Search for "Bring Your Own Koi Wear 60 35D1", or "Bring Your Own Koi Wear 6035 First", you can see the latest chapter of your own Koi Wear 60. Inside the box are shiny jewelry, which shines even more brightly under the flashlight.

There are modern style jewelry, as well as old heads and faces in the style of the Ming and Qing dynasties, but without exception, they are inlaid with all kinds of jewelry.

Ruby sapphire emerald, pearl emerald agate, crystal amber and diamond.

Moreover, the color of these gems is good, and the setting process is also very fine, not the kind of road goods that can be bought casually in gold stores.

However, these jewelry, obviously not sorted and sorted, are messily pushed in the box.

Necklaces and bracelets are mixed together, long earrings are wrapped around collars, and stud rings are also strung together.

After a few glances, he put the box aside and continued to look at the other boxes.

The next few boxes are much the same as the first one.

Most of them were jewellery and scattered gold bars and watches, but the quality of the things was far from the first box that was opened.

Jewelry with poor color and no research value, Duan Huan is not eye-catching, and after taking two looks, he put the box into the space.

Unexpectedly, the back box was the main event, and Duan Huan opened a large box, which contained a variety of brocade boxes for packaging.

When I opened these brocade boxes one by one, I found that in addition to a small number of vases and incense burners, most of them were small porcelain mainly tea sets, and they were basically tea sets from the Song Dynasty.

Needless to say, the porcelain of the five famous kilns is indescribable.

But the most of them are Longquan kiln celadon and Yue kiln celadon, the reason is because the Japanese people respect celadon very much.

Museums in many places in Japan have even designated celadon as the treasure of the town museum.

This has a lot to do with the special history of Japan and the unique aesthetic taste of the Japanese people.

The Japanese tea ceremony flourished in the war years of the 16th century, and the Japanese samurai wanted to find peace in the tea ceremony, so the Longquan celadon that once remained in Japan became a quiet thing in the eyes of these samurai.

I have to say that the aesthetic taste of Japan is very contradictory and extreme, if the celadon is the beauty of tranquility, then the various kiln markings stored in the box are dazzling.

A few decades later, the surviving antique Jianzhan of the Song Dynasty is basically Japanese, which is enough to see the Japanese people's pursuit of Jianzhan.

The auction price is often in the tens of millions, but it is still a hard-to-find building lamp, there are eight in the box, and I don't know how they were scavenged together?

The markings of the eight building lamps are different, and the types of vessels are also different.

The number of oil droplets accounts for half, and the four building cups are the same type of mouthpieces, but the pattern and color of the oil droplets are different, each with its own beauty.

An open-mouthed partridge bowl is similar to a hat cup, with round markings, like beads, full of three-dimensional sense.

There are two rabbit hairs, one is a golden rabbit hair, one is a silver rabbit hair, the rabbit hair is dense and compact, the boundary is clear, and the layers are clear.

The last one is the Yao Chang Skimming Bowl, the markings inside are a halo of shadows, the elusive brilliance in the bowl, and there is an unfathomable mystery.

The halo marks inside the Jianzhan are like the vast and splendid galaxy universe, and it is also very appropriate for Japan to describe the Yaobian Jianzhan as a "universe in a bowl".

This Yaobian Jianzhan is a humiliation to describe it as "the best", and Yaobian Jianzhan is an unborn treasure whether it is ancient or modern.

According to the "Juntai View Left and Right Accounts", it is recorded that Yao Bianban Jianzhan is a supreme divine product, worth 10,000 pieces of silk; The oil droplet is the second treasure, worth 5,000 pieces of silk; The rabbit is worth three thousand horses of silk.

The "Juntai Guan Left and Right Accounts" was written in the early 16th century, which is enough to see that Yao Chang Jianzhan had been canonized at that time.

Zhu Yuanzhang, the founding emperor of the Ming Dynasty, was born poor and was not accustomed to the flashy life of the powerful, and there was one thing that was particularly conspicuous in the glitz of the powerful, that is, the tea ceremony.

So Zhu Yuanzhang issued an order, that is, three prohibitions "It is forbidden to drink tea in large pots and pots, it is forbidden to use tea cakes, and it is forbidden to drink matcha".

Zhu Yuanzhang is a notoriously strict emperor, and as soon as the iron-blooded policy is promulgated, everyone from the bureaucracy to the common people must abide by this rule.

You can no longer drink matcha, you can no longer use large bowls and pots, and the market demand for Jianzhan is declining rapidly.

In just a few decades, the popular Jianzhan seems to have disappeared without a trace in the history of our country.

In this way, with its special scarcity, Jianzhan has set off a great craze in the collection world.

