Chapter 234: Three trails go to the center

Save me a lot of oil and vinegar, and everyone will be amazed.

I found that the cave I was in was not very large, but the wind inside the cave was not small, and the torches and flames on the walls were blowing and sizzling.

In addition to the small patch of ground at the moment, there were three exits in front of us. To be precise, these are three diagonal corridors leading upwards.

They are not naturally formed, but are clearly built with artificial cement and concrete, making them rough and bulky.

Although it leads to three different directions, all of them are without exception, and the internal space is quite narrow, which does not look like it is for people to walk at all, and even gives us the illusion that we have entered an underground sewer pipe.

However, the air circulation in the sewer is poor, and the smell is very smelly. Not only is there no smell here, the air flow is fast, and the oxygen content in it is not low, which really has nothing to do with the sewer.

Everyone looked at each other, this was the first time we had encountered the situation of choosing a route after entering the underground secret passage.

When I got to the entrance of the three corridors, I looked inside, and I didn't know where it went. The wind at the Yongdaokou was so strong that it made people's cheeks hurt, as if there was a huge exhaust fan at the other end.

Miyazaki squatted next to the entrance to the middle corridor, and let's take a look, saying that there seems to be light in this corridor.

When I looked closely, I could make out a faint glimmer of light, which seemed to be still beating, similar to the light of the torches on the wall next to us at the moment, and I could conclude that the distance between this corridor was not long.

In addition to the light in the middle of the corridor, the other two on the left and the right could not see the clues, as if the end was blocked by someone.

Light, in a closed environment, brings strong psychological comfort. According to my opinion, it is safest to take the middle road.

Michael has a different opinion, saying that there is a proverb in their country - "don't put all your eggs in one basket".

According to his meaning, it is better not to act collectively at first, but to find out the whereabouts of these three corridors, and then it is not too late to make plans.

It's not unreasonable to think about what Michael said, it's a waste of time, but at least it's safer. If you are desperate to enter the middle of the road, if something happens, it will be a failure.

Moreover, this corridor is so narrow, it is very difficult for a person to move in it, and if there is an emergency, it is possible that the whole army will be wiped out.

Everyone deliberated, and the idea of carefully sailing the ship of ten thousand years prevailed.

The fat man and Michael were too "slim" because they were too "slim", so they could only be "cheerleaders", and I, Anna and Miyazaki climbed in from the three Yongdao crossings to explore the truth as vanguards.

We took the torches from the wall and said that if we didn't reach the end of the half-hour we would turn back, and we must not move without permission and stay away from the large army.

I walked on the left side of the road, and when I first entered, the space was still relatively narrow, and the further I went, the more space became, and the wind became more violent, almost blowing out the torch in my hand.

But the road was far from as long as I expected, and it took less than ten minutes to come to an end. In front of me appeared a solid wall made of concrete, thick and rough, and there was no road.

I crouched down and observed by the firelight, and saw a small round hole the thickness of a bowl in the solid wall, which was rapidly inhaling and rattling the large amount of wind flowing in the corridor.

It seemed to be a circular space, and the bitter wind poured in from the entrance, and swirled and swirled in a chaotic manner, blowing the flame of my torch to the east and the west at one time.

I wondered why the builders of this tunnel had adopted this structure, and whether it was to enhance the flow of air. But that's what I thought, so I didn't have the time to care about these idle things, so I turned around and turned back.

Shi Miyazaki came out before me, and his description of the corridor on the right is almost exactly the same as mine. We waited about ten minutes before Anna, who had gone to investigate the middle corridor, finally came back, with a strange expression on her face.

Anna told us that the middle corridor was indeed not blocked, but the environment inside was very strange, and it seemed to be a well-built altar.

Altar? Miyazaki's eyes lit up, and everyone came to their senses.

The so-called altar is a special structure that worships gods and asks for protection. Generally speaking, in addition to the sacrificial function, the altar also has a common use, that is, to suppress some powerful unknown force, so it is also called "town altar".

Thinking of the master served by the female demon Tou, could it be that the passage in the middle leads to the near land where the ancient demons are sealed?

When I asked Anna again, Anna couldn't say anything, but said that it looked like it was full of organs, and she didn't dare to reach in for fear of being hit, so she only looked at it a few times and turned back to inform us.

Our goal was to find the lair of the female demon Tou, but if we got here by mistake, it would be a good thing to get rid of the so-called ancient demon if we really got rid of it.

After all, logically speaking, if this big violent death is a burp, it is estimated that the end of the flaw song will come, and even Fan Pei's strange pregnancy may be cured.

I thought so in my heart, but Miyazaki's eyes sparkled, and his pale face seemed to become rosy.

Not only him, but I could also perceive that all the members of the Inhuman Association were silently communicating with each other with a stealthy look, apparently because it was inconvenient for me and the fat man to speak clearly.

The fat man and I are not stupid, we don't see through it, but we are very curious in our hearts, and we don't understand why they are so excited.

If you think about it, the purpose of the Inhuman Association's trip to save people has been achieved, and the real purpose of Miyazaki Shi's trip with us is to get rid of the female devil and benefit one party as he said, or if he has something else in mind.

In this case, the fat man and I are both outsiders, and out of instinct, we have to be on guard and be vigilant.

I played haha with the fat man, and said Second Senior Brother, the road is narrow, and you will have to use the bone shrinking skill in a while, if you are stuck, Senior Brother, I can't save you.

The fat man took a bite of me, pinched his ass and sneered: "I hate it, people call it Fengman!" ”

While his snort frightened my hair, his eyes blinked twice quickly, and that expression was clearly warning me - be careful!

We began to march towards the middle of the road, and I walked with him at the back of the road, following the crowd on the pretext that the fat man was too fat and needed to take care of it.

The space in the corridor is much wider than the one on the left that I explored, and the wind is a little stronger.

There were four or five torches illuminating the way, so there was nothing unusual along the way, but it felt like the upward slope was extremely steep, and the inside of the pipe wall was very bright, which was very different from the one I had explored before.