56, Text Group (3)

While we watched the TV footage, Xu Fengqin and I discussed the dance footage.

Xu Fengqin said, "The 60th anniversary of the founding of the People's Republic of China is really vast, and the television media has become more developed during this period, so the scene of the 60th anniversary is more specific. ”

I said to Xu Fengqin, "Then let's take a look at the dance screen first." ”

The screen plays the 60th anniversary of the expansion film, this information film is very long, nearly an hour, the complete recording of 11 large-scale dances, several classic square dance music echoed in the ears, and the picture presented is also complete and clearer.

Xu Fengqin said, "The activities of the 60-year Daqing Gala are divided into 8 areas, a total of 4 dance areas on Chang'an Street, each area has a central stage, each dance is about 20 minutes, I recorded 11 dances in this footage, because of the relationship between TV shooting, the captured picture is also very classic, the first dance is the Ansai waist drum, you look at those farmers in northern Shaanxi, dressed very simple, dancing is really sonorous and powerful, completely the appearance of the Northwest man, The beat of the drum seemed to be beating on our hearts. ”

I watched and said excitedly, "Mr. Xu, is this dance a repertoire?" I see a lot of large-scale celebrations, a lot of grand scenes have this dance, but in different periods, the theme content of the dance is different, fully reflecting the joyful mood of the peasants, this is a feeling for the republic, but also fully reflects the pride in the construction of the motherland, this dance from beginning to end has a historical succession, each period has a classic picture of each period, we estimate that this time we will also retain this dance. ”

Xu Fengqin said to me, "This dance is just like you said, it is too classic, the happy and peaceful atmosphere is the exciting scene presented to people by this dance, if you trace it, the dance of the 10th anniversary of the founding of the People's Republic of China is in people's impressions, the most classic picture is still in the lens of the large-scale historical epic Dongfanghong, which fully expresses the pride of the majority of peasant friends in the prosperity of the motherland, this happy and peaceful atmosphere is needed for every festival, because he has a bright rhythm and shocks, Therefore, it has always been a preserved celebration program, but also a kind of cultural heritage, cultural inheritance, as our nation with an ancient history, this cultural symbol is what we need to inherit and carry forward. ”

I happily said, "This picture is so classic." ”

Xu Fengqin went on to say, "The more feminine picture corresponding to him is the Taiping drum performed by the female comrades in the countryside on the outskirts of Beijing. This is the most classic dance in Beijing, from the different dresses of female comrades in various periods, you can see the progress of the times, this dance is also very classic, has been retained, Ansai waist drum performance is rough and bold, this dance is the performance of softness, this rigid and soft, itself is very picturesque, reminiscent of the changes in the countryside, the spiritual outlook of the peasants has also completely changed, each of their movements is to show from the heart, the pride of the country's prosperity and national pride is incisive, It is also the most simple national feeling. ”

The contrast between the two dances caused a strong shock in my heart, the language of the dance is really touching, the classic picture, the strong and powerful movements, the soft figure, all form a sharp contrast, but also show the same theme, that is, the people are happy, the country is rich and strong.

I said to Xu Fengqin, "Mr. Xu, these materials are so precious, without these materials, we really can't vividly understand the mood of the people at that time, and really present the historical witness of the prosperity of the motherland." ”

Xu Fengqin went on to say, "There is also a reserved program, that is, 56 nationalities with one heart, the original background music changes every year, the 50th anniversary and the 60th anniversary celebration, including the return of Hong Kong and the return of Macao, the dance is all with the same song, that is, 56 nationalities and a flower, this song is very beautiful, showing the national feelings of the 56 ethnic unity, the dance also reflects the national characteristics, the performance interspersed with several ethnic groups reflects our unity to the national family, not only the picture is good-looking, but also the meaning is profound, Each nation has a lot of innovation in different historical periods, and this time this picture is estimated to also need to be innovated, it depends on how these choreographers deal with it. ”

There is a combination of acrobatic performances on the screen, unicycles, bicycles, top jars, shaking bamboos, various stunts one after another, ring performances are carried out on the huge venue, the national support and memory of the acrobats are breathtaking, the surrounding masses continue to cheer, one after another, the traditional national art, forming a huge acrobatic venue, a traditional acrobatic hometown of the people, with the kung fu handed down by the ancestors, showing the blessing of the nation, the huge Wuqiao acrobatic flag fluttering in the wind.

