At this point, this book that hits the streets to the Pacific Ocean is over, abruptly stopped, stopped at the most promising moment, the story of Banxia is far from over, and the infinite reverie is left to all readers.

The rest of Ah Xi can't bear to write anymore, and then writing is a tragedy, according to Banxia's character, she will do her best to turn the tide, she will become the most dazzling and powerful person in Daming, this is like a reincarnation, the little emperor will grow up, she will also grow old, and the murder brought by time will start a new round of purging.

The sixteenth century is the century when the West opened up a new route, and she may be able to make a revolution within Daming through reform, so that Daming can appear on the stage of history as a \emerging capitalist\capitalist country (which is a fantasy for the budding era), so that it is possible to make this broken ship go further.

However, no matter how the fatal flaw brought about by the small peasant economy of the Gaii Revolution made the Daming still have a large number of feudal remnants, then the result is obvious (specifically referring to a certain land and a certain Big Bear Country), expansion and monopoly are the themes, and Gai Revolution and capital serve the former.

The outline has been written here, Ah Xi also imagined the age of Discovery, what kind of era should be a struggle, her vision may enable Daming to open up farther trade routes, transfer the internal contradictions of the imperial court, maybe a hundred years later, a new world.

[After the rain at night, the windows on both sides of the street are bright and clean, the ventilated street lamps are lit one after another, the glass windows are hung with new dresses, the foreigner cake shop and the traditional pastry shop are close to each other, the pedestrians hold the improved steel umbrella and talk in twos and threes, there are young people with wide robes and big sleeves and girls who mix and match Western-style skirts, long hair and short hair that show off their personality coexist.

The figures are intertwined under the gasoline lamp, the night is really coming, the high-rise buildings are arched and corniced, some are hung with traditional bright corner lamps, some use foreigner-style wrought iron lamps, the teahouse has built a seat along the street, and the little two come up and ask, "Do you want some tea or coffee?" ”

Life in the market is in order.

The most talked about is to follow the sailing team to go on a long journey, women go out of the house and enter the academy and officialdom, and the scholars not only want to be officials, they are more eager to enter the scientific research position. ]

This is the most perfect ending, but in fact her changes can only be failures, and the times limit everything (Zhang Taiyue's reforms were also completely overthrown after his death).

Her dignity, stubbornness, or pride can make her end a dramatic tragedy.

[Closing Thoughts]

When I first conceived this book, it was the spring of 19 years, and it was winter when I really put pen to paper, close to the Spring Festival, Ah Xi stayed on a small island in Guangdong, the sea breeze blew the waves at night, and the fireworks exploded in front of the window from time to time, the colorful colors were very dazzling, and at that time I typed the first word of the book, and the story of Banxia slowly unfolded, and the intrigue and the winter sea breeze always made me think a lot.

I tried to whitewash Banxia, and then I gradually understood that whitewashing is impossible to whitewash, she is such a person, you can't ask her to be like Xiao Lu (the heroine of the first book) to be a 'saint' who wants everyone to be good, she is very real, as real as a dream, bad person, she is qualified.

In fact, it is difficult to evaluate whether it is good or bad, in the long course of history, good people can become bad people, and bad people can become good people, and the evaluation standards given by the times are different, just like the statue of Lincoln that was torn down.

When I first created it, my predecessors said to me that writing a book is similar to being a human being, no matter what you want to present, there must be salvation in the end, and you can't just show destruction to others, what is the difference between that and instigation.

I also thought a lot when I wrote it, in that era when people's hearts were in danger, the etiquette and music under the shackles of the world collapsed, and the rights and desires were infinitely magnified, and Banxia's inner desire for all this happened to be the epitome of the times, and in the end, the rights obtained by all means did not make her gain inner peace, but more tormented, and she found that she had neglected something. (This should be the awakening of human nature, but Ah Xi's pen power is limited and he can't write well)

The worship of the strong, ignoring the survival of the weak, Banxia ignores precisely those small people who are huddled at the bottom, and she needs to awaken.

Now it's winter again, and it's just the end of it.

The third book is going to write a heroine who is cold on the surface but actually has a sand sculpture in her heart, or in ancient times, the heroine is crossed, but she is very miserable, others have a splendid life, only she has become a secret guard who licks blood at the tip of a knife and has no name.

Finally, thank you to the readers who have been supporting Ah Xi! Miss Bailan, the dedicated operation officer! And the little angels in the group who listen to me brag every day! This should be Ah Xi's last book in Dianniang, to be honest, Ah Xi has no bottom in his heart, he is tired of the generator that generates electricity for love, and he will write it in the future, the rivers and lakes are lofty, we are destined to see you again!

Oh, if you're going to do that, I'll make up for it later, so there's about some.

- Final words