Huainan Immortal Traces Chapter 65, Yongdao Mural
The group dug up the mound, and the little fox suddenly fell into the darkness with his feet empty.
When I turned on the flashlight, I saw an empty cave underground.
There is a huge stone gate in the middle of the cave.
Xue Pu hurriedly followed, picked up the little fox who had fallen, and the old man slid down with a rope tied to his waist.
Wang Zebin and his wife also jumped down, poofed, and dust was raised all over the ground.
Looking at the huge stone gate, my heart trembled.
This stone gate is three meters high, and on both sides of the stone are carved two Han Dynasty stone figurines with long swords in hand and wearing armor.
The stone gate is tightly closed, and people say that the Han tomb has ten rooms and nine emptiness, but I don't know what is going on in this tomb?
Wang Zebin held the long sword in his hand and didn't say a word, and Xue Pu stopped him from cutting the stone door.
The little fox smiled: "In this world, there is no organ that can stump the fox in front of me." ”
I saw her walk up to the door, pushed hard, and found that there was no lock on the stone door, she blew away the dust on it, and looked through the crack in the door, only to see a boulder on top of the door.
The little fox said, "It turned out to be a running stone. ”
Tap stone is a piece of diamond that is hard enough to lean against a door by gravity.
The door was pushed inward, with a card slot on it, until the stone door was closed.
The tap stone uses gravity to fall, and it is pressed between the card slots, blocking the door to prevent outsiders from entering.
Although the structure is simple, countless tombs and treasures throughout the ages have used this method and have been tried and tested repeatedly.
In addition to this special machine key, the way to break this method is to make a hook or crutch with a steel wire, use the hook to go deep into the gap in the door, and then push it away and push it on the tap stone to push him away.
This kind of tap stone structure seems simple, but it is not easy to do, just say that the diamond against the door has a great weight.
The little fox looked at Zhou Yunfeng's muscles and smiled evilly.
I just watched her take out a crutch from the package that was specially used to crack the tap stone, and used the end of the handle to dig into the crack of the door, shouting to everyone to work hard.
Everyone worked together to push the crutches in the crack of the door, and each exerted his strength.
One-two-three, one-two-three, everyone shouted slogans together.
Suddenly, I only felt that the power of the obstacle had disappeared, and sure enough, there was a muffled sound in the room.
Bang, the tap stone in the door fell to the ground.
The feet of the crowd were unstable, and the space underground was also shaky, apparently from the impact of the knocked down stone falling to the ground.
Zhou Yunfeng pushed open the stone door, and the dust was full of dust and fell on everyone.
He was about to go to the corridor, Xue Pu and the little fox hurriedly stopped, Xue Pu grabbed Zhou Yunfeng's shoulder and said eagerly: "Don't!" ”
Xue Pu said: "Tiezi, the tomb under this place has been closed all year round, and a large amount of cold and rotten qi has been deposited, and people should not blindly enter it. ”
The narrow corridor of the tomb was pitch black, bottomless, as if there were endless secrets.
The little fox smiled slyly, took the candle, and shot the candle out with the plum blossom needle, and suddenly there was a large amount of it in the road.
The lamp holders in two rows of the corridor are instantly illuminated.
Zhou Yunfeng couldn't help but exclaim: "I'll go, what is this Lao Tie!" ”
"White phosphorus, white phosphorus has a very low ignition point, and it can burn in the air, so I think it's when we enter and vent into the air, and the light will be on."
The little fox nodded: "Since the light is on and my candle has not been extinguished, it means that there is still enough oxygen underground." ”
Everyone nodded, and the little fox was a little worried, so he took out the stone and threw it.
Boom, boom, boom.
The stone triggered the mechanism, and the dark hole in the corridor was fired, and the arrow clusters hit the stone wall, emitting a little fire.
If Zhou Yunfeng ventured in, he would be a hedgehog now.
Xue Pu didn't dare to slack off to open the King Kong umbrella and walk in the forefront.
I only felt that the stone road under my feet was a little loose, and I didn't dare to walk fast.
Zhou Yunfeng and the little fox are behind, Wang Zebin and Wang Wenyu are behind.