Xu Fengqin explained, "acrobatics and dance interspersed together more artistic, this is also a number of National Day ceremonies to retain the traditional art performance, China's acrobatic hometown is a lot, all kinds of acrobatic art colorful, this plate is both lively and good, artistic and high, as well as traditional Chinese factors, but each performance of acrobatic projects are different combinations, but the scene is very grand, there are many actors, are the most brilliant part of the celebration, dance and acrobatics are originally twins, Acrobatics only makes the dance movements more artistic, and it is mixed with Chinese kung fu, and this part can be recombined in the future to reproduce traditional Chinese culture more artistically. ”

Looking at the wonderful scenes on the TV screen, I said with deep feelings, "Our country is really vast, the long history contains rich Chinese culture, the national heritage is also the world's heritage, how many places in our country has acrobatic art taken root and blossomed?" In the footsteps of this new era, the more national, the more traditional the more vitality, the strong vitality also reflects the prosperity of our motherland The grand momentum, cultural self-confidence runs through our activities, this piece can be further excavated, further improved, and further presented in front of us. ”

There are a few old people who throw whips on the TV screen wearing traditional clothes, the sound of the whip resounded in the sky, this exquisite combination, let people feel the shock of the soul, in the square of millions of people, there is such a performance venue for the display of traditional culture together, it really makes people feel that the cultural heritage of our motherland, our 5000 years of historical civilization, which is incomparable to any country in the world, see this picture makes people feel the greatness of our ancestors, In addition to the world-famous invention of the four major points, the contribution of Chinese civilization to the world is too great, the ancient East, Chinese civilization has a long history, become the treasure of world culture, with the strength of the motherland, we are moving towards the center of the world to pay attention to the bright light of Chinese civilization.

Xu Fengqin said, "Xiao Jiang, this plate may need to dig deeper, these dances, these acrobatics, not only in the evening celebrations interspersed to form a distinctive venue, but also to ask the people in the hometown of acrobatics to add some more projects, and then add some joy, especially the display of traditional factors, the display of Chinese elements, I have collected a lot of information about acrobatics, and now there are many reality shows, especially the performances of China's talents, many people are on the stage with extinction, looking forward to showing to more people." , so this plate site can be larger, can be grander, more personnel, as long as there is a unique person can be displayed here, this is also a good opportunity to expand the influence of our traditional culture, through the TV picture to convey these to every Chinese, to all corners of the world, this is a kind of national pride and traditional Chinese culture is the best opportunity to happen. ”

I said to Xu Fengqin, "I really don't know much about this, can you provide me with relevant information?" ”

Xu Fengqin said with a smile, "I have a lot of information in this area, and there are a lot of video materials, I will go back and help you click on an album, especially some projects with local characteristics, those projects have the characteristics of each place, each project has a specific artistic atmosphere, the people like to see it, the local characteristics are particularly strong, and the performance will definitely be deeply rooted in the hearts of the people." I will collect some text materials for you, excavate the historical elements of these projects from history, there will be a lot of stories to tell, and will tell a very good and beautiful story, presented on the TV screen, more cultural heritage, this is not only a copywriting operation, but also a kind of historical and cultural excavation, but also a display of local characteristics, but also a display of our Chinese civilization, do more work in this regard, the material will be richer, maybe it will give us some surprises, Through this project, the non-cultural heritage can be displayed in addition to acrobatics, but also some other memories and cultural symbols, which is of great benefit to our promotion of national culture and Chinese culture. ”

I said to Xu Fengqin, "The overall grasp should also let the directors of those dances to consider, we mainly carry out the preparation of copywriting, they plan and we follow up the text, we can also put forward some suggestions, but it is they who control the overall situation, but Mr. Xu, your suggestions should really be adopted, especially in some acrobatic towns, we should dig deeper, find some good typical characters, some inheritors of traditional projects, they have culture, stories, inheritance, and materials to write, It sounds very good, the snake is filmed with a sense of picture, and in the future, if you make in-depth reports, you can widely dig into the key points, and you can do a series of programs, which is completely a program of Chinese culture and Chinese context. ”

Xu Fengqin then introduced to me, "The next is the special programs of some places, and now the relevant departments have carried out in-depth excavation of tourism culture, starting from the large-scale real-life landscape performance in Guilin, there are many places that have carried out real-life large-scale live performances in the story picture dance, which are shocking, for example, in the performance of impression Yunnan, the culture of ethnic minorities is fully displayed, especially the performance of this Songkran Festival and Torch Festival, which has been used in many of our programs. The local people choreographed a lot of dances in these festivals, the national characteristics of these dances are too distinct, we can also involve some grand scenes this time, invite those art groups that perform live performances to perform in Beijing, these people may be local farmers, pick up hoes to work, serve with plates, put down these, put on costumes at night, that is, actors, this is a cultural call and an example of the close combination of national culture and people's lives, their characteristics are grand scenes, large number of people, mainly extras, the artistic reproduction of local life, local police officers, local folk customs, I have a performance of the Tang Empire in Huaqing Pond in Xi'an, which mainly reflects the love story of Tang Xuanzong, Li Longji and Yang Yuhuan, it seems that the scene is very grand, several mountains stretch with lights, the layout of the scene is absolutely shocking, if part of the scene is transferred to the scene, it will also play a prominent role, we can also learn from this method, the formation of a large-scale mass performance, It must have been a memorable scene. ”

