Chapter Ninety-Eight: The Fish and the Bear's Paw Question Again (Part II)

Qingyun and Li Shenjun also dismounted at this time, and they were about to step forward to say hello and say sorry. Unbeknownst to him, the white-robed mourning star was really arrogant and unreasonable, and without waiting for Qingyun to speak, he tore off a filial piety stick from his horse and poked it over. The so-called layman looks at the liveliness, and the insider looks at the doorway, this poke seems random in the eyes of others, but Qingyun frowned. The swordsmanship of Excalibur Villa? Although this man is not the ultimate martial arts such as the Thirteen Swords, Qingyun has met Xie Fanjing, blocked Xie Aji, and fought Xie Emei, so he is naturally very familiar with the sword intent of the Xie family. As soon as the white-robed man made a move, he recognized it. Qingyun deliberately showed off, took a step back and stretched out his left palm to stand over the wooden stick, and then his right hand was like a sword, and the thirteen deadly swords obtained by the tiger and the cat were wantonly swayed. "Huh?" The white-robed man knew very well, and hurriedly dragged the filial piety stick and jumped back. The rod swept over the horse's legs, and the horse was in pain, and Herod cried out, turned around, and left. When the horse rushed past the white-robed man, he put his filial piety stick on the ground a little, rose up, and jumped on the horse's back. "The kid has a kind of don't go, grandpa will come when he goes." Qingyun and Li Shenjun glanced at each other, this is really pretending to be a ghost in the daytime, and they have met such a chattering living treasure. By the time the two of them got back on the horse, the man in white had already run away from anyone, and he was afraid that he wouldn't be able to catch up. "I thought I had a chance to fight, that's all?" Li Shenjun pursed his lips disdainfully. There was such a turmoil for no reason, and the two always restrained a little, slowed down slightly along the right side of the official road, and galloped. The outline of Luoyang City in the distance has gradually become clear, and Qingyun's mood is extremely happy. He was about to whip his horse and destroy it, but he saw two horsemen galloping out of the city gate. Although the face of the first rider is not clear, the white high crown is really eye-catching. Li Shenjun also saw it clearly, and snorted coldly, "This is looking for a helper to find our bad luck." "Come on, come on. Just now, I saw that the sword that the mourning star shot at random could probably be worth the earthly branch sword slave of the Sword Trial Villa. The helper he called might be stronger, do you dare to fight? "Joke! Will my Li family in Longxi be afraid? Walk! Hit him well! Something is going to happen to my Li family! "Qingyun This is the first time that he has learned about the benefits of making friends with a big clan. Although his eldest brother is a royal family, he is a Jianghu faction, and they will naturally fight together, but his speech is definitely not this style. So he and Li Shenjun glanced at each other, turned over and dismounted together, and waited to ride. The two horses on the opposite side rushed to the front, and saw that Qingyun and Li Shenjun had already set up a posture, and they also threw off the saddle and dismounted one after another. The man who came with the man in white was dressed in black and hat, and his two thick black broom eyebrows were the most eye-catching, covering almost all other facial features. Hey, this funeral is really a funeral, and it's a miracle that this pair can get together. "Eighth? The master of the Excalibur Villa you are talking about, is this one? "The man in black saw that Li Shenjun was extraordinary, and he saw that the crown year was the age of full physical strength, so he thought that the man in white had suffered his secret loss." No, Lao Qi, the one who used the life-killing thirteen swords was the kid next to him? When the man in black heard him say this, he sighed, glanced at Qingyun up and down, and hugged his fists and said, "In Xia Shunyang Fan is not guilty, this is my sworn brother Chen Jun Xie Bi'an." Dare to ask if this young man is the third son of Shenjian Villa? "Although Qingyun still looks like a teenager, obviously younger than the rumored third young master, but the Divine Sword Villa was able to comprehend the superior martial arts of the Thirteen Swords before the crown year, and in recent years, I am afraid that there is only the third young Xie Aji. Xie Bi'an and Shenjian Villa are in the same vein, so as soon as he and Qingyun join forces, they know that the opponent is by no means simple. He was afraid that he would recklessly bump into the master of his family, so he called Fan Wuxuan to help him find a place. Qingyun chuckled, "Xie Aji? I've seen it, and I lost a move to him last time. But a few days ago, I won a game named Xie Emei, which can be regarded as getting the field back. Fan Wuxian frowned at the two thick eyebrows, and asked in disbelief, "You beat Xie E's eyebrows?" She's alive? Where is she? "Not bad! Xie Emei is now living in the Snake Slashing Villa, which is the gluttony of one of the four fierce slaves. Qingyun replied lightly. Xie Bi'an had already heard that Qingyun was not from the Divine Sword Villa, and when he mentioned the Snake Slashing Villa, he suddenly became alert, "You, isn't it the new Tanjun of the Tan Sect who singled out the Snake Slashing Villa a few days ago, Qingyun?" "It's down there. This is Longxi Li, Li Shenjun. Qingyun reported his name in a timely manner, and his posture was sufficient, and he was ready to tear up. The two people on the opposite side were also on the way, and Fan Wuyi hugged his fists and saluted, "So there is arrogance!" My eighth brother was once expelled from the Sword Trial Villa, and there were some Liangzi over there. But sooner or later, we will have to look for their bad luck. Since you have fought against the two top masters of Shenjian Villa, then we might as well use the two brothers to try their luck and confirm the tricks that our two brothers have figured out recently. Qingyun probably already knew Xie Bi'an's skills, and he thought that this Fan Wuyi would not be too strong, so he waved his hand and pretended to be atmospheric, "There is no need for two people, I will learn from the two of them alone." Fan Wuyi twisted his eyebrows again, twisting the two thick wires like a mourning stick, "So that Sect Master Qing has a number in his heart first." My brother knows that you are a master and bold, but I am not idle. Although my eighth brother and I are only sparse in our ability to fight alone, in recent years, Brother Xie and I have worshiped under Zhang Zhenren in Longhu Mountain, and have learned a lot of inheritance and auxiliary methods that are born together. My brother created a set of martial arts to use to fight together, and the momentum was increased. Sect Master Qing is still careful. Qingyun heard these three words of Zhang Tianshi, and just wanted to ask. Where do you know Fan, Xie These two guys who are not ghosts or ghosts are really single, and they will fight when they say they will fight. In Fan Wuyi's hand was a pitch-black flat stick, which was the opposite of the white mourning stick made by Xie Bi'an. As soon as the two of them made a move, the white python and the black Jiao rolled in one place, the dark clouds covered the top, and the white waves slapped the roots, the momentum was really covering the sky and the sun, compared with Xie Bi'an's painless stick. The picture reflected in Qingyun's pupils has been divided into black and white, and not only did he gasp, but he really said it a little bit loudly. With this move, the black and white ghosts and Xie Aji did have a dozen! However, he didn't have time to worry about Xie Aji now, how he escaped from this black and white grating was the top priority. The water is clear, the water is turbid, the two rivers meet, although the momentum increases, but it is still distinct. This black and white, which have never been mixed together, cannot be regarded as invulnerable after all. Between the dark clouds and white waves, there is still a faint line of emptiness, as long as your sword is faster than the opponent's club, then there will be a fight for victory or defeat!

