Chapter Seventy-One: Lou Fu Old Zhai 2
Chu Tian pondered for a moment and said, "Then let's go, let's go in." ”
After taking two steps forward, I felt that the two of them had not followed, and turned my head to find that they were still where they were.
Bai Chen looked at her, and he didn't mean to move forward at all. Forgetfulness simply sat down, propping up his two front paws, as if watching her.
Chu poured back two steps: "What do you mean?" ”
"We haven't seen the small house in the painting, and it's useless to go in." ”
Chu Tian narrowed his eyes: "You... ”
Forget to move his ears vividly, and said: "Moreover, you can't swagger in like this, after all, people don't know what you do, and they don't necessarily welcome the Taoist aunt who is chattering with gods." So you'd better sneak over the wall and get in. ”
Bai Chen looked like he didn't care about himself, walked to the steps a few steps away, stroked the feet of his robe, and sat down. He took out the book in his sleeve and read it to himself.
Chu Tian glared at Bai Chen, then at Bai Chen, then at Bai Chen, and then at Bai Chen.
Bai Chen did not look up again.
Wangsheng opened his big round and cute eyes, and looked at Chu Tian expectantly.
Chu Tian was helpless, rolled up his sleeves, and climbed over the wall.
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After a cup of tea, Chu Tian came back.
That storeroom was the cramped room where the paintings were made.
The matter became clear, and immediately the group planned to go to Lou Mansion to inquire about the life of the mute girl.
But there is one question that has always been in Chu Tian's heart, that is, the painter.
Who is the artist?
Could it be that the painter is the second son? The second son failed the girl, so the girl retaliated and killed the second son and the second young lady?
Lou Mansion, the residence of the eldest prince.
The eldest young lady was frightened and fainted by the corpse of the second son lying in the courtyard in the morning, and was still resting in the room at this time.
The housekeeper served tea to Bai Chen and Chu Tilt.
The eldest prince's room is elegant, and there are several pictures of beauties scattered on the wall. Chu Tian remembered that he had said that there were three sons, one of whom painted beauties, one of whom painted pavilions, and one of whom painted everything. In this way, the eldest prince must be a painting beauty.
Chu Tian looked around, and was attracted by a painting framed in the inner room. Take two steps closer and find out it's the painting!
When she watched the boy and the mute girl paint in that dark little dilapidated house that day, there were many paintings on the ground, among which there were two very unique paintings of beauties, one admiring flowers and the other watching rain. The painting in front of him is the picture of the beauty enjoying the flowers that Chu Tian saw that day.
She thought of something, and when she turned around, sure enough, behind her was another gold-framed painting, a picture of a beautiful woman watching the rain.
She looked at this picture carefully and found that the beauty watched the rain, and the painting was full of magnificence. The pavilion was a light green pavilion, hanging over a golden cliff. The raindrops that fell were orchids. Sparse and sparse, lightly sprinkled in the air.
In the painting, the sky is like water, and the water is like the sky.
The woman in the painting is dressed like a fairy, with a golden rose in the center of her eyebrows, a bright face, and dark blue eyes, which match the color of the falling raindrops. Dressed in white neon clothes embroidered with red gold roses.
The beauty who admired the rain, with a light smile, held a golden rose in her hand. Holding on to the railing with one hand, he stretched out a rose with the other to probe the raindrops.
Golden Rose explores the rain.
It's not as beautiful as the world.
Bai Chen's voice sounded behind her, "What are you looking at?" ”
Chu Tian turned around, met his watery eyes and said, "I have seen these two paintings in the illusion. On that day, both paintings were on the ground. He pointed to the two paintings.