The role of the voice is to practice singing loudly, so that the voice meets the requirements of singing on the stage, due to uninterrupted exercise, the voice can be increasingly bright and mellow, full of energy, clear and powerful, and maintain durability.

The second is to be familiar with the accompaniment, fully understand the relationship between singing and accompaniment, jointly grasp the size, interpret the meaning of the song, express the mood of the song, so that the coordination of singing and accompaniment can achieve a blend of water and milk, and then achieve a mutual tacit understanding in art, and coordinate the performance style of the entire singing section.

Shouting, a method for Peking Opera actors to practice their voices, can exercise each vocal part and correctly pronounce the original sound of each vowel.

The shouting time is usually in the early morning, in an open area, shouting loudly

"Hmm

“、

"Yi

“、

"Ahh

Repeatedly, from low to high, from high to low. After the voice is relaxed, practice with the singing section. Dantian Yin, also known as Xiangtang, is a vocal term for Peking Opera. When the actor sings, his lungs are full of qi, and his lower abdomen is exerted, and the qi seems to come from the dantian (about three inches below the navel of the human body, which is called the dantian). In general, the traditional method of singing opera vocal practice also believes that dantian sound is the most powerful (that is, the voice can be sent far away and can be heard clearly). Cloud covers the moon, a vocal term in Peking Opera. This is a metaphor for the mellow and more subtle voice of the old student. This kind of voice, at first it seems to feel dry, and then the more you sing, the more you feel bright and beautiful, so that people feel that the charm is mellow, the potential is endless, and it is a beautiful sound quality formed by long-term exercise. Tan Xinpei and Yu Shuyan's voices all belong to this type. Collapsed, a vocal noun of Peking Opera. In the middle and old age, due to the physiological relationship, the actor loses his voice and cannot sing at all, which is called collapse. Some actors love their voices and keep their vowels unchanged until they are old. There are many actors who sing with falsetto voices. The back of the head is a kind of Peking Opera sound. Also known as the back tone. In general pronunciation, qi comes out of the dantian, resonates through the laryngeal cavity, and comes out directly. Although the sound behind the head is also from the dantian, when pronouncing, the laryngeal cavity is slightly compressed, the posterior pharyngeal wall is opened, the soft palate is raised, the sound is sent into the head cavity, and the nasal sound gathers, so that the sound is roundabout in the back of the head, and resonates through the head cavity, giving out a subtle and rich tone. The pronunciation of the back of the head is vigorous and powerful, and it can reach far hearing, and it is not sharp when hearing closely. In the singing voice of the old student and the net horn, whenever the accent is closed (such as

"One seven

The high pitch of the "), this kind of singing is often used. There are fewer people who use the back of the head in the Danjiao singing voice, and the Cheng (Yanqiu) school singing voice is sometimes used. Absurd, also known as yellow, yellow or cool. Peking Opera vocal noun. It refers to the inaccurate pitch of the actor's singing, and it is customary to refer to the umlaut slightly lower than the key. Most of them are caused by the congenital physiological conditions of the actors, such as vocal cord variation, inaccurate ear sound, etc. Sometimes it is also caused by the illegality of voice practice. Fake tune, a vocal noun of Peking Opera. It refers to the actor singing in a pitch slightly higher than the prescribed key. Most of them are due to congenital physiological conditions. Some are due to temporary malfunction of physiological conditions (e.g., vocal cords); Sometimes it is also caused by the illegality of voice practice. Walking the board, a vocal noun of Peking Opera. It means that the actor sings a song that does not conform to the prescribed beat. In the Peking Opera singing cavity, there are a variety of different slots such as three eyes, one board and one eye, and an assembly board. Out of tune, Peking Opera vocal noun. It refers to the high or low pitch of the actor's singing, which does not conform to the prescribed key. Habits are out of tune. Qikou, one of the methods of Peking Opera singing. Refers to the way an actor inhales while singing. Peking Opera has different lengths and rhythms, and the actors must master the accurate inhalation method in order to sing calmly and beautifully. There are two types of air vents: ventilation and air stealing. Ventilation refers to the inhalation of the singing interval, and the stealing of the breath is the inhalation of the intermittent phrase without the listener noticing. Ventilation. One of the methods of Peking Opera singing. When singing, whenever you encounter a long cavity or a high place, you must inhale first and be fully prepared. Ventilation is not to stop singing again or obviously pause to pick up the singing, but to breathe and wait for change at the moment when the cavity swallows the words. The place where the air is ventilated in the singing cavity varies from person to person, and is generally called the air port. Stealing gas, one of the methods of Peking Opera singing. It refers to the ventilation without a trace, and the change is secretly changed when the audience is not aware. As sung by Chen Gong in "Catch and Release Cao".

"The horse is in the middle of the road, and it is difficult for me to return to the horse

After singing the first six words and

"Inside

"The word is long, utilized

"Me

This liner is inward

"Steal

"Take a breath in order to sing your feet

"It's hard to get back on the horse

The cavity is called stealing gas. Ga tune, in Peking Opera singing, whenever a certain word is sung with a prominent and elevated tone, it is commonly called Ga tune. For example, Yang Yanhui sang in "Shiro Visits His Mother".

"Standing at the palace gate is called Xiaofan

".

"Fan

Words, Huang Zhong sang in "Dingjun Mountain".

"Sweep until three o'clock in the afternoon

".

"Sweep

The words are all called Ga tunes. Long talk. Chang (音palm) is growth, and 吭 is the common name for the voice, which here refers to the volume. It seems to increase the volume. Smash the rammer. It is a metaphor for the drums when the actor sings like a foundation, which is derogatory. The actor is not good at mastering the singing method, using too much anger, or using brute force, and the clumsy accent appears in the singing (mostly in the end note), which is called smashing. ”