Chapter 343: The Other Side of Black

The name of Qiao Jin's painting is Light.

Light is the opposite of black.

The same emaciated figure, the figure stood there, behind it was the boundless darkness.

The face of the figure is completely on the screen, and at this moment the face is slightly raised and looking ahead.

And ahead, is the light.

The highest level of the whole painting is the color palette of the light, the transition of natural blending, which makes people feel warm and not abrupt, just a few colors of excess, it gives people a very intimate feeling, which makes people involuntarily want to get closer, want to have, want to bathe in the light.

And the expression on the figure's face was also very secondary, the expression was not exactly a smile, it seemed to be a little stunned and incredible, but it was happy.

It's like seeing a mirage in a dream, a mirage that really exists, not something that you can't touch or touch.

It turns out that this world is really not completely dark, it turns out that there is light in this world, and it turns out that this light is so beautiful and so warm.

As long as everyone looks at this expression, they can feel the mood of the person in the painting at this moment, and they can completely empathize with it.

Everyone even couldn't help but want to reach out and touch the light, as if there was some magic power, people couldn't help but be fascinated.

And after looking at the light for a long time, and then look at the darkness behind the figure.

I don't know if it's everyone's illusion, but when I look at the black, it seems to have faded a little, as if it wasn't as dark as when I first saw it.

It's a still, two-dimensional painting, but for some reason, you see the light from the darkness, as if the darkness has been dispelled by the light.

Obviously, the darkness is still there, but it seems to be over.

What kind of magic is this?

Everyone was incredulous about their delusions.

In fact, this is not some magic, but a clever use of the two parts of black and light in the late Tang Dynasty when the colors are excessive.

When the human eye sees the light she paints for a long time, after overexposure, when looking at the dark, there will be an illusion that it seems to be different in terms of vision.

This is not just about color, it's about focusing the human eye.

This change of darkness and light is actually the best finishing touch to the whole painting.

Wonderful, really wonderful!

Seeing such a painting, everyone simply didn't have the mind to question it anymore and was convinced.

And after reading Qiao Jin's paintings, and then looking at Zhang Siyang's paintings next to him, it is obviously much inferior.

Zhang Siyang's painting is very simple, and he paints the scenery in this valley.

The painting is actually very good, and it almost perfectly reproduces everything here.

To be reasonable, if Zhang Siyang's painting skills were really poor, even if he copied Qiao Jin's paintings at that time, everyone would not believe it.

Zhang Siyang's painting can't find anything wrong.

But while I can't fault it, the painting is not a good one.

Because in this painting, there is no emotion in sight.

The reason why a work of art can be a work of art is because of the feelings contained in it and the feelings conveyed to people.

If it's just a realistic drawing with high skills, then why not take pictures with a machine? That's a lot more realistic than what a human draws by hand.

It can be said that Zhang Siyang's and Qiao Jin's paintings are completely incomparable.

Qiao Jin's painting is called light, and I can see it with my eyes and brain, and this painting is the complete opposite of the previous black.

The way of painting and expressing ideas is very similar, but the feelings conveyed are completely different.

If the previous black painting wanted to express boundless pain and helplessness, then what this light wanted to express was hope and redemption within reach.

Tang Mo painted this painting, not only to win this game and correct Qiao Jin's name, but also to Qiao Jin.

The little girl had lived in pain and darkness all her life, and no matter how warm her family was, she could pull the poor child out of the abyss.

But Tang Mo painted this painting to tell her that this world is not just pain, maybe you raise your head a little, hope is not far from you, this hope is so warm, no matter how painful you are now, you are only a stone's throw away from happiness, as long as you look up, you can see it.

No one in this world can empathize, and the pain experienced by one person cannot be felt by another, even the most intimate relationship.

But art is interconnected, and the ideas that human beings want to convey through art can be perceived by another person who appreciates art.

And now, those who are looking at the painting, feel such emotions.

And Tang Mo hopes that Xiao Jin can also feel it.

And the reason why the principal has been looking at this painting for so long is because the principal is the only one here who can truly understand the true meaning of Xiao Jin's painting.

The dark time Qiao Jin experienced when she was seven years old was a lifetime of darkness in her heart.

But in the bottom of this child's heart, he is so looking forward to the light, so he has the current painting.

The principal knew something about Qiao Jin in the last competition.

But at that time, it was indeed Zhang Siyang who handed in the work for a long time before Qiao Jin handed it in, so the principal took it for granted that Qiao Jin was plagiarized.

Because he was afraid that the child would not be able to bear it, the principal did not talk to her alone, for fear of increasing psychological pressure on her.

The child was also a stubborn man, and he was aggrieved, but he never said it.

I didn't say it at home, the teacher didn't say it, and I didn't have any friends, so I was so alone in my heart.

The principal felt very guilty in his heart, the child of the old Qiao family, he should believe her.

Old man Qiao entrusted the child to himself, and right under his nose, he actually let this child suffer so many grievances, he felt ashamed!

The principal's heart was very guilty at this time, and his heart was full of pity for Qiao Jin.

Fortunately, fortunately, now this kid has proven himself by drawing.

Is it proven?

It was Tang Mo who helped Qiao Jin correct her name, and the real Qiao Jin still remembered this incident in her heart when she died, even if she was dying, this was still a knot in her heart.

"Students, you have seen Qiao Jin's paintings, and you have also seen Zhang Siyang's paintings. Qiao Jin, do you have anything to say? ”

Now that the truth is known, the principal naturally wants to help Qiao Jin fulfill her wish.

This kid has spent so much effort just to clarify this fact to everyone, so naturally he will do what she wants.

Countless pairs of eyes looked at Tang Mo, and everyone's hearts were also complicated.

Now that the truth of the facts is in front of us, it seems that all the truth is about to come out.

But before they ......

Everyone thought of the things they had done to Qiao Jin because of the plagiarism incident before, and the content in their eyes was very complicated.