This is a hugely failed volume, and the responsibility lies with me.

I wrote this volume for eleven months, and I couldn't write it several times in between, and I didn't dare to read the comment area.

I apologize to all the book friends, and I am very grateful to the book friends who are still supporting this book.

I've made a lot of attempts in this volume, and you can see that maybe it's not very successful, but the good ones are kept, the bad ones are discarded, isn't that what writing a book is?

As for which part is good and which part is bad, readers are also welcome to point it out, I should read it all.

I had great expectations for the second entry into Hong Kong, but in the end it was undoubtedly a failure.

Looking back now, this is almost inevitable, just like making a dish, regardless of the taste and shape, adding whatever you like to eat, and the result is a fish-flavored shredded pork mixed with chilled durian, coffee with tofu, and chocolate co-roasted eggplant......

In addition, whether it is Hong Kong or San Francisco, there are a lot of private goods, especially Hong Kong, which is not my ideal writing state, and I will try to correct it in the future.

As the plot progresses, I began to pat the underlying structure of the design with my head, and it has gradually become unable to support the huge plot, not only that, but the plot that has developed so far has gradually become a shackle, the plot can't be pushed, and I want to write, some things that may be interesting have also become incompatible with the plot.

It should be said that this problem has existed since the second entry into the Ming Dynasty, and the San Francisco volume has been prominent, and by this volume it is a full-fledged explosion.

This question is almost unsolvable, and it even shattered my confidence in this book, and many readers should think, it's not that serious, you're just procrastinating and making excuses, right?

But it's really not, it's a very serious problem, and if the readers are generally aware of it, then you will abandon the book.

To put it mildly, it's like Li Yan doesn't want Judy to forget herself, I'd rather be a eunuch, let the readers and grandfathers have expectations for the unfinished plot, just angrily scold the author for being stupid, and I don't want this thing to be written out and let the readers and grandfathers laugh at it, this should be the job? Laughed at me. Or, is it a bird? The front of the book is okay, and there are a few things written in the back.

But halfway through the Hong Kong volume, I suddenly realized that I might inevitably fall into such a situation.

Although I understand that for online articles, you start a monthly change, which is equivalent to a eunuch, and a eunuch is even more intolerable than a bad ending. But I still, I don't want to end it.

Until now, you ask me, have you found a way to keep Gu Yu's bird from rotting, do you have the ability?

My answer is still no, I just have the courage to face my own lack of ability, which leads to a bad ending.

Well, that's growth, right......

Of course, I will still do my best to write this story, on the premise of updating.

In addition, when I was in Carvin, I reviewed the previous chapters and suddenly found that the sentences of the whole book were illogical, the details were full of mistakes, the narrative was chaotic, the colloquialism was serious, and the verbosity was so cumbersome that it was simply unbearable.

In this regard, I will slowly, renovate the previous text, don't be busy throwing rotten eggs, this renovation is just to eliminate sick sentences, wrong words, logical bugs, the plot will not change, readers don't have to worry. Also, the refurbishment does not affect the update.

I hope the new volume will satisfy everyone. If you can't...... If you can't, you can't.

Anyway, I hope that the part you have enjoyed so far has brought you happiness.

I wish the readers of this book good health and happiness.