Oh, oh my mom, I'm finally done.

This book is even more difficult to write than the last.

If the difficulty of "Dead Fire" is how to tell a story with the least number of characters in the most monotonous environment, then the difficulty of "Titan" is how to fight wits and courage with readers.

The reader is so awesome.

You write the first word, and they'll know what your last word in the chapter is.

As a suspense-oriented work, if the reader guesses all the follow-up and ending, then the author is still playing a fart.

But how does the author fight with the reader?

The author is just a brain and two hands, and the reader is a thousand troops.

One person, one mouth, one word, blocked all the back roads.

In order to avoid the reader guessing the ending, the author can only move in a serpentine position, like dancing ballet in a minefield, and change the outline several times in the middle of the book - yes, the outline is changed many times in the middle of the book.

And there is something even worse about this book.

Its first part is already dead.

The pits dug are all dead!

These pits really killed me, and I can't overturn them all and rewrite them.

When I wrote the first part, I was scheduled to end A, so all the pits were going to the A ending, but when I wrote the second part, I had already killed the B ending, the C ending, the D ending, the E ending, and the F ending to be written...... What the hell can I do?

How do I use the F ending to round the pit of the A ending?

During those long sleepless nights, I lay in bed and turned these story lines over and over again in my head, taking out each story fragment and breaking it down repeatedly, and finally strung these dug holes together to point to a completely different answer.

All I can say is that I tried my best to fill the hole as mellow as I could.

That's the best way to do it.

There are no more dissatisfied readers, and the author can only say that his level is low.

Okay, that's the end of the complaint, and then it's a formal Q&A session.

Q: Why did you write such a book?

At first, I didn't want to write so long, and I originally planned to finish the first part. The original intention was to write the atmosphere of space Cthulhu, and when the atmosphere is rendered in place, then the purpose of the book has been achieved.

But it was scolded back by readers. (crossed out)

However, the author, in line with the attitude of being serious and responsible and never cheating the text, still decided to complete this incomplete story.

This is the second part.

But when writing the second part, I was faced with a dilemma, as Fengyue said, to create a Cthulhu-style work, a noteworthy problem is how to control the amount of information.

If you give too little information, the reader will be confused and won't know what you're talking about.

Too much information is given, and if you tell you the house number of Yogsothoth, the most charming atmosphere of the unknown and fear of the Cthulhu style will be gone.

So after weighing it, I decided to solve the mystery of the characters in the story, but keep the mystery in the worldview.

Holding the pipa and half-covering the face is the most appropriate degree.

Q: The characters in this book are very casual and don't make any impressions?

Deliberately.

I didn't even remember the professions of everyone in it myself when I wrote this book.

Because of all the tool people, they appear in this book to die at the right time.

(Thanks to all the readers who have appeared in this book.) ）

That's right, all of them are tricks.

Q: Is the time loop one of the intended endings?

No, never.

The time loop is purely a hole dug for everyone to step on.

Question: Isn't Yaxiang a split personality of tacit consent?

No.

Why doesn't she show up? Because her schedule is different from the others, as mentioned in the book, Cassini Station has separate and parallel schedules.

Thinking that she was a reader classmate with a split personality, she successfully stepped on the pit.

Q: Is there a physical version?

Yes.

Q: Is there a comic version?

Yes.

Q: Is there anything else you'd like to say?

Support genuine autumn pear paste.

Okay, then the story about the scientific research station 1.4 billion kilometers away is over, Jiang Zi, Hu Donghai, Wan Kai, Liang Jing, Lou Qi, Moyu, Yaxiang, Mu Mu, Ge Zi, Shi Teng, Liu Peijia, Dai Yue, Zhuozhi, they should also leave the curtain call.

Come, stand in a row, and bow deeply——!

Bow again!

Dabai: And me——!

Comrades, see you in the next book!

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What is the next book called?

"We Live in Nanjing"