Outside the candy hut.

The old witch was tied to the thorny trunk of the tree, and the shivering snowfowl was tied to the tree.

William stood not far in front of the old witch.

To the left of William, there was a squatting Wild Dog Prince Heru, his eyes full of anticipation.

To his right, Hansel and Gretel, who are slightly reserved.

In one hand William was the old witch's witchcraft diary.

The diary was as thick as a dictionary and exuded a sweet scent, in an open state, with dense mystical knowledge and patterns written on it.

Originally, this book had a secret lock, and the diary that was forcibly opened without a secret lock would only activate the self-destruct setting.

But the locked "key" old witch was turned upside down, and it had already been handed over to Gretel.

Naturally, after the arrival of the new victor, Gretel also handed over this "key" to William.

William was able to read the entire Candy House without hindrance about the accumulation of sorcery knowledge over so many years, and when it fell into the eyes of the old witch, he was naturally furious, and if it weren't for the fact that her mouth was gagged with a rag, she would have scolded a long time ago.

Like the snowfin above, because it didn't gagged its beak, it kept "cooing" - begging for mercy, and the eyes of the two birds were full ......of flattery.

Unfortunately, William didn't even look at it.

And how could Gretel, who witnessed this snowfowl luring so many children to the candy hut and becoming an old witch's meal, could say good things about it!

William's eyes looked intently at the witchcraft diary, or codex, in his hand, which contained all the essence of the entire Candy House genre.

He had heard the name by chance in the mouth of the Potions Master, but he didn't know it as well as he did today.

A very interesting school of witchcraft.

In the beginning, the Candy House was a gastronomic wizard genre, and this genre had a lot of witchcraft, which was to turn various materials into all kinds of tempting delicacies.

It's like William's gourmet table.

It's like foodmaking.

If a witchcraft similar to food-making is cast, water and cream become a creamy soup, chicken with salt and spices becomes a salt-and-pepper roast chicken, and wheat with water becomes fragrant white bread......

That's where a lot of the food on the candy hut comes from.

This is a house that has been continuously spelled by witches throughout the ages, and the effect of witchcraft has been constant.

The white bread, candy, and biscuits on the candy hut, as long as they are eaten, will automatically return to their original state after a while, which is really similar to William's gourmet table.

Of course, the Candy Shack is a passive treasure, while William's gourmet table is a little more proactive.

Another point is that the candy hut has been linked to the magic array of this secret realm, absorbing energy, if it moves, it will cause the candy hut to lose its magical effect, and become a real ordinary hut, maybe it will collapse immediately.

It was because of this shortcoming that William lost the idea of helping the candy hut move.

But these things are a bit too far, and let's go back to the history of the wizarding genre of the Candy House.

In the beginning, Candy House was a gastronomic wizard genre.

Later, in the process of development, I don't know which witch, in the process of research, found that turning plants and animals into food is a change, so can one creature also become another creature, isn't this a change?

Compare to turning a living person into another living creature.

It was with this in mind that the witch began to delve into the gastronomic sorcery of the Candy House, doing a lot of experiments, and leaving behind a codex of research.

On the basis of her research, the witch in the back has innovated and finally researched a new kind of witchcraft - the Transfiguration Charm!

Witchcraft that can turn the cursed person into something else!

Witchcraft that can turn humans or other animals into rats, wild dogs, frogs, swans, or other inanimate organisms.

This witchcraft is not as destructive as the offensive witchcraft, and can only be regarded as auxiliary witchcraft, but there are countless places where it can be played.

The enemy fell for the magic of the Transfiguration Charm and turned into a chicken, duck and dog, so naturally he could only be slaughtered by others.

The Bishop of Light is powerful, and the Transfiguration Charm can come in handy when evading the pursuit of the Holy See.

This is also the reason why after the Holy See of Light took control of the faith of the entire continent, many powerful witch schools were wiped out, and the witch school of the Candy House still survived.

But this is the history of the past, and it is difficult to say after this time.

A few years ago, the loser fled with a ruyi cloak and a gold coin, and the winner, the old witch, also paid a heavy price, half-blind in his eyes, damaged in the sea of consciousness, and lived on a dancing magic flute, a shape-shifting wand, and a speed magic boot.

The candy hut also fell into a slump as a result.

If the Candy House was the strength of a few years ago, there were several black-robed witches, and there were so many treasures in hand.

Without the Ruyi cloak as a mobility ability, it is difficult for him to please so many black-robed witches.

William thought so, and it was only after taking over the entire candy hut that William was sure of this.

The old witch was also furious when she saw the effect of William's cloak of ruyi.

Of course, the old witch was not happy after she was caught.

Whether she is happy or ugly, it will not affect William's learning progress.

Transfiguration is a complex form of sorcery, and its level of sorcery is close to the standard of second-level sorcery in William's wizarding world.

One of the most complex and core is the magic pattern, which means "change".

William must thoroughly understand the generation, effect, change, transformation, etc. of this magic pattern in order to increase the success rate when casting the "Transfiguration Spell".

Just like William said in his previous life, if you know what it is, you must also know why it is, so that you can draw inferences from one another.

Even if the truth formula of mathematics is the same, it must be analyzed and studied in order to be flexibly applied, otherwise, the exam questions will be differently worded, and you will not know how to use the formula.

And "drawing inferences" here refers to things that are about to change.

It's just that this is not like William's wizarding world, where a lot of mystical theoretical knowledge has been excerpted and edited into a book, which is convenient for new wizards or apprentices to learn.

The theoretical knowledge of the Transfiguration Charm is only scattered among the scattered records of many books in the Candy House.

If you don't have a mentor to guide you, it's really hard to get started.

Obviously, the old witch was eager to eat William, how could she behave like this?

So the only thing William can rely on is the magic mirror.

After a lot of tossing and turning, and with Gretel's reminder, William finally mastered this sorcery.

At such a speed, Gretel, who had been hovering outside the witchcraft gate, was stunned.

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