》》》》》 time to knock on the blackboardγ€Šγ€Šγ€Šγ€Šγ€Š

The previous chapter on ancient music has been finished, but the author found that there is still a tail missing. I don't know that the dance music chosen by the fire dance in the fighting dance, Yuzao vestibule Hua, Huatong Hua, is actually a repertoire made up opposite to the Yushu backyard flower. Shiranui Dance was given the hereditary title of Tamamo by the King of Wei. Tamamomae is the embodiment of the nine-tailed fox in Japan. The so-called Yuzao is the crown of the Son of Heaven, and the Yuzao is actually one of the women in front of the emperor, that is, the demon queen of the country.

In Japanese culture, the image of Tamamae is basically based on Daji. There have been rumors that tamamo came from India before, but it is pure nonsense. This set of reincarnation theory is original in Japan, and they say that the nine-tailed spirit fox was originally born in China, and it was Daji during the Shang Dynasty. Daji was defeated and died, and was reincarnated in the Magadha Kingdom during the Sixteen Kingdoms of India as the crown princess Huayangtian. After the destruction of the gods, he sneaked back to China and followed the ship that sent the Tang envoy Kibi Shinbei to Japan in the Tang Dynasty. This story of the nine-tails is original in Japan. In the story, the Shang Dynasty was several hundred years earlier than the Sixteen Kingdoms of India, and its natural origin was in China. Moreover, the origin of China's nine-tails is not the Shang Dynasty, it is the Qingqiu tribe during the period of the Three Emperors and Five Emperors. The Hindu origin of the Nine-Tails says that it can be put to rest.

