Between the shooting, Liszt called Huang Bolun, who was a little confused: "Old Huang, what happened?" Didn't you find a female star last night?"

"Just kidding, that's a must, let me tell you, that girl's skin is called white and tender, that long legs, hey, it's enough for me to play for a year, Liszt, you didn't go last night is definitely your loss."

In the face of Liszt's ill-intentioned concern, Huang Chamberlain still wants that old face, and he is not too embarrassed to talk to Liszt for the exact specific reason.

"Is that so? Then you should bring that one with you, maybe you can use your charm and get the other party to agree to make a free cameo in our movie, why didn't you take such a good opportunity, or call her now. ”

Liszt is so easy to deceive, those eyes that seem to be able to see through people's hearts make Huang Chamberlain panic, and he looked at him for half a minute before he was defeated, raised his hands and shouted: "OK, OK! I'm straight, last night was really really bad, it's right that you don't go, Tony Stark's rich second generation went to show his face and then abducted a female star and left, and instead of him was his partner, an old man named Obadia Stanney." ”

Liszt said in his heart, sure enough, Tony still doesn't like these superficial things, and acting rashly is his style of doing things.

But not being able to know Tony Chamberlain shouldn't be this kind of half-dead reaction, and it was a right choice for him not to participate, there should be something else.

"Of course there are other reasons, you guessed it right, the directors and investors who surrounded me to inquire about your news before were very enthusiastic about me, but when they saw me last night, they didn't see me, they all revolved around those big businessmen and directors, and when I talked to them, they actually treated me as a waiter......"

Huang Chamberlain complained a lot, and the last three or three nights were not over, but there must be an exaggeration.

As for investors or big directors, they had contacted him by phone before, and the people they met were also negotiators, and those who were eligible to attend the banquet, Liszt would not be able to go in person, not to mention Huang Bolun, an agent with no status.

It's like two companies working together to do business, and there is no reason for the boss of one company to sign a contract with the manager of the other company, and the status does not match.

"Are you just for this little thing, Lao Huang, you watch, when my movie is a box office hit again, those who don't look down on you will cry and shout and beg you, you are my agent."

Liszt could think of that kind of aggrievedness, and he didn't want to feel this kind of aggrievedness at Tony's place, so he didn't go.

As for those who did not feel that there was anything wrong with Liszt, just like Liszt handed over all the work to Huang Chamberlain, there were naturally people around those people who rushed to deal with all kinds of work or personal problems for them.

Huang Chamberlain also complained, he had been in the Chinese entertainment industry for so many years, and he hadn't seen anything, but after following Liszt, it had gone a lot better, and now he has returned to the pre-liberation period, and he needs some time to get used to it.

Huang Chamberlain, who had regained his strength, impassionedly remarked a paragraph similar to "Thirty years in Hedong, thirty years in Hexi, don't bully the youth... Youth... middle-aged...", in short, it means that he will work hard to get ahead in order to slap those raps in the future.

"I'm sure you can do it, I'm waiting to see you beat those spare faces, now help me do something, inquire about ......"

……

In the evening, everyone else in the crew rested, and Liszt's room was still brightly lit.

No way, after all, this is the first time that Liszt has managed a crew, and there is no problem with the script, after all, he has not yet broken away from the identity of the copyist, as long as he copies it

But crew management and filming are a test of his personal ability.

Theoretical knowledge Liszt was supported by the library of the Cullen family, but practice would eventually be different, so Liszt would always summarize this work.

What are the deficiencies, what is not done well and needs to be improved, and what is OK to keep the original state, he recorded them, sorted them out one by one, and secondly, improved accordingly.

It wasn't until now, in a week, that he really adapted to the life of the crew, and sorted out today's "work summary", Liszt only felt that he was relaxed, just like he had just come out of the bathhouse in the Great Northeast, and the whole person was more than ten pounds lighter.

When I came to Los Angeles at night, Liszt was full of pride in having a criminal in my prison.

Four words floated in the air: Spirit guy!

Los Angeles, a strange city, is the second largest city in the United States, making it the city, prosperity is its label, but at night, there are countless unknown dangers hidden under the beautiful lights.

Liszt roamed the streets of Los Angeles in a pickup truck with a new "skin" with a new layer of "skin" removed, "patrolling" street by street.

Liszt drove the car boredly, complaining in his heart about those guts mafia, who didn't come out to do evil in such a black way, worthy of his sacrificing sleep time.

Liszt didn't know where he had turned, and looked around only to see a man sitting on a roadside bench in front of him, with his head bowed, making it seem suspicious that he or she was asleep waiting for the bus.

Liszt suddenly slowed down and slowly pulled over to the side of the road, looking at the front of him with a cold gaze.

The man on the bench looked up curiously at the car that had suddenly stopped, then lowered his head again, as if holding food in his hand and putting it in his mouth.

A long-haired woman in a yellow dress bent over and ran from the front holding her belly.

Liszt found that the woman seemed to have a big belly, her face was hurried and a little anxious, and she was obviously in pain but endured it, as if she was hiding from someone.

"Hey, do you need help?"

Liszt took the initiative to open the car door and asked, he didn't like tragedy, so he hoped to be able to help the woman who was about to become a mother.

The pregnant woman glanced up at Liszt, as if to confirm the credibility of Liszt's words, but Liszt not only changed the car with "clothes", but also put on a V-shaped mask for himself, yes Liszt thought it was time for the "V" to come back to the world, no, there was another V in Los Angeles.

It was such a V-shaped mask that scared the pregnant woman, so she just glanced at it and quickly lowered her head, to Liszt's surprise, the pregnant woman was obviously scared, but she still walked towards Liszt's car, which shows how terrible it is to chase after her.

At this time, a car came in front of her, and the pregnant woman looked back and immediately changed her face, holding a big belly and stumbling and about to run away.

Even in the car, Liszt could hear the crying of a pregnant woman, and I really don't know what kind of horror and despair can make a pregnant woman who is about to give birth slip out of the street in the middle of the night, regardless of the child in her belly.

"You slut, you can't run away, Bichi go back with me."

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