Xu Fengqin's introduction was impressive and impassioned, and I was also excited to listen to it, "Mr. Xu, the choreographer of the dance is estimated to have people from the TV station, and when the time comes, you will communicate with them in detail, in addition to the text, the sense of the picture is actually very important, we combine the picture to do a good job of the text, and write the commentary more excitingly, artistic, infectious need to be considered, a good dance, people see a kind of enjoyment, listen to the artistic commentary, artistic display, in fact, it is more of a enjoyment, However, our commentary cannot be described like a football game, but to increase its artistic depth, artistic appeal, and convey everything that should be delivered to the audience. ”

Xu Fengqin continued, "Which region did you choose for this part of the dance? What kind of characteristics to choose, how to combine the characteristics and unity, you need to use some brains, because the characteristics of each place are very prominent, if there are more characteristics, it will be a little messy, so there needs to be a heritage of the context, there is a unified soul, so that these characteristic programs can become a soul of the performance, this aspect of the excavation is not what dance can do, and the leadership of these are text work, to excavate to present and refine, so the director's work to choreograph the order of the dance is important, We find the characteristics in the copywriting, find the unity, form a unified performance, control the grand scale, form a grand momentum, and let our nation be better in front of the world, which is the highest realm of our copywriting work, the best way and the most arduous work. ”

Those beautiful scenery on the TV screen, those beautiful dances, the grand scenes, those distinct cultural symbols, there is no one that does not make me feel shocked, the artistic reproduction of life, the reproduction of art, the excavation of landscape culture is too important, copywriting work is not a description, nor is it a foil, but a kind of excavation, a kind of summary, a kind of refinement, a kind of improvement, this is what ordinary people say that art comes from life is higher than life, but how to be higher than life needs to be expressed in words, Refinement of words.

Whether it is the beautiful landscape of Guilin, or the colorful impression of Yunnan, whether it is Jiuzhai style or Tang Dynasty charm, these mass large-scale performances all reflect the rich cultural connotation, all show rich regional characteristics and cultural heritage, we are a vast country, with so many shocking performances, concentrated on the TV screen for a period of time, I still see it for the first time, so I was shocked is more powerful, not only the visual shock, the most shocking is the soul, We have a lot of culture has been put on the stage, has formed a cultural classics, when these cultural classics shine on human civilization, is the most sacred mission of our generation of literati, this event is a display of the extra-large stage, but also the best opportunity, is a display of our national spirit, but also our rain in the forest of the great nation of the re-emergence of the performance, the rejuvenation of the great Chinese dream is not a slogan, but a real cause, It is the dreams depicted by the dreams that our generation of young people are chasing, and the depiction of these dreams requires each of us to make our own contribution and give our own actions.

There was a burst of joyful gongs and drums on the TV screen, the performance of the dragon and lion dance began to be presented in front of us, the music was cheerful, the dragon in people's hands flew up and down, struggling to take off, a variety of changing postures, a variety of changing formations, a variety of changing rhythms, so that the performance reached a climax, the sparks erupted from the dragon's body, and the scenery presented in the darkness of people was a fire-breathing dragon. The time of this performance is also more than 20 minutes, various postures and various formations change, as well as the lion and dragon teams interspersed with each other to make the program picture more beautiful, the rhythm is more cheerful, whether it is a dragon dance or a lion dance, there are different customs throughout the country, how to play its characteristics in this performance, form its shock, this is what we need to seriously consider in this text, this kind of performance has appeared many times in various celebrations, and it is a reserved program, It has more cultural symbols with Chinese cultural characteristics and Chinese elements, tells Chinese stories well, and makes Chinese voices good, which has higher requirements for copywriting.

