Chapter 780: The Peculiarity of the Four-Star Scene
"On the first floor is Teacher Bai, on the second floor is Hongyi, and on the third floor is a group of invisible monsters, so what will happen on the fourth floor?"
Chen Ge stood alone in the corridor, not even daring to breathe too hard, his pupils shrank a little, and the muscles of his whole body tensed.
"Since you're here, let's take a look."
Moving his footsteps, Chen Ge's figure was slowly engulfed in darkness.
In the dark corridor, the only light came from the elevator display, and the bright red numbers were like smiling faces cut by knives, which could not be healed, and could only smile with pain forever.
"Crunch ......"
After walking a few steps away, Chen Ge found another room related to art - the model storage room.
The door itself was not tightly closed, and a crack was exposed, as if someone was peeping behind the door at this time.
Chen Ge slowly pushed open the wooden door, and the scene in the room was a little weird.
There are no test equipment, just pieces of "towering" white cloth, which gives the impression of a person standing in a room with a white cloth on his head.
"What is this?"
Chen Ge approached decisively, stretched out his hand to take off the white cloth closest to him, he wanted to know what was under the white cloth, but he was afraid that the things under the white cloth were very dangerous, so he had to take risks, wanting to take advantage of the other party's failure to react, and strike first.
The white cloth slides off, and underneath is a skinned human sculpture.
"It doesn't seem to be a plaster or artificial glue." Chen Ge frowned slightly, and under the white cloth was a skinless mannequin.
The muscles are in a state of exertion, and the blood vessels are wound and traversed on the flesh, lifelike, and every detail is restored.
"The art students of this school should just use this thing to practice drawing, right?"
He looked at the mannequin, and the model was also looking at him, the eyes that were sunk into the blood vessels and bones, staring at Chen Ge deadly.
"With rows of blood-smelling paint in the paint storage room, and a pile of skinned models standing in the model storage room, I can't imagine what's going to happen in the final art room."
Covering the white cloth again, Chen Ge learned the lesson of the last time, did not stay in the same place too much, and left directly.
As he turned to close the door, his gaze swept to the inside of the model storage room, where a white cloth had fallen to the ground, and the contents were missing.
Leaving the model storage room, Chen Ge found the drawing paper storage room on the other side of the corridor, which was full of half-processed or already made "oil painting paper".
When you touch it with your hands, the surface of the processed "oil painting paper" is smooth, and you don't know what you have smeared.
What aroused Chen Ge's alarm were the untreated and half-processed "oil painting papers", which felt very similar to human skin.
Without staying long, Chen Ge wiped his hands with his work clothes and exited the room.
"What the hell is this lab building used for experiments?"
Chen Ge continued to walk forward, and finally found the art activity room in the deepest part of the corridor.
"It's the same as I guessed."
Successfully found the art activity room, and Chen Ge's purpose of entering the experimental building has been half achieved.
He walked forward briskly and pushed the door.
The wooden door opened, and there were thirteen easels in the room, and the walls were covered with various paintings.
At first glance, this is an ordinary studio, but if you look closely, you will find that there are countless frightening details hidden in the room.
The paintings on the walls are all strange, with human faces, distorted souls, human portraits, and abnormal bodies, and the content of the paintings is completely different, but all the people or "ghosts" in the paintings, without exception, are all upside down.
The background of the painting is upright, but the people in the painting are upside down, as if they live in another world, and what is drawn in the painting is only their shadows.
The paintings on the walls brought Chen Ge an indescribable shock, walking in it, his eyes were attracted, and he had the illusion of walking through a nightmare.
Coming to the center of the studio, there were thirteen unfinished works on the thirteen easels, three of which caught Chen Ge's attention.
There is a painting of two upside-down doors, one blood-red and the other ordinary.
The doors were all open, and inside stood a painter with a pen, looking down at his upside-down self, thinking about something.
The name of the work is - Me on the other side of the door, and there is a line of scribbled blood letters under the title of the work - enough desperation will open the door, so if the despair is cleared, will the door return to normal.
This work is the only painting Chen Ge found with the name of the work, and the author is obviously aware of the existence of the door.
The second painting that caught Chen Ge's attention was a bit scary, and it was this studio that was depicted in the painting.
In the upper part of the painting, thirteen painters sit on chairs and paint, and the lower part of the painting is blood-red, and thirteen painters die tragically in their seats in different ways. The most suffocating thing is that in the upper part of the painting, the painters are painting on the drawing board exactly what they have died tragically.
"These painters seem to know their fate, but they are still painting because the result is predestined and cannot be changed?"
The third painting that caught Chen Ge's attention was the least complete, the top half of the painting was a child standing facing the mirror, the world around him was normal, but the mirror was blood-red, and he was covered in blood in the mirror, slapping the mirror hard.
The second half of the painting is still the same child, the world around him is blood-red, only the mirror in front of him is clean and bright, he is covered in blood and slaps the mirror, trying to strangle the uninjured self in the mirror.
"I've seen blood-red mirrors in the repair room, and the mirrors in the ghost school do the same thing as the door? No, I seem to have overlooked something very important! ”
Chen Ge knew that the four-star scene was completely different from the previous three-star scene, and many of his previous experiences were no longer applicable.
"Door and mirror, blood door and blood-red mirror behind the door......"
The clues in his mind were slowly connected, and Chen Ge had a bold guess in his heart.
"Maybe I should keep this painting." There is another reason why Chen Ge attaches so much importance to the third painting, and there are three words written in the artist's signature under this painting - Lin Sisi.
This painting may have been painted by the real Lin Sisi, and solving the mystery of Lin Sisi is very helpful for Chen Ge to figure out the world behind the door, and it can even be said that this is the main task he arranged for himself.
Reaching out to the easel, Chen Ge hadn't even touched the painting, and there was a huge change in the entire studio.
There were water droplets dripping from the top of his head, and Chen Ge reached out to touch it only to find that it was not water at all, but blood.
The air became damp, a heavy stench crept in, blood began to leach from the walls, and blood footprints appeared on the ground.
The normal world seemed to be overlapping with another blood-red world, and all the paintings in the studio became distorted, and a black shadow suddenly flashed out of one of the paintings, heading straight for the door.
The figure Chen Ge looked a little familiar, he immediately stopped what he was doing, grabbed the nail, and slammed into the door at full speed.