However, China likes to tell many ancient legends attributing India to this matter, more than one, and today we are going to talk about the cause and effect of this Yama king. Where did the Yama culture come from? In this section, black and white impermanence appears, and Fan Wuyi (black) and Xie Bi'an (white) are the real names of the two impermanences, and there should be no doubt that these two are Chinese deities.

But for the king of Yama and the bull head and horse face, the controversy is big, and we need to talk about it slowly.

First of all, the model of Shan Yama, the lord of hell, comes from "Journey to the West". This belongs to the culture of Journey to the West, not the original belief in China. As everyone knows, the original intention of Journey to the West was to welcome Buddha, so some local beliefs and Buddhist IDs were integrated. The lord of the Yin Division of the local belief was the Taishan Mansion Jun at the earliest, and it was recorded from Tao Hongjing's "True Spirit Position Karma Map" to the Song Dynasty's "Seven Signatures of Yun Ji". Then later, there was a saying that there were ten halls of Yama, and the king of Yama was only the fifth hall of the five halls of the Northeast Tianzun and the five halls of the underworld. You said that these ten points of Yama and King Yama have nothing to do with India, so we have to go to the Indian prototype, right?

As for the king of Yama, the Ha Yin have always believed that its origin is Yamaraja, which is transliterated as Yamaraja. Is that really the case? This deity comes from the Hindu Vedas and is only mentioned in the Rig Veda. This is a celestial god, the master of the third day of the Six Desires, the Yama Heaven. And his body is a pair of twins, with a younger sister Yan Mi. What does this god have to do with the Lord of the Underworld? No.

The Indian Buddhist texts also recognize the Six Desires, and in the Sutra of the Long Aham, the Heavenly King of the Yama Heaven once helped the Emperor Shakti to fight the Asuras. But also in the "Chang A Han Sutra", there is a ghost of the same name, also called Yama. Book 19 "And there was a great jailer, who caught the king of Yama and lay down on the hot iron, and opened his mouth with an iron hook, and poured bronze into him, and burned his lips and tongue, and from his throat to his abdomen, and all of them were scorched. After suffering the crime, he will be entertained with all the women. "This is a punished villain, and there is no evidence that he has ever been in the underworld.

The two Yama concepts of the Indian origin have nothing to do with the Yin Si Yama. The lord of the Yin Division of the native Indian culture is the Bodhisattva of the Earth, and Middle-earth Buddhism also uses this concept, so it is absurd to use the thin term Yama as the source of the Central Plains culture.

At this time, someone will come up with a statement from the "Ask Hell Sutra", King Yama, Yun Qi was originally the king of the country of Bisha. However, there is no complete version of this scripture so far, let alone Sanskrit traceability, and only secondary references to various scriptures can be found. We have already talked about the ins and outs of some Buddhist scriptures, and many of them are native to China. This scripture that does not know the age and does not leave any fragments is the only case of Yan Luoxi at present.

Maybe it's not isolated, after all, there is a book of the Ten Kings Sutra that details the Ten Palaces of Yama in detail. The king of Yama suddenly turned one into ten, who borrowed from whose culture? As for the corresponding identity of Yama, some say that it is the fifth temple Yama King, and some believe in the commentary that it is the incarnation of the Equality King. This self-consistent statement just proves that there is no correspondence between the Ten Kings and Yama. The Ten Kings are a new theory that was incubated in China.

At this time, someone must ask, you will only say that Yama has nothing to do with India, so you can tell me where the source of the local Chinese culture is the name Yama? If there is no local source, then the "Sutra of the Ten Kings" can also be regarded as a Buddhist scripture, he said that the Buddhist scriptures are all from the West, and you can't refute it. Yes, that makes sense, let's talk about the relationship between the Lord of Yin Si and the local culture.

Yan, this character, in the ancient word count you will find, it used to be a place name. Out of "Left Pass? Twenty Years of Zhao Gong" fought in Ghost Yan. Note: There is a Yan Pavilion in the northwest of Changting County, Yingchuan. "Jiyun", ghost Yan, place name, in Yingchuan.