Xu Fengqin explained, "The dragon dance performance plus the lion dance, this is the climax of the traditional program, first of all, his momentum is very majestic, and it is the totem of the nation, the incarnation of the dragon is the name of our motherland, the dragon culture is full of all aspects in our lives, foreign countries have formed us into Chinese dragons, we ourselves also call ourselves the descendants of the dragon, how to express this symbol with national characteristics in the culture, this is a problem faced at the end of every large-scale event, but every time there will be a wonderful performance, It has also been improved than any time, and this time is no exception, to show the spirit of the dragon, the image of the dragon is more exciting, so that our national spirit is more distinct, which is a kind of self-confidence on the road of rejuvenation, especially the performance of cultural self-confidence. ”

I said thoughtfully, "This program as a repertoire, it is really meaningful, foreigners called our China at that time the sleeping lion, and now this lion has woken up, to make a roar that shocks the world, the reason why we will face 8 years of resistance against Japanese aggression, facing the invasion of other nations, is because we are too weak, the development of the republic for decades The contribution of the republic is to make China return to the ranks of great powers, the forest of strong countries, and we are back to the center of the world stage, To show Chinese culture and Chinese civilization to the world, we must build a community of life for the whole world and contribute our own strength. ”

Xu Fengqin still operated the demonstration, the TV screen appeared on the Belt and Road feature film, Xu Fengqin said to me, "We are now putting forward the new idea of the Belt and Road, is to create a new generation of miracles, we Chinese advocate the concept is to do to others what you do not want, our great motherland is strong, hope that the whole world will develop together, create world peace, now some people are inciting China to threaten the theory of China's collapse, all kinds of strange theories are flooding the Western world, in order to answer them, We want to make a new contribution to the world, that is, to carry forward the wisdom of the ancient Chinese, in the modern society and modern civilization, using the concept of the ancient Silk Road to propose the construction of the Belt and Road, this time the choreography of the dance should also highlight this theme. ”

Xu Fengqin's sensitivity is there, but I really have no concept of the Belt and Road Initiative, although the concept of watching TV and listening to the news has always been said, I have not studied it in depth, and now Xu Fengqin took this feature film, which comprehensively introduces the whole process of the Belt and Road Initiative, enrichment and development, and also shows the main content of the Belt and Road construction, key areas and ways to achieve it, especially the many major initiatives of our country to realize the Belt and Road Initiative, this is not a problem that we only care about your economy, It is a kind of civilization spreading, a peaceful reality, bringing our great China's rejuvenation to the world, using China's model and China's answer to provide a new plan for world governance.

Seeing this in-depth introduction, as a new generation of college students, I really feel how arduous my mission is, and how heavy the task is this time, with the desire of the whole Chinese people to develop, go to the world, bring peace, development, and prosperity to the people of the world, what a great idea, only our Chinese leaders have this kind of mind, only have this kind of macro vision, our country has long been in the forefront of the world, but the modern history of the past 200 years has made us suffer humiliation, This is also the great significance of commemorating the 70th anniversary of the victory of anti-fascism, and it is also a favorable opportunity for us to sow the seeds of peace, the victory of the War of Resistance against Japanese Aggression is a sign of our national rejuvenation, and the victory of the War of Resistance against Japanese Aggression is an opportunity for the rise of our nation.

The understanding of things is gradual, Xu Fengqin brought the information film is more meaningful to my education, the original ignorant and understanding of some ideas have now become my ideological concepts, the original understanding of this major political activity is still not very understanding, but the combing of the information film from the long term to the present has made me more clear about the historical mission of this major operation, and I also feel that the burden on my body is heavier.

Xu Fengqin played a feature film about lucid waters and lush mountains are invaluable assets, from the perspective of human development, from the perspective of human survival, expounded the firm confidence of the Chinese government in the construction of ecological civilization, in the international community we participate in the challenges brought to us by climate change, and the peaceful coexistence of man and nature in China has become our concept of ecological civilization. We, the leaders of the people, put forward the theory that lucid waters and lush mountains are invaluable assets, leaving room for us to develop a sustainable and beautiful China, and also to leave room for the development of our future generations.

The ecological disasters facing the world described on the TV screen also show the rugged detours we have taken on the road of development, these facts have fully taught us that we must love this earth, we must love this land, the construction of the ecological environment has been urgent, to let our green mountains always flow in the green water and sustainable use, we must vigorously build a socialist ecological civilization, let the flower of ecological civilization bloom all over the motherland, all over the world, and make the community of destiny of human life healthier.

Xu Fengqin said with deep feelings, "This is a world commemorative event, the second world war brought great disasters to mankind, Japanese militarism brought great disasters to our motherland to the slaves of our homeland, the whole world has formed two fronts in the east and the west on the anti-fascist battlefield, although those old capitalist countries united, and the Soviet Union fought hard against the German fascists, our ancient China, in the face of heavy disasters, after 14 years of arduous fighting, The Japanese invaders were driven back to their country, this is the first national victory in the history of our modern nation, and this is also a glorious victory in the world anti-fascist battlefield and the main battlefield in the East. ”

Hearing Xu Fengqin's introduction, I also think so, and I admire the mind and perspective of this TV worker from the bottom of my heart.