapped in the square, the earth is in the sky, and the celestial phenomena are also." Volume 7: "The one who is easy to figure out the square and the circle is one, the earth is in the sky, and the heavens are also in the sky." This diagram is the orientation map of Shao Yong's 64 hexagrams, which is also contained in the frontispiece of Zhu Xi's "Zhou Yi Benyi".

(2) Innate square diagram. Volume 1: "The innate square map, the northwest of the Qian, the southeast of the Kun, and the ...... of the Tianmen and the earth" Volume 9: "The innate square map changes from the earth, then one hexagram is biased towards the eight trigrams, which is sixty-four hexagrams." This diagram is the square diagram in Shao Yong's innate orientation map, which represents the earth surrounded by the sky.

(3) Congenital circle chart. Volume 1: "The circle of Yi, from one yin and one yang to the mouth and mouth two, from the outside to the inside." Zhang Xingcheng seems to have a soft spot for this picture, and often calls it a "congenital picture". For example, Volume 10: "The innate diagram is combined into one day." "Those who go on the right side of the innate diagram will be angry with each other, and those who are on the left will be able to change their qi with their creatures. The way of heaven and earth, adversity is self-generated, good times are born of people, and the principle of loyalty and forgiveness is also. ...'The congenital image is round, and the heaven is in oneness.' ”

It makes perfect sense to add a "yin and yang fish" figure in the middle of the innate circle chart. The shape of the "Yin and Yang Fish" is a visual illustration of the 64 hexagrams.

In addition to the above quotations, Juan 10 also says: "Yi Xiantian Diagram is the image of Yin and Yang, which is the right line from the beginning of the Qiankun, and the image of Yin and Yang is listed on the right side of the upper and lower levels. Aren't the left and right lines of the "Yin Yang Fish" the same as the left and right lines of the hexagram?" If "Listed in two" does not refer to yin and yang, the arrangement of black and white, then what does it mean?

In another monograph, "Easy to Change", Zhang Xingcheng contains 14 diagrams, of which the first diagram is "there is a pole diagram", and "there is a pole diagram" is "innate diagram". This diagram is actually a square and circle diagram (the circle diagram is transformed into an octagon). The explanation of the circle chart can be seen to see the meaning of the "yin and yang fish" chart. "Tai Chi contains all things, thinking that there is but not seeing, and thinking that there is nothing but fixing it. ...... The image of heaven and earth has been in the midst of chaos, and so is the whole of Taiji. ”

(Volume 1) "Those who walk on the right side of the circle chart have a hexagram that has not been changed in six changes, and those who have a hexagram in the left side have one hexagram in five changes." (Volume 1) "The innate diagram from one yin and one yang to six changes as far as thirty-two, is for one of the soft and one rigid of the earth, and the relapsing generation of Qiankun is the parents, and the rigidity and softness inherit the yin and yang to become changes, and the ability of the world is complete." ”

(Volume 1) explains the arrangement of the 64 hexagrams with the variation of the yin and yang diagrams, and the "yin and yang fish" figure happens to accurately and vividly reflect this variation of the hexagrams.

In the "Yin and Yang Fish" figure, the left row of the "White Fish" in the upper right is from large to small, in order of dry, duei, li, and Zhen (including the 4X8=32 hexagram from these four hexagrams as the lower hexagram), indicating the gradual decrease of the yang line, and the right row of the lower left "black fish" from large to small, in order of Kun, Gen, Kan, and Xun (including the 4X8=32 hexagram from these four hexagrams as the lower hexagram), indicating the gradual decrease of the yin line.

While the yang line decreases, the yin line increases, and while the yin line decreases, the yang line increases, so it is expressed by "black and white fish" intersecting each other. The two "fish eyes" represent yin in yang and yang in yin, where the "black eye" in "white fish" indicates the separation hexagram, and the "white eye" in "black fish" represents the kan hexagram.

In the innate diagram of "Yixuan", the 64 hexagram position change diagram represented by small black and white squares, Qian, Kun are six white grids and six black squares respectively (for the eldest parents), and the complex and dirt are respectively one white and five black, one black and five white (for the younger parents), and the yin and yang changes start from the Fu Ji, from the left line of the complex, and from the right line of dirt.

