When Cheng Da ran back to the Niangniang Hall over the wall and fell on the futon, several clothes in the package were already wet.

Actually, it's nothing to stay overnight at the temple. Cheng Daban is not afraid of ghosts and gods, and even likes to listen to stories about reincarnation metaphysics.

When she first joined the Bath Group, she once went to thousands of villages and counties with Zhang Nini to collect dental health samples of residents.

Once, when I encountered heavy rain, I also stayed for a few nights in an inn renovated from an earthen temple.

But that inn, but it is so loud that you can place an order on the B&B network.

The front of the Daxiong Treasure Hall is well preserved, carved dragon painting Rui, the golden characters carved by the crimson pillar Yang, it is to find the Buddha couplet mentioned by the old gentleman who has 50 or 60 years of calligraphy skills in the town.

With a huge ancient cypress as the boundary, in another courtyard, a three-story meditation room was erected in situ, dividing the themes of Prajna, Bodhi, Lianhua, Dharma and so on.

At a price of less than 150 yuan, the bronze incense burner in the house is full of fine sandalwood. The four-piece set is all bright yellow monk's style, and you can also take a booklet of local customs and a set of comic books of the story of the Hundred Parables with you when you leave.

At that time, Cheng was mostly high-spirited and fought hard night and night. Although Zhang Nini didn't like the room she booked very much, she also took some sandalwood and said that she would go back to smoke the house.

It was also through the heat of the two girls that they had just gotten acquainted, Cheng Daban told Zhang Nini many things about herself, including the dispute with Zhu Ou, including her love for fortune telling.

Cheng Daban still remembers that she told the story to the top, counting the dragon pattern in front of the Daxiong Treasure Hall and saying that if the dragon scales on it were odd, she would never be jealous of girls who were better looking than herself in the future, such as you Nini haha.

In the B&B, you can open the window to see the Buddhist hall in front of you, and further ahead are the houses with blue tiles and white roofs. It's a good place to cultivate your mind.

Zhang Nini smiled and said, most of you, do you have a gypsy crystal ball in your head, can you count anything? Then you calculate how many towns we have to go to collect all the samples, and then go back to Lilian so that she won't curse.

If it's an odd number, we'll be fine, and if it's even, we'll keep up the good work.

Cheng Daban remembered that the dragon scales added up to the two pillars were a total of 45, which was an odd number. After they went back, Lilian didn't curse, but Zhang Nini wrote her name on all the reports, because she was an old man and the nominal person in charge. When asked by others, Cheng Daban seemed to have only done one thing in the whole process, booking strange accommodation.

In the following year or so, this happened often.

Cheng Daban found that he would not compete with others, and slowly degraded his language function in front of everyone. It seems that he has sharp teeth and a sharp mouth, and can only face the person he likes.

In fact, this world is selling friendship, fate and all kinds of insignificant dust every minute and every second every day. It's just that some are obvious, and some are not obvious enough.

Just like the Buddhist inn back then, the couplet wrote early: "Two dragons compete for the night, and one stone does not save people." Those who come to stay here are advised to have a room for each person, and it is better for each person to practice.

Cheng Daban felt that it was a small means for the store to overcharge the room fee. Coupled with the company's limited budget, it was naturally not adopted.

In front of Zhang Nini, the idea of the sample, the story of her and Zhu Ou, through the fireworks of Buddhism, piled up plate after plate like grape skin.

It can be seen that life is indeed full of metaphors.