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It is a kind of traditional handicraft with the same style of China. Tang Cai in the mutual reflection of colors, showing the magnificent artistic charm. Tang Cai was used for burial, as a vessel, because its fetal quality is brittle, the waterproof energy is poor, and the usefulness is far less than the celadon and white porcelain that have appeared at that time.

Tang Cai is mainly distributed in Chang'an and Luoyang, in Chang'an is called the West Kiln, in Luoyang is called the East Kiln. In the Tang Dynasty, thick burials were prevalent, not only for high-ranking officials and nobles, but also for the masses, which has constituted a habit.

Tang Cai has many characters, animals, bowls and plates, water vessels, wine vessels, stationery, furniture, houses, and even pots and jars containing ashes. Generally speaking, people like the horse warriors, some gallop with their feet, some wander and stand, and some neigh, all of which show a variety of postures with a plate and an eye. As for the character modeling, there are women, civil officials, military generals, Hu figurines, and heavenly kings, according to the social orientation and rank of the characters, different characters and characteristics are depicted: the face of the noble lady is round, combed into various buns, wearing brightly colored clothing, the civil officials are courteous and courteous, the warriors are fierce and brave, the Hu figurines have high noses and deep eyes, and the horizontal eyebrows of the heavenly king are majestic and majestic, which is enough to be a model of ancient sculpture in our country.

The upswing of Tang Cai in the Tang Dynasty had its prehistoric reasons. The rapid development of the primary ceramic industry, as well as the continuous progress of sculpture and architectural art, promote the continuous combination and opening between them, so that everything from human figures to animals and daily utensils can be expressed on Tang Cai's utensils.

After the rule of Zhenguan in the Tang Dynasty, the national strength was strong and all industries were prosperous, which also led to the degeneration of some ā"ā days, so the wind of thick burials was prosperous. Tang Cai was also used as a kind of artifact at that time, and was included in the express rules of the government in the early years, products, products, products, products, that is, how many pieces can be allowed for him to be buried with him, but in practice, as these dignitaries and dignitaries, they are not satisfied with the express rules, but they often increase many times more than the rules of the government, and do this kind of thick burial. The official style is like this, and the customs are of course the same, so from top to bottom it constitutes such a thick burial style, which is also the primary reason why Tang Cai can be active in the Huaxia region at that time.

Tang Cai occupies an important pre-historical position in the Chinese civilization and has left a strong pen in the history of ceramics in China. Tang Cai was born in the Tang Dynasty because of its civilizational roots. First of all, the old ceramic skills are the material foundation of Tang Cai's birth; Secondly, the thick burial style of the Tang Dynasty was a direct guide to promote its birth; The prehistoric civilization of the Tang Dynasty in various fields is the best artistic nourishment for it. The birth of Tang Cai is also the birth of color glaze decoration technology, and it is the process of combining glaze decoration and carcass decoration. The brilliant Tang Cai, its beautiful mottled artistic role has been perfectly played and vividly displayed on the delicate sculptures and vivid figurines.

Tang Cai's production process is messy. First of all, the excavated ore soil should be selected, pounded, washed, piled up, and dried, and then made into a mold and fired in the kiln. The firing of Tang Cai is made by the secondary firing method. Judging from the data, its carcass is made of white clay, and it is fired in the kiln, and the roasted plain tire is cooled, and then various glazes are applied to the kiln glaze burning, and the firing temperature is -. In the glaze, various oxide metals are used as colorants, and various colors appear after calcination. After the glaze is burned, some characters need to open their faces again, the so-called open face is that the antique products of the character's head are not glazed, it has to go through the process of thrush, lip pointing, and hair painting, and then this Tang Cai product is over.

Tang Cai's root molding methods include wheel system, molding, and sculpture, and several methods are often used in combination on pieces of utensils. The wheel system is a method of making ceramics with wheeled cars. The main component is a wooden round wheel, there is a vertical shaft under the wheel, the lower end of the vertical shaft is buried in the soil, and the upper end has a link, which is convenient for the rotation of the round wheel. When making ā, the wheel is tossed to rotate smoothly, and the rotational force of the wheel is used to draw the clay into the desired shape with both hands. The wheel system began in the late Neolithic period of the Dawen civilization, and the utensils made were regular. It is said that cups, plates, bowls, saucers, bottles, stoves, pots, cans, etc. are mostly used in wheels. Molding, similar to the method of squeezing in the modern ceramic manufacturing industry. It is mostly used to make small items with simple shapes. There are two types of molding: single mold and mold clamping. The single mold is made by putting the mud into the mold and extruding it, which is suitable for decals and other small accessories for decoration on the utensils. The double mold is made of two halves tied and docked, and the clamping is suitable for daily utensils, maids, animals and messy utensils. Sculpture molding is mostly suitable for large servants and messy utensils. The production of messy color ware requires a variety of molding methods.