The words Yan and ghost were associated as early as 500 BC. Why does Yingchuan have such a place? The next allusion is a household name. During the period of the Yin Gong period, that is, more than 700 BC, Zheng Boke Duan and Yan arrested their own younger brother, so they had a stiff relationship with their mother. Zheng Bo (Zhuang Gong) was angry and wanted to meet his mother, but he did not go to Huangquan, vowed not to see each other, and put his mother under house arrest in Yingchuan. Later, Uncle Zheng regretted it, wanted to see his mother, and didn't want to break his promise, so at the suggestion of Ying Shukao, the lord of Yingdi, he dug the ground in Yingchuan to see the spring, and met his mother, which was to meet his mother in Huangquan. This place later became the Oni Yan (ι˜Žθ€…, Door also). The belief in Huangquan has long existed in China, digging Huangquan to see ghosts, so under the Yellow Spring, the king of a hundred ghosts, should he be called the king of Hades? Therefore, it makes sense to say that Emperor Taishan is the king of Hades. From the perspective of Buddhism, the king of Jizo Bodhisattva also deserves it, but what is the identity of Yama, how can he be called the king of Hades at will?

The Ten Kings have been determined after the Song Dynasty, the first king Qin Guangwang has introduced his origins, and descendants such as Bao Zheng, Lu Dai, and Lu You have also received a palace. This is Huaxia's own belief, respecting heaven and earth.

All place names have an allegorical or historical background, and there are never names from God, they are all given by man. Regarding the research of the place name of Ghost Yan, up and down for 5,000 years, you can't see it in the first 2,500 years, and many people will copy this book in the last 2,500 years. This is the value of this book, and such first-of-its-kind proposals abound.

After talking about Hades, let's mention the bull head and horse noodles slightly. Turning over the Indian classics to find those bulls and horses' heads is the same as sticking Hanuman on the head of Sun Wukong, there is no basis at all. There are only two theories about bull-headed horses coming out of India. One is the lost "Ask Hell Sutra" mentioned above, and we will not expand on it much. There is also a place called the Lengyan Sutra.

This "Lengyan Sutra" is a four-handed scripture dictated by a Shamen Banmidi (Wuliang) of the Tianzhu Kingdom in the Tang Dynasty, interpreted by the Shamen Mijia Shuo of the Wuchang Kingdom, dictated by Huaidi of the Tang Shamen (probably because of the accent problem), and transcribed by the layman Fang Rong. Whether or not this passage is apocryphal has been debated, but what is not disputed is that the Apocrypha has no original Sanskrit text. Again, it is a scripture in Chinese only. Moreover, it is a very authentic and fair sinology article: the divine consciousness of the dead. See the Great Iron City. Fire Snake Fire Dog. Tiger wolf lion. Bull-headed jailer. Horsehead Rakshasa. Hand with a lance. Drive into the city gates. To Infernal Hell.

The bull head and horse head here are obviously not intentionally referent, and they are called the same place as the fire snake, fire dog, tiger, wolf, lion, and have no logical relationship with the current bull head and horse face. However, in Chinese culture, the bull head and horse noodles have long been particularly meaningful, and it is likely that this passage was also transcribed from this meaning.

The bull's head, a symbol of justice; Horse face, a symbol of insight. These are all symbols that existed in the Han Dynasty even before. The evidence is here again:

Bull Head: "Three Kingdoms, Shu Shu, Jiang Wan Biography" After Wan saw the push, he dreamed that there was a bull head in front of the door, bleeding and pouring blood, and he was very evil, and he called out to Zhao Zhi of Zhanmeng. He said: "The husband sees the blood, and the matter is clear." Horns and nose, the image of the word 'gong', the throne must be the most public, and the sign of good fortune is also. ”

The shape of the bull's head resembles the word gong, so it symbolizes justice.

Horse noodles: Take the meaning of the horse prince. The worship of Ma Wangye was first seen in the first Zhou, and should be the stars in the sky. It has three eyes that can see all the truth. This belief was split into two characters in the late period, Erlang and Ma Mian, and the original provenance, Xing Ri Ma, gradually canceled the three-eyed setting, and could only find the existence of the former three-eyed horse king in the proverb.

The culture of Buddhism, especially Middle-earth Buddhism, is not equal to that of India. We have a mature script, and people still only have language and phonetic scripts, and as a result, these written records are all from Sanskrit transcription and dictation? Absurd!

If someone says that the bull-headed horse-faced Yama King is from Indian culture, then you can ask him to memorize a Sanskrit original text and listen to it, and let the horse prince pass by.