If you combine the black and white grids (regardless of the position), then it is exactly a "yin and yang fish" picture. On the basis of finding the law of the sixty-four hexagrams, Zhang Xingcheng made a diagram of yin and yang fish intersecting each other, which should be a logical thing. Mr. Guo He said that the "Yin and Yang Fish" diagram can only be "produced on the basis of the black and white semi-circle diagram that should be derived from the times", which is too arbitrary.

After Zhang Xingcheng, no one seems to have directly mentioned that he made such a picture, however, when Yuan Juan talked about the rheology of the Taiji diagram, he once mentioned him, "Xue (Ji Xuan) taught Yuan (irrigation) when he tasted that Heluo's relics were mostly in Shu and Han, so the scholars heard that they were the speakers and rushed to buy them." There are two sheets later, which are said to be the number of essences, and they are said to be connected to the Xuan. In the end, Zhu Wen belonged to his friend Cai Jitong ......" (quoted from Hu Wei's "Yi Tu Mingzhi" volume 3) Judging from Zhang Xingcheng's life, he was a native of Linqiong. ”

(Huang Zongxi's "Song and Yuan Dynasty Cases, Zhang Zhu Zhu Zhu Confucianism Cases"), he Du Men wrote books, a total of seven kinds, seventy-nine volumes. Taking Shao Yong's learning as the destination, "taken from Chen Xiyi to Shao's transmission of the innate hexagram number and other forty diagrams" ("Siku Quanshu General Catalogue, Sub-Division, Technique Class" as "Fourteen Diagrams", is true. )

"Perfunctory explanation, through the changes of all changes, if the beginning is different, the end is the same. "First of all, the study of Kangjie has been passed on by the fourteen figures, and the world is passed on. Mr. got to the house of the officials in Shuzhong, because of the interpretation, for the purpose of elephant number. According to this, Zhang Xingcheng could get this picture before Cai Yuanding (Ji Tong) because he was in Shuzhong.

Apart from Zhang Xingcheng, did anyone else in the Song Dynasty make a "Yin Yang Fish Taiji Diagram"? According to the literature, at least two people made such a diagram. One is Zheng Dongqing (Shaomei) who was earlier than Zhang Xingcheng, and the other is Luo Yuan (Duanliang) who was later than Zhang Xingcheng.

Zheng Dongqing's biography of "Ancient Congenital Diagram": He wrote "Congenital Diagram Annotation", and said in the preface: "Since Dongqing studied "Yi", he has read more than 100 Yijia characters, and the ones that can be taken are Gu Xiantiantu, Yangxiong's "Taixuan Sutra", Guan Ziming's "Dongji Sutra", Wei Boyang's "Participation in the Deed", and Shao Yaofu's "Huangji Sutra" only...... The learning of the four schools is all based on the innate diagram.

The origin of the innate diagram is that there is no text annotation on the source, and the world also thinks that it is a useless thing. Today, it is a square and circle diagram, which is a footnote to the innate diagram, which is the simplest than the four families. Zheng Dongqing's "ancient innate map" was at least earlier than Yangxiong, and he did not make it himself, he just made a "square and circle symbiosis map" as a footnote to it.

It is not known what the "ancient innate map" looks like. From the name, it is speculated that it is a type of diagram of the congenital sixty-four hexagrams of the coat (at that time, the name of the "congenital diagram" all refers to this kind of diagram, but the middle figure has the difference between the shape of "square" and "yin and yang fish").

Luo Yuan made a "river map": According to Song Lian in the early Ming Dynasty, "Xin'an Luo Duanliang is willing to make an image of yin and yang, and eighths of it is thought to be gossip, which is called the river map;

The words come from the hermit of Qingcheng Mountain, but it is not written as an image. (Quoted from Hu Wei's "Yi Tu Mingzhi" Volume 3) Luo Yuan's picture is also said to have been obtained from the hermit of Qingcheng Mountain in Sichuan, which is the image of yin and yang, and the middle is "eighth", but it is still not called "Taiji Tu", but "Hetu", but the image has not been handed down.

Hu Wei believes that it is the appearance of Zhao Zhongquan's "ancient Taiji diagram" later. Luo Yuan and Zhu Xi are fellow villagers (both from Xin'an, now Huizhou, Anhui), and they are close friends, so it is possible that Zhu Xi saw Luo Yuan's picture before Tuo Cai Yuan entered Shu to find the three pictures, but he didn't pay attention to it, or didn't approve of it (Zhu Xi thought that the "river map" was a dozen number map, not this picture), so he didn't comment on it.