Lin Ruo was not reluctant, because everyone has their own unique way of existence that makes them feel comfortable, and Yun Zhi's way is like this, and she will not force her around.

Qu Xiaoxiang also knew, and naturally quipped: "Who doesn't know that Yun Zhi has always been partial to you, right, Lao Su?" ”

Su Muyu said "hey" quite cooperatively, and I don't know if I heard what they said clearly, and then continued to drink and chat with these good brothers without looking back.

Facing Lin Ruo's appearance of smiling but not smiling, Qu Xiaoxiang pursed her lips and turned her head to look out of the glass window, but a rare look appeared on her face, which made the smile in Lin Ruo's eyes deeper.

There are a total of 7749 painting boats arranged on the Bianhe River, each of which is a theme, in addition to the six touching love stories of the wind and snow, and the drama of "Queqiao Meeting", which is very suitable for the theme of Qixi Festival.

On both sides of the Bianhe River, many clever hawkers set up stalls, sat on the ground and asked for prices, which could make the spectators eat wine and food to watch at the nearest distance, the most expensive of which was the location on the bridge connecting the two banks of the Bianhe River - but no hawker had such a big courage to occupy the entire bridge, so there were many people gathered on the bridge, including the Eighth Emperor Prince Yuwang, who was finally transferred back from the north, and it took a lot of speech before he said that the fourth brother Murong Chong would come with him to join in the fun.

"Good fourth brother, I've been in the north all these years, but I haven't seen the prosperity of Bian'an City for a long time!" King Yu, who returned from four years in the border area, was a little unaccustomed to the prosperity of the capital at first, but he quickly integrated into it, excitedly looking at the crowds of people coming and going, and looking at the painting boats approaching little by little at the end of the Bianhe River, "Fourth brother, is the drama sung by the girls in the wind and snow really so attractive?" ”

"yes, it's very attractive." Murong Chong replied lightly.

"Really?" King Yu became more and more excited, "I have been to see "The Legend of the White Snake" once or twice before, well, it is indeed good, that is, it is too expensive!" I heard that those stories were written by Mr. Cui, who used to give lectures to Antaibo in the Antaba, when I was in the north, I asked someone to collect a set, hey, it's really well written, but I don't know how the girls sang in the wind and snow, the former "Legend of the White Snake", I heard Xijiao say, it was the fourth sister-in-law......"

King Yu suddenly closed his mouth and glanced at Murong Chong uneasily. After so many years, now everyone knows how affectionate this Rong Wang Ye is to Lin Ruo, the Rong princess who died tragically four years ago.

The clothes are not as good as new, and the people are not as good as the old.

In the past, Lin Ruo said this sentence to the prince, and the "people" in "people are not as good as before" refers to the curved rhyme; And now, this "person" is undoubtedly Lin Ruo.

What Murong Chong didn't know was that King Ning said to Wan Yun when he ordered someone to pluck out her tongue and pick her tendons: What you lose is always the most precious; And what is lost forever, the living, can not be compared.

And it was precisely at this time that Wan Yun understood that she would never have the opportunity to be with Murong Chong again in her life: in the past, for Murong Chong, it was her who "lost", so Murong Chong couldn't forget her, but even so, Lin Ruo still walked into his heart and told him to be affectionate! Now, Lin Ruo is the one who is "lost forever", and no one can enter Murong Chong's heart......

Therefore, the bend of the rhyme is the real heart like ashes, and there is no longer any fighting spirit.

Without this tenacious support of the curved rhyme, how long can you live under Meng Bin's torture?

Looking at this bustling and noisy scene, Murong Chong seemed to be the only touch of loneliness in this lively scene, even if he could feel it from afar, let alone King Yu beside him?

He watched all the dramas of the wind and snow, because he knew that although those stories were written by Cui Shang, they were written by Lin Ruo - there was no other obvious evidence, but "The Story of the Soul under the Peony Pavilion Flowers" was admitted by Lin Ruo himself, and he saw that Lin Ruo had written the "Red Bean Words" in "Love Monk Record".

Endless lovesick blood and tears throw red beans, unforgettable new sorrows and old sorrows, I can't see the thin and flowing green water in the rhombic glasses......

At that time, it was Lin Ruo, but now, it is him......

But who is to blame for this?

With Murong Chong's silence, King Yu also fell silent, shrugged his shoulders helplessly, and then looked at the painting boat that was getting closer and closer, like other spectators, and the faint sound of silk and bamboo had come with the water of the Bianhe River.

"It's on, it's on!"

There were shouts of excitement in the crowd, and all eyes were eagerly looking in the direction from which the painting boat was coming.

The men in the attic of the gluttonous sea were not so excited, first, they had already seen these performances in the wind and snow, and some of them had family members here, and they didn't dare to "make a mistake". On the contrary, Lin Ruo, who has been "secluded" in the Hidden Garden, has a little expectation, and there are many scenes that earn people's tears, all of which are due to her strong support, however, she has never seen the final effect with her own eyes, and with the approaching painting boat, she is also looking forward to it more and more.

"Riverside Vega, Riverside Morning Glory. I didn't have to cross the shallow, and I looked at each other relatively far away. On the eve of July, Queqiao finally gathered. The golden wind and jade dew meet, but there are countless love ...... in the world"

Eight notes are repeated, and the silk and bamboo are urgent. The direction of the sound of the red string and the melodious singing is the fourth of the seven painting boats, and the remaining six painting boats, the girls dressed in colorful silk appear in the order of the painting boats, and dance in the music of silk and bamboo, and interpret the story of the Cowherd and the Weaver Girl on the brightly lit painting boat, like a beautiful picture scroll, smart, fresh, with a bit of unreality, as if it is really the picture of the meeting of the magpie bridge on the heavenly palace, projected to the world, and reflected on the Bianhe River.

The spectators on both sides of the strait widened their eyes and stared at this picture that seemed to exist only in the heavens for a moment, for fear that if they made a little noise, they would alarm the immortals of the heavenly court, and take back this beautiful picture and turn it into a ripple phantom.

Small Theatre:

"About Su Muyu and Qu Xiaoxiang's Little Day Decision"

A certain Piao: Don't discuss with your wife?

Su Muyu: (Gao Leng) I have the final say in the affairs of the Hou Mansion!

Qu Xiaoxiang: Huh?

Su Muyu: (second cowardice, flattery) But my wife has the final say~

Qu Xiaoxiang: Well, that's pretty much it!

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"About Su Muyu and Qu Xiaoxiang's Little Days"

Su Muyu: (aggrieved, biting the handkerchief) Lady~~~

Qu Xiaoxiang: (disgusted, white-eyed, invisible, silently moving a little farther away)

Su Muyu: ......

————————————————————

Qu Xiaoxiang: (aggrieved, unhappy) Su Muyu!

Su Muyu: (appears in seconds) Lady, what's wrong with you? Which of the eight lambs who killed a thousand knives provoked you? Xianggong will help you cut it!

Qu Xiaoxiang: Go ahead!

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