313 Mu Sen and Li Keer
Mu Sen promised to take her with her, and Li Keer's jealousy disappeared all of a sudden, because as long as Mu Sen was willing to take her with her, then no matter what past this girl had between her and Mu Sen, no matter whether she still liked her now, it didn't matter, because since Li Keer followed, it meant that Li Keer was Mu Sen's girlfriend.
You don't have to care about the past, the important thing is the future, this is what Li Keer thinks. What Mu Sen's past is like, she knows some of it, and there are many things she doesn't know, but she won't ask too much, everyone will have something they don't want to tell others, and it's nothing.
After discussing with Mu Sen, Li Keer seemed a little embarrassed for a while, because she felt that she was too unreasonable and too little girl.
In order to resolve the embarrassment, she casually picked up a magazine.
casually turned the page, and I saw a familiar author, named Mu Sen: "I read an article to you, and there is a reward for guessing who wrote it." Without waiting for Mu Sen to agree, she had already started reading:
Good morning, angel, today is the 14th of February, it is now 4:5 in the morning, the sixth day after a short distance and a hurried farewell, I woke up from a dream and missed you so much, I never thought that the separation from you made me so uneasy.
Maybe it's a person who has been in the night for too long, so whenever night falls, I always suspect that the meeting was a dream.
Something that should have been taken with us, something that would prove that we had indeed met. In that case, I probably wouldn't be so upset. Maybe I will be more nostalgic, but I will definitely be more at ease.
But there's nothing, rummaging through the chats with you, and I think they're so unreal.
It's ridiculous that a person who spends his days in front of a computer begins to doubt these virtual data.
We had previously discussed two questions, one was why I was scared, and the other was why I had to leave everything behind. Now, I can probably give an answer.
I would be scared because I had been watching the night for too long. I have to leave everything behind to be with you, because I can only be reborn if I leave everything behind, and I can't be born again, and there is nothing in my life other than data.
Sure enough, my encounter with you made me stop believing in the data.
Some are scared, but also some are looking forward to it.
Last night you said you wanted to leave everything behind, and my answer was, "You don't have a chance, because I've already taken the spot." "It's true, I already have to do it, so you can't do it, because I'm already in the darkness, and you have to stand in the light.
You say, "Then I'll delete all my contacts." I replied, "Yes." "That's true.
In some ways, we're too much alike. We are all afraid of the world and of what others will dictate...... That's why we're so in love. Because only we know each other's loneliness best.
"I thought I was used to the darkness, and you made me see the light, even if I didn't want to go under the sun, but the sun did warm me. My dearest, most loved, most important, most beloved person, please allow me to place myself in your shadow, be your shadow, and follow you to the ends of the earth. "I've said something like this to you many times, and here I want to write it down.
What are you doing now? I guess I'm still asleep, I don't know if I've ever dreamed, I don't know if I've dreamed.
I think so much of you, you'll dream of me.
It doesn't matter if you don't.
I always want to write something for you, but I don't know what to write for you.
After thinking about it for a long time, I decided not to write any affectionate words, and the more affectionate I wrote, the more illusory I felt. Let's write down our story with oil and vinegar: it is memory, it is also love, and of course, it is also to talk about lovesickness.
Our encounter is a stage play that is more dreamy than a dream, and our love is a process of compromising with each other.
Speaking of which, it feels like it happened yesterday.
At the moment when Li Keer was ventilated, Mu Sen interjected: "I must not know the person who wrote this article. ”
Li Ke'er looked at him and asked puzzledly, "Why are you so sure?" ”
"Because I don't have anyone around me who can write such amorous words," Mu Sen said. ”
Li Keer smiled, she admitted that this author was something that Mu Sen could never have guessed, because this author Mu Sen really didn't know.
However, Li Keer's vexatious troubles in the face of Mu Sen are by no means a joke. So although she was unreasonable, she continued to make trouble unreasonably as a matter of course, and handed the magazine to Mu Sen: "Then change you now, read it to me, I'll guess the author, if you guess it, you have to agree to my conditions." ”
For Li Keer's vexatious trouble, most of the time Mu Sen will follow her, and this time is of course no exception. Mu Sen took the magazine, flipped through a few articles, and found an essay on art to read to Li Keer:
About Art & Life.
