If I had seen this line elsewhere, or if Du Hanzhong had said it to my face, I would have thought it was a great fallacy in the world.

But after seeing the pattern in the photo, if you don't believe in this sentence, you believe it at least five points.

I was in a hurry to take Di Jinlian away just now because of the pattern in the photo.

When I saw her appear, I suddenly remembered that the building in the pattern didn't look like the old house of the Di family in the mud snail mountain?

The reason why Di Jinlian found me was that she wanted to find the man who poisoned her Di family back then, but disappeared from her memory.

My impression of the man was that he was wearing a moon-white robe. The truth is that the first set of moon-white robes I got belonged to that poisonous man.

In the black-and-white photos that Xu Ronghua first left me, the identities of the three men were all clear. They are Xu Jie's masters...... or the biological father and the third; my grandfather, Xu Tianming; The boss is Du Hanzhong.

Except for the third child, the other two were wearing light-colored caftan shirts. Now, Du Hanzhong deliberately gave me these four photos, and the building shown in the photos is actually the old mansion of the Di family......

Coupled with Du Hanzhong's message on the back of the photo, some answers seem to be on the horizon.

According to the chronological calculation, it is impossible for Xu Tianming and Du Hanzhong to poison the Di family's moon-white gown, but if Du Hanzhong saw that my habitual ghost magic was obtained from the Di family, so he said that he was from the same door as me, then it is very likely that he has something to do with the moon-white gam that poisoned the Di family, and even he himself is the descendant of the poisonous man.

If you really want to think about it, the ghost spirit art is hidden in the hundred ghost spectrum, and the Di family itself may not have seen it, but if the ghost spirit art and the so-called Di family secret art are the same thing, then there are more or less similar traces. Thinking about it this way, it makes sense.

Di Jinlian had been looking for the person who had harmed her family, and now she finally had clues. But now Xu Jie is in the hands of Du Hanzhong......

I'm not sure if the anomaly shown by DeJinlian has anything to do with the photos, but if I told her this right now, it would probably cause trouble......

The more I thought about it, the more distraught I became, so I simply called Jinghai.

Hearing my worries, Jing Hai didn't even think about it, "Put this matter on hold for now, don't talk about it!" ”

The old monk is definitely more decisive than me, saying that now is the time when I am anxious, and I must take care of the lover first and the living second. Not to mention, it just so happened that Pan Ying had an accident, and Di Jinlian could help, so let her follow first.

Jing Hai said "Huh" sharply, pointed to the table, and said shortly: "What is that?" ”

Following his fingers, I picked up the red strip, "This is the snake I got back on the rockery that night, I don't know why, it became a strip." ”

"Hey, this is a snake, it's a baby!" The mouth of the mouth of the still sea is spoken, but the man does not move forward.

I have some painted souls in my heart, the old monk was greedy for treasure before his death, and he is still greedy when he dies.

I pretended to throw the leather rope towards the Jinghai, but the old monk was more refined than a monkey, and seeing my intentions, I just tilted my shoulders and said:

"You don't have to scare me, this is definitely a treasure, but now the Buddha is a ghost body, or it's better not to touch it."

Jinghai then told me about the origin of this 'leather rope'.

When I heard this, I only felt more confused, but I was a little inexplicably excited.

It turns out that what I have in my hand now is actually a dragon's big tendon.

It is said that Jiao and the dragon are only separated by a line, if they can survive the catastrophe and get a seal, they can enter the clouds and explore the sea and become a dragon. But if you can't get the mouth seal, you can't survive the catastrophe, and the thousand-year-old Dao will be destroyed in one fell swoop, and in the end, most of the souls will return to the underworld, and then enter the mortal world.

Jinghai said that throughout the ages, there are not many dragons that can really cross the catastrophe of Jackie Chan, but the giant snake python with different phases is often seen by the world. Those 'pythons' that seem to be able to swallow the sun and the moon, but die soon after breathing, are the dragons that failed to survive.

Even if you see the corpse of the dragon, with the superstitious thoughts of ordinary people, you don't dare to blaspheme. After these dragon corpses are seen by mortals, they will disappear mysteriously after a while, which makes people have all kinds of strange speculations.

The fact is that the Death Python has lost its spiritual path and will never disappear for no reason. The reason why he disappeared in the next day was that he was secretly hidden by people who practiced and used it for other purposes.

Speaking of this dragon muscle, if it is obtained by the side door, most of them will use the dragon remnant spirit to make a fuss, so that it can be transformed into a poisonous snake monster python, or for the protection of the law, or as a tool for doing evil things.

If the tendons are obtained by those who are on the right path, they will be of greater use.

Jinghai only used one sentence to describe the use of Jiaojin -

"Jiaolong's big tendons, not only can drive away evil and avoid evil, if it is a blessing talisman, it is better than 'tying up the immortal rope'!"

When he said this, Jing Hai opened his arms and stretched his body, wanting to use body language to strengthen the description of the use of Jiao tendons.

Yet, I stood like a puppet.

Jing Hai put away his posture and opened his mouth, but he immediately saw something strange, his body paused, turned his head to look at my gaze, and suddenly his eyes widened, "Ah! How is it that this painting is still blooming? ”

In the ledger room, on the wall facing the table, an ancient painting hangs.

In the painting, there is a woman in ancient costume wearing a Luo skirt, with a graceful posture but no face.

Just looking at the posture, it makes people think about it, but when they see the white and miserable face with no facial features, it makes people panic.

I'm not unfamiliar with this painting, but I'm not familiar with it either.

When something happened to the blind man, we dug up a ghost bottle from the corner of his yard in Pig Nose Alley. This faceless 'picture of a lady' was taken out of that bottle.

Except for some curiosity at the time, I only hung the painting on the wall of the account room, and I was able to see the Western scenery. Even after the blind man came back safely, I didn't remember such a painting.

But right now, I, and all of Jinghai's attention, are attracted to this painting.

Because, painting, has changed.

The woman in the painting was originally standing upright, with a long skirt and a flowing skirt, which had the taste of fairy wind and bones.

Looking at it again, the woman in the painting, although still otherworldly, has become hunched forward and has a hand stretched out towards the front.

The woman still has no facial features, and her face is blank, but the strange thing is that a hairpin that was originally obliquely inserted in her sideburns actually bloomed a flower!

It is said that on the rooftop of Wang Xinfeng's house, after seeing the 'ghost painting' behind the door, I would not be so shocked when I saw any changes in the painting.

But the fact is that the flowers blooming in the painting in front of me are not in the painting, but highlight the surface of the painting, which is real, and blooms a real white lotus!