And the picture next to the sixth pattern is particularly easy to understand.

There are countless dots at the top.

It's just that the countless dots are not painted, but the potholes in the ground beneath my feet.

And under these dense dots, there are many heads depicted, almost all of them in a kneeling posture.

It's like worshipping the heavens, and it's like praying.

And at the front of this group of people, there stood a different villain.

In his hand was a curved line.

If this line is compared to a scepter, it would coincide with the scene in my dream.

But this pattern is supposed to depict a scene of worshipping heaven and earth.

And the following painting is a good explanation of what the dots on this painting are.

In the middle of the second painting, a large circle is drawn, and many villains are looking around the big circle on the ground.

I glanced at the third picture.

It depicts a huge stone, and many people are beating it with tools in their hands.

And the fourth picture is a group of people, carrying a small person, walking towards the stone.

The fifth picture shows a small figure with his hands chained, his head bowed, and the tips of his right fingers pointing towards the ground.

There was also a rectangular thing scattered on the ground.

The sixth pattern is a bit rougher.

The little man had no chains in his hands, but his body was lying on the ground, sketching something.

As for the seventh pattern, it is the simplest, with only an empty room, and the villain in the picture has disappeared.

And in the eighth pattern, the villain appears again, only this time with something in his hand, as if looking for something.

The ninth image shows a small figure leaning against a wall, which is also the most marginal part of the painting.

He had something in his hand and didn't know what he was doing!

The tenth pattern, on the other hand, is not finished, not even an outline, only a distorted curve.

These ten patterns are not arranged in direct order, but I have analyzed them myself.

The main reason is that these ten patterns are distributed up and down, left and right, and the strokes are messy.

First of all, I could clearly guess that the space I was in was a meteorite.

This can be guessed with the first pattern of a meteor, and the second pattern of a deep pit.

And this dense honeycomb of small holes, ordinary rocks do not have this.

If you connect all these patterns together, you can rearrange them and guess the story and prophecy from beginning to end.

First of all, starting with which villains worship, this should be to tell future generations some of the origin of this place.

While the crowd or tribe was worshipping, an extraterrestrial meteorite fell down and smashed in front of everyone, which may have been discovered later.

And they observed the meteorite and discovered some secrets.

As for what the secret is, perhaps only the 'prophet' who was carried into the meteorite by the crowd knows.

When the Prophet came in, he didn't know who had locked his hands, and after he had been there, he began to draw on the ground.

The content of the painting is the content that prophesied us, from how we got here to the end of standing by the wall.

And those blank pictures mean that the prophet has left here and is gone.

The next picture should represent me.

Because the picture I first started clearly predicted that I would crouch here and look at these prophecies.

And in the end, I should have stood up to look for something, and finally stood by the wall, still holding something in my hand, but definitely not a coffin ruler.

Because the description of the coffin ruler has been given on these patterns, it is represented by a short line.

Connected in this way, I will find that I have arranged myself in the wrong order before.

There seems to be something wrong with this, causing the pattern prophecy to become a chaotic order!

I don't know much about the method of deduction.

The most basic should belong to the number deduction technique about Qimen Dunjia that I learned when I went to the seventy-two tombs.

But that's just a few skins, more than a gourd!

And the deduction technique that my grandfather taught me is a forbidden technique, the way is very simple but it is also difficult, but it is not suitable for me to use now!

Other than that, I don't know anything about deduction.

Perhaps a long time ago, someone from our Coffin Mountain Sect would have spied on the deduction technique of the Heavenly Dao cycle.

But now I haven't heard of anyone in the Netherworld who is particularly proficient in this.

One of the most critical points is that extraterrestrial meteorites, a metallic substance, are quite hard.

This can be clearly known from the black gold ancient knife in Leng Yueru's hand.

What kind of tools did the people on the patterns use to chisel this meteorite?

And where is the door of this meteorite?

I got up, took the coffin ruler, and casually came under one of the walls, looked sideways into the distance, and found nothing out of the ordinary.

Finally, after a few turns, I began to observe the chains on both sides.

The chains are rough in appearance, but they make a somewhat ethereal sound.

I don't know how long I've been here, but the hunger in my stomach makes me a little dizzy.

In the end, I really couldn't find a way out, and I was hungry, so my eyelids involuntarily began to fight.

I don't know how long it took for me to wake up with a feeling of weak hunger.

When I woke up, I found that everything around me had not changed, and the light of the coffin ruler in my hand was so faint that it was no longer good.

I lay on the ground, looked at the chains in the distance, and whispered, "Am I going to die here like this?" ”

When I was done, I was on my back.

"Hey, this meteorite is a living tomb, there is no exit, no window, nothing!"

I smiled self-deprecatingly, rolled over and tried to figure out what to do.

The moment I rolled over, my body shook.

If there really is no door inside this meteorite, then how did the Prophet get in?

Piercing the wall?

Don't talk nonsense!

That......?

Finally, I looked at the two chains that were hanging from the ground.

I'd looked at these two chains before, and I didn't find anything out of the ordinary.

But it all seems to be a little too perfect, and it seems a little unusual.

I wanted to touch my compass, and when I touched my back, I remembered that your backpack was gone!

But it doesn't matter, there's no compass, I'll go up and try it myself!

Just do it, and time should not be neglected!

I straightened both chains and lowered them to the ground.

Then he stood in the middle of the two chains, and bent down with his head down, as he had done in the pattern of the Prophet.

It's just that I do it as if I'm intellectually disabled.

I saw that it didn't work, so I tried another way.

He picked up the chains on the ground and put the chains on his hands.

It's just that this hand is on, and the other hand can't be carried.

I had no choice but to wrap it around with one hand slowly.

Then do the gesture in the pattern.

This time I could clearly see the prophetic pattern on the ground, but no matter how I looked at it, I didn't see the slightest strangeness.

Finally I slowly stretched out my right hand, as if to imitate the prophet in drawing a picture.

I know that my hands are chained, and it is impossible for my hands to touch the ground.

What's more, the villain on the pattern is not painted with chains.

It's just that I didn't expect it.

Just as I stretched out my right hand, a huge pull appeared......!