This is an eternal topic, art comes from life and is higher than life, this is a phrase that any of us are familiar with, but for the simple sentence of 'art comes from life and is higher than life', there are many people who can't experience it with their hearts.
Art first of all derives from the image, the so-called image, that is, the aesthetic image.
And what we call aesthetics is, first of all, what the eyes can see. The process of communicating beauty to the brain through the eyes and being defined by the brain is called aesthetics.
In a broad sense, aesthetics includes aesthetic situations and artistic conceptions, mainly referring to vivid, specific and perceptible images of people and things that can arouse people's thoughts or emotional activities in artistic activities. Everything has an image, which is the most basic existence of aesthetics.
Everything in life is an image that is seen by the eyes and forms a shape in our minds.
Therefore, it can also be said that art comes from appearance. The physical characteristics of all things are the root of the production of art.
As a product of human spiritual production, a work of art depends on a certain material carrier, and it must be intuitive, concrete, and perceptual existence that can be directly perceived by human senses.
In other words, only those that are intuitive, concrete, and can be eaten directly by the human senses are the artistic beings that can trigger aesthetic activities.
The existence that can be directly perceived by the human senses also includes the existence of hearing, touch, sight, smell, and so on. Either way, it is a material carrier of aesthetic activity.
The first is the existence of hearing, which is the most widely recognized and the one that our senses feel the most, as long as there is anything with sound, it can be auditory existence.
And in this world, there is no such thing as a voice. Whether organic or inorganic, it can emit its own unique sound through special means.
The second is visual, which is the most intuitive, trustworthy and common one. There is a sophistry here, and common equals sight.
And this sophistry also proves the intuitiveness and commonness of vision.
But ordinary is not the same as ordinary, this ordinary existence is the most important existence in our lives.
Then there is the sense of touch, when you can't hear or see, the direct touch is the most secure.
And then there's the sense of smell, and all the smells that come out are the presence of the sense of smell.
The existence of hearing, sight, touch, smell, etc., is not a single existence, not separated, each existence has been complemented by other existences, and together form the wonderful source of art in this vast world.
The image is the basic element that constitutes a work of art, the image is immutable, even if it is displayed in the various forms of each of our senses, but the image itself is always the same.
The difference in works of art is mainly manifested in the different artistic lives of each person, as well as the different ways in which each person expresses art. Among them, there is more or less a personal way of dealing with people.
For example, some people express the sense of wind by drawing a tree that has been blown bent over, and some people express it by drawing rippling water.
The difference in artistic life and the difference in artistic expression is the source of the variety of artworks. The competition and appreciation between different artists is the source of a hundred flowers blooming and a hundred schools of thought contending.
In other words, the difference in artists and creative methods is the key to the formation, development and prosperity of art.
Because there are no two people in the world who are exactly the same, each artistic image must appear in a specific perceptual form, showing the external form and internal characteristics of people, things, scenes, and things in life, with flesh and blood, sound and color, so that people have a vivid sense of reality.
Beginner art expresses one's emotions by depicting one or more simple things, while experienced and skilled artists will express overlooked places through subtle things.
The artistic image is the result of the artist's understanding and experience of life, and what the artist perceives is what he expresses.
What the artist expresses is the crystallization of the artist's aesthetic consciousness. The attitude of an artist towards the world determines the content of his artwork.
A sad artist, no matter how hard he tries to create joyful works, but in his works, there must be a sad part.
It is impossible for an artist whose life is full of hardships to create a happy story. Vice versa.
Therefore, the artistic image has the freshness and concreteness that the artist grasps when examining and experiencing life, and can feel and grasp the color, line, sound and movement of the artistic image through people's visual, auditory and other senses, giving people the aesthetic feeling of hearing its voice, seeing its person, and being on the scene.