Chapter 156: Su Coffin Soul Suppression

In the faint light of the fire, Chen Zhi saw that this seemed to be a natural cave, although it was under the sea, it was not damp. He lifted the fire fold and leaned into the cave, which was a very narrow cave, bare and had nothing but the rock wall, and he quickly came to the end, and found that there was a narrow gap in the rock wall in front of him, narrow enough for only one person to pass through, and the black hole inside did not know where it led.

At this time, Fat Wei walked over, and after the rest just now, the pain in his body had been reduced. He tightened his belt and crouched down to pull up his trouser legs. said: "You stay here to take care of Qin Yueyang, I'll go in and take a look!" ”。

"What do you want to do?" Chen Zhi grabbed Fat Wei and said. "Don't act alone, it's too dangerous here, let's go in together when Qin Yueyang wakes up." ,

"Don't worry! If there is danger, I will not go if you force me to go with a knife. Let me tell you, from Feng Shui, where we are now is where the dragon's eyes of this submarine tomb are located. Generally, when the tomb is repaired, the coffin of the tomb owner will be placed in this position. I'll go first, and if I'm lucky, I'll probably be in front of the main burial chamber. Fat Wei had already taken out the brass compass in his hand, and Chen Zhi saw that the pointer on the compass no longer moved left and right, as if it had returned to normal.

"I'll go with you", the ghost knife jumped behind him, picked up the long knife, and got into the crack of the rock wall first, and disappeared in a flash, and Fat Wei immediately followed him and disappeared into the darkness together.

After Chen Zhi watched them leave, he turned to look at Qin Yueyang, and saw that Qin Yueyang's brows were stretched a little, sleeping soundly, his body was covered in blood-stained clothes, and his face was full of blood.

Chen Zhi looked at Qin Yueyang's state at this time, and frowned tightly, the core of their mission this time was to escort Qin Yueyang to the main tomb safely, retain her divine and witch abilities to the end, and lift the seal of the killing stone. If Qin Yueyang was seriously injured and couldn't cast spells, then even if they found the main tomb, it would be meaningless, and their mission would be a complete failure.

If the seal can't be lifted, then they'll be trapped in this barrier and will never be able to get out.

At this time, Fat Wei returned from the same way alone, the expression on his face was very complicated, and he looked at Chen Zhi with deep meaning and said, "Orange, you come with me, there are big dishes here."

"Big dish" is the black word in the tomb robbery industry, Chen Zhi heard Fat Wei say before, in the general mausoleum, there will only be one tomb owner, especially the imperial tomb, and the other corpses are buried together, and the coffin will not be put into the main tomb, but can only be placed in the ear chamber.

If you enter the main burial chamber and see more than one person's coffin, it is called "vegetable", and if the number of coffins exceeds five, it is called a large dish. The big dish is very rare in the mausoleum. The general "dishes" are all husband and wife burial mausoleums.

Fat Wei once said that he entered the mausoleum of the emperor in the Eastern Jin Dynasty, and there were five small coffins side by side. After opening, the coffin was full of baby corpses that had not been born, and later I learned that this was quintuplets, and it was estimated that the medical conditions were poor at that time, and the quintuplets could not be born, and they were buried together after the death of dystocia. At that time, this was called "big dish". A stream of emerald green grapes is found in this "big dish".

Chen Zhi wondered in his heart, how could there be more than five coffins in the main tomb of Bai Qian, could it be that they were decomposed and packed separately? He was thinking wildly, and followed Fat Wei into the crevice of the rock wall.

The passage in this rock wall is very long, and the more you walk, the narrower it gets, and Chen Zhi feels like he is about to suffocate when he walks to the end. However, at the exit of this narrow path, a very large natural cave appeared.

This cave, dozens of times the size of the cave just now, at least more than 2,000 square meters, and the small cave just now are connected through the gaps in the rock wall, showing the shape of an inverted gourd.

Fat Wei had lit a few torches placed on the cave wall before, and now the whole cave was in full view in the firelight. The ghost knife is holding the knife, standing at the entrance of the cave.

Seeing Chen Zhi coming in, the ghost knife did not speak, but turned his eyes to look into the depths of the cave.

Chen Zhi looked ahead, there were no artificial carvings in this cave, and there were natural forms everywhere. However, in the middle of the cave, there are more than 100 coffins. It is dense and spectacular from a distance.

All the coffins are made of wood, although it is not clear to see the material, but it can be seen that the quality of the wood is very good, the wood is mellow and glowing, and after so much time, there is no sign of decay. But the workmanship of the coffin is very simple, there are no patterns depicted on it, and even the colored paint is not pasted.

These coffins are arranged neatly in one direction around the middle of the cave, and there are stone platforms underneath the coffins to prevent them from being eroded by stagnant water. In the middle of the cave, there is a clearing, on which is placed a large stone, the skin of the stone is burnt yellow, there are many horizontal stone marks on it, revealing many transparent marks, and the treasure light inside is shining.

Chen Zhi recognized it at a glance, it was a huge diamond rough stone. And on the top of this diamond rough stone, there are two big characters sealed with black lacquer, "Soul Town".

The glow of the fire burning on the walls casts a shadow of orange-yellow on the top of these coffins, making the cave even more eerie.

Chen Zhi reached out and took down a burning torch from the wall and walked towards the coffins. He circled around and counted the coffins, which numbered one hundred and one.

He slowly crouched down, looked carefully at the nearest coffin, and touched the edge of the coffin with his hand.

Chen Zhi found that the wood of these coffins is really good, using high-quality fish scale spruce, this kind of wood unique to Japan has a small yield, the wood density is very large, can prevent insects and rats from biting, and make coffins that will not be damaged for 10,000 years, which is very precious. In ancient Japan, only the tombs of the imperial family could be used.

However, these wooden coffins are different from the burial rites of the ancient Japanese. The coffin is very plain, and there is no lacquer on it, let alone a painted pattern, which is rare in ancient Japan. It seems that all the coffins here were made urgently within a certain time limit.

When Chen Zhi looked closely, he found that on the side wall of the coffin, there was a row of deeply engraved words, and the penmanship of those words was very exquisite, and the swing was vigorous and powerful, which was definitely the handwriting of a calligraphy master. Moreover, these words are carefully carved on long strips of white stone, and then embedded in the side walls of the coffin, and the seams are poured with silver water, and there is no overflow at the edges, and the details are meticulously handled. It can be seen that the reverence and prudence in the hearts of the craftsmen in writing and engraving these names can be seen.

Chen Zhi carefully recognized these words, which were all Japanese surnames. Some of the surnames are so popular that they are part of Japan's history, and are often heard in the international news today. (To be continued.) )