I've been to this building before, so I'm not new to it.

Next to the elevator in the building, there is the fire escape, and as for the elevator, I directly ignored it, in this case, I have a shadow on the elevator.

When I opened the door of the fire escape, an extremely strong yin aura came to my face.

I was overjoyed and figured that I had found the right place, so I hurried down the stairs.

After arriving at the first floor, there is an iron gate at the end of the stairs, but the door is also locked!

I ran for a moment, then jumped up and kicked the gate.

There was a loud bang, the door slammed, and my ankle ached.

Damn, I sat on the ground and screamed for a long time holding my feet, and the cold sweat of pain flowed down.

I can't open it, how can I do this?

I sat on the ground with my feet crossed, a little anxious. But then I thought that I had a helper, a skill that I didn't have, and the little ghost did.

Quickly took out the little paper man in his arms and summoned the little ghost Ding Ming.

Ding Ming was gnawed and bitten by those resentful spirits before, and his originally condensed and heavy body became a lot weaker, and it seems that he suffered a lot of losses in the previous battle.

"Help me unlock the door from the inside!"

When he heard my arrangement, Ding Ming was a little timid, looked at the door with a wince, and said, "There is a terrifying existence inside!" ”

"I'm just letting you open the door, not letting you fight!"

Seeing Ding Ming's instigation, I glared at him and scolded.

"Then, I'll run as soon as I open the door!"

Ding Ming waited for Ai Ai to approach the door, and her whole body shrank along the crack of the door.

In order to prevent accidents, I was on guard in advance, holding a long sword, and staring in the direction of the gate.

"Alright!"

The door opened suddenly, and Ding Ming's figure emerged from the crack in the open door, rushed directly into my arms, and disappeared on the paper figure.

"I think you just changed your name to Coward!"

I snapped softly and flashed back slightly, only to find that there was no ambush except for a stronger sinister aura.

Behind the gate was a long passageway, and to my surprise, it was not as dark as outside, and there were lights inside.

The passage extends to the left and right, and on both sides of the passage are room doors, which are quite similar to the layout of the administrative building.

Unlike the upstairs, the door number of the basement room reads Warehouse 1, Warehouse 2, Warehouse 3, and so on.

When I saw this scene, I was stunned.

Shouldn't this be, is this just a warehouse underground?

And the weight of the yin qi is also because of the proximity to the underground mass grave?

I was puzzled, thought about it for a while, patted the position of my chest, and shouted Ding Ming out again.

"Where is that powerful being you are talking about?"

Ding Ming only showed the upper half of his body, pointed to the door of warehouse four, and then disappeared again.

I cautiously approached the door and listened to it, but I heard a noise inside, buzzing like a bee, and I couldn't hear what was going on inside.

Still, I was overjoyed to know I had found the right place.

I pressed my hand on the handle of the door, but I didn't expect the door to be unlocked, and it opened in response.

Behind this door, there was not a room at all, but a long passageway.

The passage was crowded with frightened spirits, perhaps because the door was open, and these spirits moved into the air, and they actually swarmed out along the passage.

I cursed in my heart, and quickly fell to the ground and covered my head.

The bardo body does not cause these spirits to attack, but there is also an obvious drawback, that is, these undead will not crash through my body, but will actually hit me.

It's like a little ghost Ding Ming, if it's an ordinary person, you can't touch him at all, but I want to catch it, and it makes no difference if I catch a normal person.

Now there are so many resentful spirits, although they don't take the initiative to attack me, but if I let so many resentful spirits hit, I am afraid that my head will be broken and I will be seriously injured.

When the spirits in the passage roared by, I got up and realized that there was a reason why these spirits were hiding here.

Behind the door of the room is a Heavenly Master Swallowing Talisman, under the head of the Heavenly Master Talisman, is a charm made up of a beast head, the beast grinned, the sharp fangs pierced out the elder, in its mouth, there is also a sharp dagger.

Further down, there are five thunder secret characters and fire fighting characters, and then a crocodile-like beast full body diagram, and finally a gang character guts.

Although this powerful Heavenly Master Swallowing Talisman surprised me, it was not enough to shock me.

What really shocked me was that the spell was actually drawn on purple paper!

Although I often draw talismans and know a lot of talismans, I still lack a certain amount of systematic things because I don't have the master's personal guidance.

When I usually draw symbols, I always like to use yellow sheet paper, and I am also used to using yellow sheet paper.

But in fact, you can't just use yellow paper to draw symbols!

The last time Zhang Dahong saw me casting the thirteen needles of the Ghost Gate to reveal the golden light, and the corpse talisman I used was indeed yellow paper, he once specifically mentioned to me about the paper used for the talisman.

For spells, depending on the amount of power, there are actually five types of paper, namely yellow, blue, purple, silver, and gold.

Yellow table paper is actually only the most basic paper, and ordinary beginners, as well as people who are not deep enough in mana, will use yellow table paper.

It is precisely because of the use of yellow sheet paper that in the impression of the world, it is thought that yellow sheet paper is used for drawing symbols.

In fact, people who are truly advanced in practice, especially in critical situations, will use higher levels of paper as much as possible, such as blue, purple, and so on.

As for silver and gold, they are rarely used.

It's not that I don't want to use it, it's that I can't use it.

If your mana is profound, you can always draw talismans on yellow sheet paper, although the real effect of the spell drawn in the end will be reduced, but it will not affect the normal use.

But if you don't practice enough, but you have to use a higher level of paper, then it's not a discount.

If you don't have enough strength to draw talismans, the light one is to extract your own vitality, which will hurt your vitality, and the heavy one will have a mana backlash, which will lead to confusion in the meridians and half of the body!

Among the five types of runes, the first three are relatively easy to reach after cultivation, but silver and gold are different, this belongs to the pinnacle of talismans in the world.

According to what Old Daoist Zhang said, the silver charm needs to be practiced to reach the level of the great true person in Taoism.

And the golden color is even more powerful, at least at the level of the Heavenly Master!

But the Heavenly Master is not so easy to achieve through cultivation, among the Heavenly Master Dao of Longhu Mountain, except for the Heavenly Master Zhang Daoling, who has achieved it through cultivation.

None of the subsequent Heavenly Masters has reached this level!

It's just that because they have been canonized by the emperors of previous dynasties, have the luck of the dynasty, and have the heritage accumulated by Longhu Mountain for thousands of years, these heavenly masters of future generations can also draw golden charms.

As for the others, gold is not to be thought about, and silver has become the pinnacle of the world's charms.