Sam had the intention to persuade the lady in front of him to move out of Salem County, and to do so immediately.

But if he really said such a thing, not only would he not be believed, but on the contrary, it would not be long before the local sheriff would come and invite him to tea, or even worse, drive him out of Salem County.

That would be unwise, so even though he had a hunch that the new mother named Monica would be brutally murdered by the devil, he couldn't say it.

This ability had only begun in the last year, and at first he dreamed for several nights that he would wake up and see Jessica face down in the middle of the smallpox, then blood oozing from Jessica's abdomen, and then blood dripping on his face, followed by a crowd surrounding Jessica.

Jessica cried and struggled in the fire, but there seemed to be something dragging her behind her, Jessica could only cry but couldn't cry, Sam could only watch Jessica being dragged into the unknown by something mysterious and unknowable, and then he woke up in fright.

At first, Sam thought it was just a nightmare, even though he didn't take it seriously many times.

Later, Dean finds him, and the two follow the clues to find the missing John, solve a mysterious incident and return to Stanford, where he and Jessica's love nest witness the same scene as in the dream.

Sam realized that he had a premonition about Jessica's death, but he didn't do anything, he couldn't do anything.

Maybe it was just a coincidence, Dean said this and Sam comforted himself with this, but then it happened twice, and both times it came true, and he completely believed that he could really sense it...... No, it is the picture of the premonition that the victim was killed.

Later, after a period of investigation, he concluded the limitations of his ability, or the directivity is more accurate.

Only the "murder incident" related to the yellow-eyed demon, Sam will have a sense in advance, which is a restriction and a benefit, otherwise if he can sense any murder, Sam can only escape to the countryside and go off the beaten track, if in New York, Los Angeles, Detroit, these cities, Sam can't even have time to eat at the end of the day.

Through chatting, Sam learns that Monica's child, Lois, turns six months tonight, which is an important clue.

According to John's investigation, the families who went through the same story as him all killed their mother when the child was six months old.

Based on this clue, if the Yellow-Eyed Demon wants to attack Monica's mother and daughter, tonight is his last chance, provided that six-month-old is indeed a prerequisite.

Liszt didn't know what Sam was thinking, he only saw Sam and the lady talk for a while and then separated, I don't know if Sam made a new discovery or what the reason was, but for Liszt, he just had to follow Sam closely.

Liszt didn't mean to laugh at Sam, so when he saw Sam, who was walking on the street at a normal speed, suddenly accelerated and turned left when he passed an intersection, Liszt should have turned left but Liszt, who had tracking experience, did not do so, but drove forward at a uniform speed, and only began to accelerate after about 100 meters of the intersection.

The speed is naturally not fast, that is, there are few people and cars here, and there is no such bad thing as traffic jams, otherwise his speed is likely to make Liszt fall into verbal criticism, and the feeling of fragrant sky is not pleasant.

Liszt found a parking lot and parked the car before walking back and forth, the SUB he rented had already appeared in front of Sam, and he was not sure if he had been seen by the brothers when he was in the motel, so he could not use this car for the next follow-up.

Liszt changed into a black T-shirt, this time using "100 skins", a thick pale golden short beard sticky to his chin, and light blue contact lenses on his eyes.

Sam looked at the Mercedes-Benz that was not fast but left straight away, he first noticed that there was always a car following behind, and he thought that the driver of the car was following him, but now it seems that he may have thought too much.

After waiting for a while and finding no suspicious persons, Sam contacted Dean and the two made an appointment to meet at the Salem County Library.

Liszt followed Sam all the way, and saw that he had not come out after entering the library, when Bella sent a text message asking where he was, Liszt asked Bella to come to the café opposite the library, and gave her the task of monitoring the Dean brothers, and he went to Monica's house to find a house hundreds of meters away.

Liszt made full use of his advantages and rented the right to use the second floor of the house tonight at a higher price, to which the owner of the house said: Very welcome!

A distance of a few hundred meters, it looks far away, and it is actually the closest household to Monica's house, holding a telescope to monitor that there will be absolutely no other obstacles except for some naturally growing trees.

"Where have you been?"

At noon, Liszt returned to the motel, and Bella looked at him with sleepy eyes.

"I'm going to investigate something, am I hungry alone, and I'm going to take you to lunch?" Liszt saw that the breakfast he bought had been wiped out, and he didn't know when Bella got up, so he asked.

"No, I just ate it, you can eat it yourself, have you found it?"

"Of course, I think I've found my goal."

"So fast? How did you do that?"

Liszt did not hide that he told Bella about his stalking of Sam and Sam's special attention to Monica's mother and daughter.

"It looks like so, but you lost Sam, what if you made a mistake?" Bella was still a little uneasy, after all, this was just a guess, or a guess that could not be verified until the end.

"No, I can't." Seeing that Bella was still "you are unreliable in the exam, don't be reliable", Liszt had to add: "It should be about the same, Sam and they must determine the location during the day, as long as we still follow these two, it will be no problem." ”

Bella thinks that this is indeed the case, as long as the locator on Dean's classic car is not discovered, the Dean brothers have nothing to hide in front of them.

As the minutes passed, the sky began to darken slowly, and Liszt and Bella had moved into the "monitoring point", the curtains were closed, leaving a gap, and Liszt and Bella took turns holding binoculars to observe through the gaps in the curtains.

The family Liszt chose was not only the closest to Monica's house, but there were no obstacles between the two, and the disadvantage was that he could only see the side.

There was no way, the house directly opposite Monica's house was a little far away, and if something really went wrong, it might not be able to arrive in time, so it was abandoned by Liszt.

In addition, Liszt's judgment was not wrong, at this time, the point representing Dean Chevrolet on the computer screen was at Monica's house.

Liszt saw it with his telescope, and the brothers' car was parked downstairs at Monica's house, from where they could see the window on the second floor.

In the classic car, Dean and Sam sit in the car, and after several incidents, Dean is convinced of Sam's "ability to predict".

Now the two brothers were at Monica's doorstep, and so far everything was normal, and nothing unusual had been found, and they were more worried about their father's actions in Lincolnshire than here.

There was no doubt about saving people, but John was their father, so how could he not be worried.

The two of them chatted about their father in the car, hoping that John would go smoothly this time, and the two exchanged hearts and reflections on each other, just like at the end of a season in an American drama, things usually go in the opposite direction of what they thought, hoping that their dad did not fall into this strange circle.

Liszt and Bella waited for hours, but fortunately there was a TV and Bella's computer in the room, and Liszt also borrowed the landlord's kitchen to make some supper in the room, and when he was hungry, he took it himself, which was not difficult.

Bella, who changed shifts with Liszt, looked at the somewhat familiar classic car, and sighed inexplicably, compared to the warm room she stayed in, and the Dean brothers could only nest in the car, which felt uncomfortable to think about.

It's like a traffic jam, not afraid to move forward slowly, afraid to stop in one place for a few hours without moving, and there is no sign of moving forward at all.

In the small space, I can't move, I don't dare to sleep, and I can't sleep.

Dean and Sam are like this now, and sure enough, it is still comfortable and easy to spend money, of course, if this brother is not guarding the target downstairs, knowing that the demon's target is Monica, Liszt and the two will have to stay there.