Mention here. Li Tianming looked at Gao Boli, which meant that he still had to talk about it. Regarding Tang Cai, Li Tian has clearly and really discussed, and he also hopes that one day he will get only Cai, and he has not said anything about Tang Cai's characteristics. He felt like he thought it was enough! But Gao Boli seemed to have the intention to teach him, and asked him to continue.

Sun Lao looked at Li Tianming with a smile, Sun Lao is also a teacher of Li Tianming's entry into the industry, and at the beginning, Sun Lao only needs to look at Li Tianming, a child who is generous, diligent, and has eyesight, so he taught some, which can be regarded as bringing into the industry!

Liu Lao's phone

Liu Lao's phone

Gao Boli asked Li Tianming to continue, Li Tianming didn't mind, and continued to introduce Tang Cai's characteristics at the beginning!

The characteristics of Tang Cai are divided into several aspects: shape, glaze, and fetal quality!

The shapes of Tang Cai are colorful, and can be divided into animals, daily utensils and people, especially animals. Unearthed Tang Cai, from the classification point of view, the first is also divided into animals, utensils and people, especially animals, this may be related to the era of the scene, in ancient China horse is an important means of transportation for people, the battlefield needs horses, farmers need horses for farming, transportation also needs horses, so Tang Cai unearthed more horses. The second is that there are more camels, which may be related to the Chinese and foreign business at that time, camels are one of the means of transportation to run the wind and dust, and camels are needed as a means of transportation along the Silk Road. Therefore, the craftsmen reflect it in the handicrafts. And there are more palace maids in the characters, which reflects the court days at that time.

The shape of the horse is relatively fat, and this breed of horse is said to have been paid tribute from the Western Regions at that time, so it is a little different from the shape of the horse we saw, the horse has a fatter hip and a wider neck. The styling characteristics of the Tang horse, it is mainly quiet, but it is driven by quiet, and you can see that this is a still horse. However, after the depiction of the horse's eyes, the horse's eyes are carved into an angular shape, the eyes are round, and then the horse's ears are attached, it seems to be listening quietly or hearing some movement.

About glaze color: Other characteristics of Tang color are glaze color. As a piece of utensils together with the use of red, green and white glaze, which was originally founded in the Tang Dynasty, but the craftsmen boastfully used the method of glazing, red, green, white, let it intertwine, intermittently used, and then at high temperature after firing at high temperature, the glaze color and poured and melted to form a flow process, out of the kiln to the back, the color has become a lot of color, it has primary color, there is a compound color, there is a color, people can see is mottled a variety of colors, this is the characteristics of Tang color glaze.

The shape of Tang Cai artifacts is round and full, which is consistent with the fullness, fitness and broadness of Tang Dynasty art. The share of colorful figures and animals is moderate, the shape is natural, the lines are flowing, and it is lively and lively. In the figurines, the samurai is muscular, with round eyebrows and a touch of fire; The female figurines are high and wide-sleeved, slim and jade, leisurely and elegant, and full. Animals are mostly horses and camels.

On the fetal quality, the Tang color fetal white is light red and light "color". The fetal soil is fine and solid, containing mineral impurities. Because most of them were unearthed from tombs, after thousands of years, there was weathering in the exposed places of the utensils; Imitations are mostly porcelain tires or gypsum tires, with white and delicate fetal quality and no weathering. There are few impurities, the dynamic knocking is loud, and the feel is heavier.

Regarding Li Tianming's explanation, Elder Gao and Elder Sun gave certain permission, which shows that Li Tianming's professional knowledge, perhaps the fundamental knowledge of antiques, is appropriately thick. Li Tianming wanted to continue to use his knowledge, but after seeing that the two were satisfied, he didn't talk about it, what he was thinking about now was how to restore this colorful horse.

"Elder Gao, now that I know the difference between this colored horse, is there a way to return his original appearance?" Li Tianming guessed that Gao Lao must have a way, assuming that Gao Lao has no way, then this colored horse can only be seen as a defective product. Maybe I'll be able to figure it out one day.

"Well, now, I can't help it, this kind of two-color hidden method has existed since then, and it is generally used only for ancient porcelain, especially the ancient porcelain that has been handed down from generation to generation. In the early years, I had seen a piece, but the other party's craftsmanship was obviously not as high as this two-color hidden method. So it's very brief. In fact, it is very simple to solve this hidden method.

The other party is just in this color horse and paint again, in fact, the most ferocious is, this should be the second color, the second firing to become, that is to say, the other party must be a master or above in the hidden law, you must know that the porcelain is a lot of taboos, a bad will damage the porcelain, and the second firing is likely to damage the original color glaze, the other party must do not hurt the original object, but also to do the time to pretend that there is no gap, can only say that no one can make it now. ”

Li Tianming looked at Elder Gao with some admiration and said unhappily: "If there were no people like him, I wouldn't have to bother so much today!" Although the dynamics were not very big, everyone in the room heard it, and Sun Lao was happy, and Gao Bo said with some indignation:

", without those people, what do you want people like me to do!"

(End of chapter)

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