Looking at the murals in the corridors, Fang Cai's nervousness was swept away, and he couldn't help but revel in this fantastic and magnificent mural.
Around the road, on the gray and white stone bricks, the Han Dynasty brick paintings are painted with line engraving technology, and the shape is abstract and beautiful.
On the walls of the road, the red paint unique to the Han Dynasty is used to outline the sun, moon and stars, the flying dragon golden crow, the Xuanniao of the Han Dynasty, and some mythological figures.
The figures outlined in the lacquer paintings are lifelike, and their clothes are fluttering, like immortals.
Although the brushwork is romantic and the shape is freehand, whether it is birds and animals, or fairies and strange people, they all seem to have a breath.
People in it seem to be in the clouds, and they have the feeling of ascending to immortals.
Zhou Yunfeng felt a trace of apprehension in his heart: "Da Lao Tie, what are the paintings on this wall?" ”
Xue Pu looked at the wall and thought for a while, admiring the magnificence of the mural in his heart and said, "These paintings are all mythological stories. This Shouchun was once the capital of Chu State, and the people of Chu believed in the art of witchcraft and also admired Huang Lao.
The Han Dynasty was not far from the time of the Chu State, and it was also a theory of advocating romance and immortals. ”
The little fox looked at the murals above, and pointed out one by one: "Hahaha, look at you, this crane is flying with Wang Ziqiao."
This is Dayi falling nine blacks, Jingwei reclamation, and Nuwa mending the sky. Look at this is a painting, but it is the sentence of the dragon car~~" The little fox was inexplicably happy in his heart.
Xue Pu looked happy and said, "I didn't expect you to be quite familiar with these stories of seeking immortals and cultivating the Dao. ”
"Tut, then look at it~ I'm a thief!" The little fox was secretly proud.
The road is long and narrow, and these fairy murals are fascinated by people.
Soon, the painting style of the mural slowly changed, and it became the content of the aristocratic Yan music in the world, polo, hunting, travel, honor guard and so on.
The style of painting is brisk, and the brilliance of the past 2,000 years is as good as new, and the extravagance and joyful life of the princes and nobles in the old days come into view.
The carriage and horses traveled, and from the five horses on the trip, it was learned that the ancients who are buried here today are a prince and king.
As the saying goes: the Son of Heaven drives six, and the princes drive five.
Soon, the five of them walked to the end of the road, and there was another stone gate.
Wang Zebin drew his sword and said, "I'll put it together!" ”
Everyone hurriedly stopped, you must know that Master Wang made a move, and there was no life or death.
Wang Wenyu took the flashlight and shone it on it: "Look, there are words!" ”
Xue Pu is good at ancient Chinese, he dusted off the dust, and looked at the text on the stone door of the tomb that was already mottled, but the inscription clearly read: Epitaph of Liu An, King of Huainan.
Shocked for a while, the little fox's face showed surprise.
"Hahaha, it turned out to be Liu An, the king of Huainan!"
Xue Pu's expression sank: "Hasn't Liu An's tomb been discovered?" Why is there another one here, could it be that the smaller one is Liu An's childhood, and this is Liu An's old tomb? ”
The little fox knew that he was joking, but his joy was overflowing, and he said: "Eh, this Huainan King Liu An is the grandson of my Gaozu Emperor Liu Bang
However, it is rumored that he summoned the local famous Eight Princes, collected medicine and alchemy, took gold and jade, and refined and ascended. Later generations called it a miracle, but they couldn't imagine that they were still buried here after all.
Yes, taking the golden jade, refining and ascending, after all, I still can't escape a dead word..."
As the little fox spoke, he suddenly frowned and looked gloomy: "Liu An, the king of Huainan, can compile such a strange book as "Huainanzi", then he naturally knows that this feng shui technique will be robbed by tomb robbers in the future.
It would be better to lay a mound and make people mistakenly think that his tomb is somewhere else. ”
Speaking of which, everyone also understands that the tomb in front of them is obviously the tomb of King Huainan.
But why did Liu Bowen set up eight arrays on this Huainan Tomb back then?
The crowd began to wonder if they had the answer, and only when they entered the tomb could they have the answer.