The oil drop and rabbit hair are precious enough, and the auction price of millions at auction often makes many wealthy collectors prohibitive.

Yao change the building of this treasure in the gods, but also the treasure of the world, there are a few known to the world of the building of the lamp, are properly stored in the museum, never appeared at the auction,

Private collection, whoever is lucky enough to get a Yao Chang building lamp, will also hold it in his hand, and it will not be easily shown in front of others.

In fact, in the decades after the reform and opening up, the domestic ceramic technology, driven by science and technology, has also been rapidly developed.

Modern pottery masters, restored the recipe and process of Jianzhan, can fire a beautiful rabbit oil droplets, but still can't fire the expressive Yaobian Jianzhan.

I put this box of building lamps into the desk of the space, and I am ready to slowly enjoy and maintain it when I have time.

With a god-level thing like Yaobian Jianzhan as the foundation, I am even more looking forward to the box in the back.

The next boxes did not disappoint Duan Huan, they are all antique paintings and calligraphy, and the preservation measures are also very good.

Whether it is the calligraphy and painting scrolls in the box or the brocade box as the outer packaging, they are all wrapped in layers of oiled paper.

In this way, it can not only isolate the oxidation of the air, but also prevent moisture and moth.

I opened a long brocade box casually, and looked at the scroll, which should be a large length of calligraphy and painting.

Slowly unfolded the scroll, and inside it was indeed a long picture scroll of flowers and birds.

Duan Huan felt that this painting was a little familiar, but for a while he couldn't remember the specific origin.

There are 12 different species of rare birds, such as thrushes, mountain magpies, hoopoes, sparrows, whiteheads, turtledoves, and peace finch.

The paintings are very realistic, and the birds in the paintings are lifelike and vivid. The birds show a variety of postures, each bird is extremely vivid, and each bird's mood is different.

The feathers of the birds are lightly rubbed out with light ink, and then dyed with thicker ink, and then the heads and tails of the key points are dyed with thick ink.

The feathers and other parts are depicted in layers, reflecting the soft texture of the feathers, the rich thickness, and the colorful colors.

The painting of foliage and flowers is similar, with a sense of movement in the breeze.

This painting scroll not only has the freehand of Chinese painting, which gives enough space for people's imagination, but also has realistic skills, not only similar but also similar.

Such a freehand and realistic Chinese painting, calligraphy and painting throughout history, is commendable.

Look at the payment again, it is the monopoly of the son of "Royal Pen" and "one person in the world".

The painter who dares to call himself "one person in the world" in the calligraphy and painting world and also has super high painting skills is none other than Zhao Ji of Huizong of the Song Dynasty.

Who made the family the best painting skills among the emperors, and also the highest official position among the calligraphers and painters.

The artistic level and status are all first-class and powerful, and there seems to be nothing wrong with calling himself "one person in the world".

This scroll of flowers and birds, I Huan now knows that she will feel familiar before, this painting turned out to be the famous "sketch of rare birds".

And this painting is still a serious 800 genuine product, in addition to the inscription of Song Huizong, there are also the seals left by Qianlong and Jiaqing appreciation.

Emperor Jiaqing still knew that the point was about to stop, but his father Qianxiao Si was a seal maniac.

On this painting, Qianlong pressed 28 seals.

And I remember that this painting was once in the country of the sun, and it only returned after the millennium, and the time point can be regarded as correct.

Most of the works of Song Huizong are collected in major museums, and very few are circulated among the people.

Once in a while, one or two pieces appear on the auction table, which is bound to make collectors rush to compete for it.

Song Huizong's paintings and calligraphy are so popular, and the auction prices remain high.

The reason for this is that in addition to the high artistic value of Song Huizong's works, it is also related to the explosion points and gimmicks of Song Huizong's life.

Song Huizong, who is peerless and stunningly talented, if he is a literary and artistic youth, he is a top Internet celebrity who leads the fashion.

However, he became an emperor in the wrong industry, and instead of thinking about governing the country, he was obsessed with art, pushing culture and art to the peak, and at the same time, he also buried his own thousands of miles.

Wan Huan carefully rolled up the picture and put it in the brocade box, and did not continue to look at the contents of the box behind him one by one.

Opening a box is the work of Song Huizong, and the remaining calligraphy and paintings in the box must be no different.

I put several boxes of calligraphy and painting into the warehouse of the space.

The main reason is that antique paintings and calligraphy are too fragile, sensitive to temperature, humidity and light source, and can damage paintings and calligraphy if you are not careful.

Huan Huan first put these paintings and calligraphy into the space, and prepared to organize them slowly when she was free.

。 Genius remembers the first three or five in a second