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Quyuan Miscellaneous Altar"

Cross talk, in that era, was actually a C-position starter, terrifying~

The work I want to introduce today is "The Master of Cross Talk", the author Tang Sifang.

This book is the first prize work of the first "Online Original Literary Realism Essay Competition".

[Chapter 10 Poison Testing]

Chapter 1, Jinmen Xueyi. The protagonist He Xiangdong is practicing the "Eight Screens" under the guidance of his master Fang Wenqi, and he is skillful, but he is inevitably lazy and slippery, after all, he is just an old child. In the practice and ridicule between master and apprentice, the strong friendship between master and apprentice is undoubtedly revealed.

Chapter 2, Nil. The protagonist seriously practiced a high-level "reckless person", with a strong voice and emotion, and the action language was done in one go, which won the applause of the master. Later, in the midst of the master's laughter and scolding, the protagonist runs to find his new friend Nier, but it turns out that she is also a little girl who learns the traditional skill - Jingyun drum.

Chapter 3, Taiping Lyrics. This chapter details the development and changes of Taiping lyrics in cross talk and singing, in order to make Nier laugh, the protagonist sang a "Wen Wang Hexagram", although the words are plain, but the meaning is very clear. The protagonist also added a few words, and finally Bo Dennier had a sunny day after the rain.

Chapter 4, Childhood Companions. The protagonist and Neil frolic for a while before running away, and he tricks Niel's master into finding his master, and if he doesn't leave, he will be beaten. When I came to the street, it was the taste of the state-run meal that was called a fragrant ah, and the main sentence had to come to a tongue twister to relieve the hunger~

Chapter 5, I'll try. The old lady of the Shi family has a birthday, and the artist invited to have diarrhea can't come temporarily, and the protagonist's greed slowly shakes to the Shi family. Out of the artistic virtue of his peers to make up for the stage (more of a gluttony), the protagonist volunteered and showed his newly learned Jingyun drum, and the host agreed to let the protagonist go on stage to say cross talk.

Chapter 6, Cushion Talk. The Shi family prepared a coat, table, fan, handkerchief, and waking wood for the protagonist, and explained these props in detail, including the salute action of sitting on top and right hand on bottom. The words of the protagonist before the performance are also vivid and interesting.

Chapter 7, a paragraph on the spot. The protagonist was a little stunned after talking on stage, and he hadn't practiced stand-up comedy yet, so he could only smash it and hang it (play on the spot). He took the master to make fun of the shabu (the industry only laughed at it), but he didn't think about it, hey, he actually sang a whole chapter. The story is extremely smooth, and the audience laughs so much that it is leaning forward and backward~

Chapter 8, Persuasion. The protagonist sang a piece of "Persuading People" (also called "Zhuang Gong Dama") with emotion, persuading people to be kind and persuading people to be square, which is in response to the scene of the old lady of the Shi family doing her birthday. The audience likes it tightly, and the protagonist also likes the banquet tight~

Chapter 9, Kneel. The protagonist ate and drank well after the performance, and brought rare food to Nier and others, but when he returned home, he was scolded by the master, lost his food, and was punished for kneeling. It seems that his strict master is very angry with him for going out and performing at will!

Chapter 10, the layman's cross talk. The protagonist is punished and feels aggrieved. The next day, Nier brought her master to help intercede, and then slowly explained the rules of the cross talk industry, only when you are a teacher, can you be qualified to perform.

"Talking about cross talk is not telling jokes", this sentence is very incisive.

[Brief comment]

This is a typical art book, introducing the changes of cross talk and the ups and downs of folk artists, and it really feels like a history of the times when you read it.

This book is very professional, and ordinary people really can't write it, and I deeply doubt that the author is engaged in this industry.

Moreover, I suspect that the average person will not be able to read it, because there are many technical terms in the book, which may be a bit advanced and long-term for today's young readers.

However, the language style of the book is not rigid at all, on the contrary, it is very interesting.

is similar to cross talk itself, each chapter has some baggage, and it is still shaking, which can't help but amaze people with the author's mind and talent.

This book has a strong cultural and educational significance, which is not only the publicity and popularization of the cross talk industry, but also the publicity and popularization of traditional art and even traditional culture.

This is an excellent book with a high degree of combination of traditional literature and online literature, and it is also the crystallization of wisdom that collides with traditional culture and popular elements!

In addition, the author also has "Trick Luo" and "Peking Storyteller" under his name, which tell stories in the fields of tricks and storytelling respectively.

And "Trick Luo" is the second prize work of the 3rd Realism Online Literature Essay Competition.

[In short]

The author focuses on real-life folk artists, unearthing their untold legends and giving new life to art, in an attempt to pass on each different art with lofty ambitions.

There are not many online writers who can have this kind of artistic awareness and responsibility!

Friends passing by, stretch out your little hand, come and like it!

Let's talk about what you know, not for others to know, folk art and craftsmen~

【Cang's Whispering】

After reading the author's second book "Trick Farro", I was filled with emotion.

Because of the results, the author finished early.

I thought that if I opened the third book "The Storyteller of Beiping", the results would be better, but it turned out that it was not.

The author's starting point for writing the book is high.

The first two books won the grand prize in the realistic essay category, and the writer level was also promoted to level 5 early.

It's a pity that the results of the three books are not as good as one.

Actually, the quality and subject matter of the book are quite good.

It's a pity that the author's mentality collapsed, and it collapsed quite badly.

After the mentality collapses, the update also collapses, and the vicious circle brought by it is that the grades are getting worse and worse.

It's really a vicious circle that is hard to turn around.

Many good authors, including great gods and platinum writers, also have many examples of this.

Every author has high hopes for a new book when they open it, especially those whose predecessors are particularly good.

If new book collections and subscriptions don't meet your expectations, your enthusiasm for writing can be quite affected.

After the enthusiasm retreated, all that remained was to survive.

Principled people will insist on finishing the book, giving an explanation to themselves and to the readers.

Authors who care too much about outside comments often have a hard time getting the beginning right and finishing well.

The web article is such a cruel world.

It's never because the books I've written in the past are popular, and new books continue to sell well.

Although there are exceptions, they are also extremely rare individuals.

Several gods and platinums on the shelves on March 1, judging from the data alone, did not achieve the same level as their peaks.

It's still the same old saying

Writing is not easy, but it is done and cherished.

By the way, my short story, although it is only 150 collections, has surpassed the results of "Mirror Strike Giant" when it was updated.

It's really lucky~

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