One last step.

After the drying and sterilization were completed, Uncle Chen put away the tools.

He said to Zhang Yi.

"Xiao Yi, come, borrow your good luck and uncover the mystery of the painting below!"

Zhang Yi smiled and nodded slightly.

And then.

He walked over.

Carefully pinching the painting on the upper floor, opening it little by little.

And the ancient painting hidden in it gradually appeared in the sight of the three of them.

Tang Dayuan stared at the painting intently, and the expression on his face, from curiosity at the beginning, to later, when he saw the content of the picture, turned into shock.

Gollum ......

He swallowed.

At this moment, he smelled the smell of banknotes flying in the sky.

Uncle Chen, on the other hand, stared at the painting below as seriously.

Even if he is as stable as Uncle Chen, who has seen all kinds of incredible things by Zhang Yi's side, when he sees this painting, he still can't help but burst into a foul language.

"! Xiaoyi, you ...... You're in luck, aren't you? ”

Zhang Yi has heard this sentence countless times, and his ears are calloused.

Hearing Uncle Chen say this, he naturally smiled and said nothing.

This scene.

I had already expected it in Zhang Yi's mind.

To get this painting, there is indeed an element of luck, otherwise, when Zhang Yi went to find Wang Chang, Chen Yunfa would not have just gone to Wang Chang to sell paintings.

For this painting.

Zhang Yi's focus is different from that of Uncle Chen and Tang Dayuan, and what he focuses on is the content of this painting.

In the eyes for a moment.

It is a very familiar feeling.

This is because the entire canvas is basically the same as the imitation outside, from the composition, to the specific scenes and characters, as well as the inscriptions on the corners.

Really.

As Zhang Yi guessed.

Such a treasured picture-in-picture, because in ancient times, the amount of work was very complicated, so the paintings hidden inside were indeed not ordinary paintings.

It is another masterpiece of Tang Bohu, "Visiting Friends in Autumn Mountain", which is reasonable.

And this painting is also a painting with a clear record in the "Records of Ming Calligraphy and Painting".

Zhang Yi probably remembered that it was recorded in the "Records of Ming Calligraphy and Painting" that "Visiting Friends in Autumn Mountain" was in the late Ming Dynasty during the war and chaos and was exiled to the people. In the annotated version of the Qing Dynasty, there is also a record that this painting has entered the court, and then flowed out of the palace because of the reward, and then went to the people, and finally, by the Tonglu Hall in the north city, with the method of hiding treasures, hidden in an unknown place. Since then, the authentic work of Tang Bohu's "Autumn Mountain Visiting Friends" has disappeared from the world's sight.

Since it is from Tonglu Hall.

Then, "Visiting Friends in Akiyama" is indeed the right way to reappear in front of the world in a picture-in-picture.

Zhang Yi stretched out his hand and caressed the picture.

This rice paper, like the warm skin, is indeed the best grade.

This is a major feature of the real work, since it is a masterpiece, it will never use a piece of inferior rice paper casually. If it is really a casual work, even if it is from the hand of Tang Bohu, it is a genuine work, but it is only a genuine work of ordinary products.

Artistry, and the corresponding value, will also be greatly reduced.

Of course.

Tonglutang has treasures, and what is hidden should not be a general product.

And with it.

In Zhang Yi's mind, a voice came.

"Excuse me, is it an appraisal?"

"Identification!"

In Zhang Yi's heart, he secretly said these two words.

Forthwith.

The voice in my head continued.

"Tang Yin of the Ming Dynasty "Autumn Mountain Visiting Friends"."

"Tang Yin, the word Bohu, the word is afraid, the number six is like a layman, the master of the Peach Blossom Nunnery, the Tang Sheng of Lu State, the escape of Zen immortals, etc., the people of Wuzhong in Suzhou Prefecture. According to legend, it is said that he was born in the sixth year of Chenghua of Ming Xianzong, and was born in the year of Gengyin, so he has the name of Tang Yin. Of course, there is no historical record of this incident. ”

In his life, Tang Bohu was cynical and cynical, but also talented, and his poetry was famous. and Zhu Yunming, Wen Zhengming, and Xu Zhenqing, and are known as the four great talents of Jiangnan, that is, the four talents of Wumen. At the same time, his paintings are more prestigious, and he is known as the Four Families of Wumen along with Shen Zhou, Wen Zhengming, and Qiu Ying. ”

"In the history of painting and calligraphy in the Ming Dynasty, Tang Yin has a pivotal position."

This "Picture of Visiting Friends in Autumn Mountain" has a paragraph on it, which is a poem. The hibiscus barks under the hedge, calling the mountain boy to see who it is. The report is that the fisherman knows that the guest has arrived, and he has sent the stingray to the yellowtail. After the payment, Sutai Tang Yin. ”

"The content of the painting is written in the poem, and the artistic conception is far-reaching."

And the final payment, for Sutai Tang Yin, the so-called Sutai, in ancient times called Gusutai, Gusutai ruins are now Lingyan Mountain. In 505 B.C., it was built in the palace of King Wu, and later, it was built after five years after the continuation of the construction. The building is extremely gorgeous, the scale is extremely large, and the cost is huge, which is used for Wu Wangfu's extravagance and entertainment. And Tang Yin is a native of Wu County, Suzhou, Nanzhou, so this Sutai Tang Yin is a method commonly used by Tang Yin. ”

In addition, in terms of painting method, the mountain rock is mainly chopped with a small axe, and the characters are vivid, and vivid and rich in the natural posture of a hermit master. The whole painting style is pure, and it is full of twilight and seclusion, so it is a work of Tang Yin in his later years. ”

"After the collection of treasures in the late Qing Dynasty, it is protected by the outer canvas, so the degree of oxidation is relatively light, and the state of preservation is also very good. Therefore, no matter from the perspective of chemical skills or appearance, this painting is a masterpiece among Tang Bohu's hand-me-down paintings, and it is undoubtedly genuine! ”

Zhang Yi was not surprised by the identification results of this step.

Because.

The imitations outside the collection are ancient authentic, and the possibility that this painting is genuine is already very large.

But.

Uncle Chen and Tang Dayuan are different.

The excitement of the two of them far exceeded that of Zhang Yi.

Tang Dayuan looked at this painting and couldn't help but say.

"Oops...... It's really worthy of the talent of our old Tang family, this painting is really beautiful, you see, the old man on the top of it, how much he looks like a person, and this tree, still has leaves......"

Uncle Chen couldn't help but raise his eyebrows.

He said.

"Mr. Tang, your identification angle is really ingenious!"

Tang Dayuan smiled and didn't say much, but looked at Zhang Yi.

"Master Zhang, I want to ask you something!"

"What's the matter?"

Zhang Yi asked.

Tang Dayuan's eyes flickered.

He asked with a smile.

"Master Zhang, what do you think of the self-portrait of Yaoguang that I sold you, the painting is quite good, right?"

Zhang Yi nodded, what Tang Dayuan said was not false.

"yes, the painting is not bad, what's wrong?"

And then.

Tang Dayuan said with a smile again.

"Master Zhang, actually, I can see this painting at a glance, this is something from my old Tang family's ancestors! I look very familiar and intimate! ”

"Master Zhang, otherwise...... Do you think that works? This ancient thing, when we should recognize our ancestors and return to our ancestors, we have to let it recognize its ancestors and return to its roots! Since it is something from our old Tang family, and you Master Zhang are a person who is indifferent to fame and fortune, you should let me bring this painting back, take it to our Tang ancestral hall, and make a good offering, after all, this is the ancestral thing of my old Tang family! ”