Later, I walked around the market again, went to the space to wash off the makeup and restore the original appearance.

also deliberately changed into a long-sleeved silk long skirt, in fact, this is a sample dress made by the board in the previous life, and the flat ladyboard shoes on the feet are also the flat shoes that were placed in the space in the previous life.

Walking to the door of the cultural relics store again, before she could say anything to reveal her identity, she was respectfully invited in by the salesperson of the store.

This discriminatory and respectful service attitude is really speechless.

However, Duan Huan can only complain and despise in his heart, the cultural relics store is not for ordinary people.

Internally, scholars, calligraphers, painters, and cadres above the thirteenth level who have research needs are oriented, and externally, overseas Chinese and foreign guests who bring foreign currency to earn foreign exchange for our country.

Internally and externally, Huanhuan has nothing to do with the cultural relics store, and the only thing that can be touched is that the beautiful knife in her bag is strong enough.

But the American knife is too strong, and I feel very congested.

With a little bit of foreign currency, you can exchange for antique cultural relics with high historical and cultural value and economic value, can you not be congested?

The antique cultural relics of a long time are not much to trace, even the modern cultural products are sold so much and panic!

Take the folding fan on the surface of Mr. Shiraishi's peach blossom book fan, and it is also a work with all kinds of knowledge, is it only worth 3 US dollars?

Even if you put aside the famous painters, just talk about the craftsmanship of this folding fan.

This fan bone, which is smoother than jade, and this delicate handwork, is not worth more than $3, right?

I know that the purpose of selling antiques is to earn foreign exchange for the country, but now it is so cheap to sell it, and when the economy eases up in the future, how much GDP will have to be burned, and how much effort will it take to make the return of these antiques successful?

In the past 70 years, more than 10 cultural relics stores across the country have earned an average of 450,000 yuan per year for the country.

In my previous life, every time I returned to the auction price of tens of millions or even hundreds of millions of yuan at the auction, I couldn't help but feel distressed.

In line with the idea that you can buy more now and lose less in the future, Duan Huan almost regarded the cultural relics store as a supermarket for a big sale.

Buy, buy, buy, hoard, as long as it looks pleasing to the eye, all those who come will not refuse!

I bought porcelain from calligraphy and painting, and I chose jade from porcelain, and there were ivory carvings after the jade was bought, and there were study utensils after the ivory carvings were bought.

The waiter listened to the joyful "Okay!" "Buy!" "Okay!" The monosyllabic answer, the heart is happy.

But while he was happy, he was worried that he had no money to pay, which would cause him to be happy.

When he asked Duan Huan for the seventh time to determine whether he wanted to continue to look at the goods, Duan Huan slapped the more than 50,000 US dollars he had taken out from under the sofa on the table.

"I only have a budget of so much money, can I look down?"

The waiter was frightened by such a thick wad of dollars, it was really the first time he had seen so many beautiful knives.

Overseas Chinese and foreign guests are not all local tyrants.

In addition to political dignitaries and wealthy children from noble families, most overseas Chinese and foreign guests are also ordinary people who live on wages.

Moreover, most foreign guests do not know much about China's history and culture, but China's antique cultural relics are closely linked to history.

If it weren't for the ardent pursuit of oriental culture and the desire to explore knowledge, they would rather buy practical things such as silk tea.

There are a small number of foreign guests who can buy antiques in the cultural relics store, and a large number of them just come in to see the excitement and not buy it.

So the thick pile of bills really stopped the waiter.

"When, of course you can, comrade, you can pick whatever you like, if it's not enough, we still have some stock in the warehouse!"

Wan Huan waved his hand, "I like those kind of delicate and easy to carry antiques, and those big ones that are clumsy and heavy, I can't take them away." ”

The waiter nodded like pounding garlic, and finally met a customer like Duan Huan, who had to serve well.

"I understand, I understand! Comrade, look at this, this is a boutique treasure in our store, ordinary customers, we will not take it out! As he spoke, he took out a yellow pear inlaid eight-treasure flower and bird suitcase from under the counter.

Jian Huan frowned when she saw him carrying the box, the style of the box was similar, she had just bought a sour branch outside.

"Don't fool me, although your box looks exquisite, you can find it in the old furniture market outside with some time!"

"Comrade, you misunderstood, our store is state-run, not those private antique shops in the old society, and it will definitely not fool customers," the waiter carefully opened the lid of the suitcase, "The treasure I am talking about is not this suitcase, but the contents of the box." ”

I watched him take out two wooden boxes from the suitcase, although the boxes were also sandalwood carved by heavy industry, but they didn't look like treasures!

The waiter smiled slightly, then carefully placed the box on the table, and opened the locks of the two boxes at the same time with a very light movement.

When the box on the left is opened, the yellow silk and silk cotton filling on the top is revealed, and there are two lake-colored cups underneath.

The cup is embedded between the yellow silk cloth and the silk cotton, and only half of it is exposed, but you can still see the general situation of the cup.

The shape of the cup is a very attractive hexagonal cup, the hexagonal shape is straight, the line surface is refreshing, the edges and corners are clear, the six edges are straight and upturned, the square is curved, and the square and round are very special.

The tire is delicate and uniform, and the porcelain tire is extremely thin, which is illuminated by the fluorescent lamp on the head.

The sum of the two lifetimes, the porcelain that has passed the eye is really a lot, although the hexagonal cup of the thin tire is rare, but it is not unseen, she changed it to a Ru kiln thin tire hexagonal cup last month.

The glaze of this pair of cups is also very special, the very light and faint blue-green seems to be absent, extremely bright and clean, in the jargon is called "rain over the sky blue".

Historically, there are famous Song Dynasty Ru kilns, Ge kilns out of porcelain, as well as the legendary crown of the kilns of the firewood kiln, are famous for the exquisite "rain over the sky blue" porcelain.

However, the concept of "rain over the sky blue" of this porcelain has to start with the firewood kiln and the owner of the firewood kiln, Zhou Shizong Chai Rong.

Emperor Chai Rong of Zhou Shizong once set the imperial kiln porcelain: "The rain has passed the sky and the clouds, and the color is the future", in order to symbolize the future national fortune like rain and blue.

Mingwen Zhenheng wrote in "The Chronicle of Long Things": "The firewood kiln is the most expensive, and the world has never seen it...... Blue as the sky, bright as a mirror, thin as paper, sound like chime", the bottom of the unglazed porcelain embryo presents the original coarse yellow.

Qing Lanpu and Zheng Tinggui also said in the book "Jingdezhen Pottery Record" that firewood kiln porcelain: "moist and delicate, with fine lines, refined and different colors, is the crown of all kilns".

The book also said that the firewood kiln porcelain has not been available for a long time, and the firewood kiln porcelain pieces are dazzling, like flying arrows, and the fragments obtained are also treasures and used as clothing and hats.

Zhao Ruzhen of the Republic of China recorded in the book "Antique Guide": "There are very few firewood kilns handed down, and they can still be seen in the Forbidden City." “

It is rumored that during the Republic of China, Yuan Shikai's housekeeper and great collector Guo Baochang exchanged a piece of firewood kiln with a house and 20 acres of fertile land.

In the collection of firewood kiln porcelain decades later, there have been different opinions about the truth and falsehood, and even the green lily vase of the firewood kiln once exhibited in Japan has been suspected of being fake.