The role played by Su Yin is the map of Kyushu. In the first act, the ancient painting scroll "Kyushu Tu" becomes conscious, transforms into human form, and she wakes up from her slumber.

In the National Museum.

At the end of the show, the tourists were scattered, and the Kyushu map appeared behind the crowd in an ignorant way.

In front of the exhibition hall of ancient human civilization, she was like a visitor, stopping to watch the unearthed exhibits, the introduction of the ruins of the Yellow River Basin, played in the projector next to her, and the familiar look of nostalgia appeared on her face, and finally turned into a bright and happy smile.

At the same time, it spans a long history of civilization and slowly unfolds in her memory-

Domesticating farming, the ethereal music from far and near, conveying people's wishes for a good harvest, the development of medical technology and manufacturing technology, making their lives beautiful, men, women and children are full of rich smiles, and there is peace and tranquility everywhere in Kyushu, where gods and humans live together.

That's when she was born, and that's where her memories begin.

Thousands of miles of rivers and mountains are painted, and the ink is the picture, and a volume of "Kyushu Map" records the most prosperous style of Kyushu at that time.

In the short film, there is no author of the picture scroll of "Kyushu Map", only a man's hand enters the mirror, his bony fingers are slender and powerful, and he is persistent in the end of the pen dipped in thick ink, and the pen is written in the clouds, verdant mountains, Yingying rivers, men, women and children, and finally outlines a magnificent scene in the world, called "Kyushu Map".

Until the painting scroll was completed and put away, the man revealed a little white pattern of clothing, and at a glance, he looked like an immortal, or he was an immortal at all.

If it weren't for immortals, how could you paint a picture scroll in the air by dotting on the mountains and rivers?

After that, the plot time in the short film returned to the present, Su Yin's Kyushu map, like a new life, came out of the museum, she walked out of the street, the bustling city scenery, and the world in her memory was completely different.

On a brightly lit night, brighter than the stars in the sky, tall buildings towering into the sky, endless traffic, lively crowds, and warm lights in residential buildings, Kyushu Tu She was deeply attracted by such a beautiful scenery.

She saw the night from night, and watched quietly as the lights of the night lit up and the earth slept.

Looking at this world, which was even more beautiful than when she was born, she tilted her head, her eyes showed some doubt, and then she smiled happily.

Then the place she stepped on, the beautiful scenery she had seen, everything was recorded again as a painting.

At the same time, on the "Kyushu Map" stored in the National Museum, the original picture of antiquity slowly fades, and the city in Su Yin's eyes is prosperous, people come and go, and a pair of Kyushu inhabited by modern human beings is presented on the picture scroll, with clear strokes and bright colors, outlining a new modern version of "Kyushu Map".

"Kyushu Map" was born in response to the prosperity of the world.

……

The theme revealed in the short film is clear, and through the comparison between ancient times and today's society, it shows that the civilization of our motherland has been progressing and the national strength has become stronger. The majestic and solemn capital city, the prosperous economic triangle, and the Yellow River flowing through it for eternity, every frame of the picture restores the powerful motherland.

The first part is mainly the scene shooting of ancient civilizations, restoring the people and gods in the picture scroll, and truly interpreting the stories presented in the picture scroll, this part does not have Su Yin's role, mainly several other actors, plus most of the group performances, and it was filmed for a few days.

Today is the filming of the last sacrificial scene, and a day has been set aside alone.

In the "Map of Kyushu", it is a large scene, which belongs to the group play, in which a young man who resembles a shaman in the human race leads the human race to pray to the gods for good weather.

The gods rain down on the gods, and then everything sprouts and crops grow.

Because the actor who played the witch couldn't find the feeling, he delayed the filming until the end.

The actor who plays the witch is not very old, he is the man who sat with Xiao Yingdi before, he is about 20 years old, he belongs to the popular type of beautiful man, his height is prominent, about 1.85 meters, and he feels like he stands out among the actors.

"Ka - the expression on his face is wrong, he prays to the gods for good weather, the point is not on the word 'ask', it's not that the gods owe you hundreds of dollars, you tell the gods to do well, return the money to me, right? It's not that you want to beg him, it's not that you want to be humble, what you need is a sense of piety, do you understand? ”

Director Chu Lan's tone was okay, and he didn't look angry, but when he sat there and asked "do you understand" very gently, everyone had a sense of ritual that immediately sat upright and listened to the professor's teaching.

After filming all morning, the young actor Hua Chen, who was stuck more than a dozen times, kept bowing his head and saying sorry.

"This character is the wisest of the human race, he is the guardian who leads mankind to a happy life, he has a very high status, he has a great right to speak, it is not an exaggeration to say that he is a spiritual leader, so he is mysterious, but also noble and proud, even if he is offering livestock rituals to the gods, he should also hold his head high and ...... like a warrior"

Chu Lan patiently explained, and then shot a few more times, but it still didn't feel right.

There is a sense of pride, but there seems to be a lack of solemnity. When he had a sense of solemnity, Director Chu disliked that the sacrificial action he designed was too ugly.

"The movement is not beautiful, the limbs are stiff, such a prayer action is made, are you sure that the gods will not have a drought for three years?"

Filming crew: "!! "So serious?!

Hua Chen, who was among the actors, asked timidly: "No, there won't be a big drought for three years, right?" ”

Director Chu said: "I think it will. "Based on Director Chu's experience as a god, it is obvious that he has done this kind of willful behavior after three years of drought.

Filming crew: "......" I don't know why I feel that what Professor Chu said is right?

What's the deal with the inexplicable sense of trust?

Although everyone felt that the shooting scene was already very good, after Professor Chu criticized it, he re-engaged in filming.

In the end, Director Chu said: It's not right to be a sacrificer.

Therefore, it has nothing to do with the acting skills of the actors, and the key reason is that Director Chu's requirements are too high.

So Director Chu looked at Su Yin, who was sitting on the side holding his mobile phone and scrolling through Weibo: "......"

"Huh? The money has arrived! The male protagonist's company is really excessive, if he hadn't received a summons from the court, would he be ready to deduct this part of the final payment? Such a big company really doesn't have any grace at all. As she spoke, Su Yin turned her head and met Chu Lan's gaze, and she asked, "What's wrong?" ”

"Sacrifice." Chu Lan faintly spit out two words.

"I'm sure you can! Come on! Su Yin clenched his fists and gave Chu Lan a cheering gesture, and then continued to go to Weibo, without any sincerity.

Su Yin knew that this scene had been stuck for a morning, and Su Yin naturally heard the metaphor of Professor Chu's three-year drought, she smiled secretly, and couldn't help but sigh, the last world Lan was really much better to the tribe under the river.

Everything should be compared.