New Century 532, January 1. Pen × fun × Pavilion www. ｂｉｑｕｇｅ。 infoNew year, first day.

Silver Wing Headquarters Building, within 50 floors.

Pang Pusong was a little nervous, he actually didn't know how well he sang, because when the third movement was recorded, Fang Zhao's requirements were stricter than the previous one, and he had been practicing every day for more than a month, and sometimes it might take a week or two to sing a good sentence, and he hadn't heard the final product of the recording, so he could only wait for the MV to be officially released.

Not only Pompson, but the entire virtual project department was nervous.

After the release of the second movement in November, the vacation was taken and the overtime work was continued for more than a month. The second movement determines whether they succeed or not, while the third movement determines how far they can go.

After tasting the sweetness, they don't need to say more about Fang Zhao, they will put pressure on themselves. When you're tired, go to the playroom to relax, then take a nap, wake up and get back to work.

Silver Wing has set up a standby technical team to help them when they can't do it. Therefore, they don't worry about funds, manpower, or treatment, they just need to complete the tasks assigned by Fang Zhao seriously. And what will happen to the final product, they don't know, the only thing they can do is to believe in Fang Zhao, the leader of this project.

"Where's the Great Summoning?" After Zeng Huang was woken up by the alarm clock, he came out and didn't see Fang Zhao, so he asked Zu Wen.

"In the office." Zuwen said.

"Didn't anyone go back yesterday?" Zeng Huang glanced at the studio, saw that everyone was there, and asked.

"No, I can't sleep." Zuwen yawned, washed his face, and then went back to the studio to sit down, and waited with the rest of the studio for eight o'clock.

They didn't bother Fang Zhao, they could clearly feel that Fang Zhao's mood was not very good in the production of the third movement, just like the actor was immersed in the play, and it took a process of withdrawal, and a creator whose emotions were already immersed in the music probably also needed time to withdraw the emotions that were deeply involved.

Therefore, what Zeng Huang and Zu Wen can do is to do their own things well, and don't let Fang Zhao worry about it anymore.

On the newcomer side, Chu Guang was quite calm about Aurora's first priority when he saw this month's publicity schedule.

In the last quarter of last year, he had already been squeezed into fifth place in the New Strikers chart, and it was fortunate that the third movement was not released in December, otherwise he would not have been able to retain his fifth position.

Now, after "Heavenly Punishment" and "Breaking the Cocoon", the third movement "Mission" is also about to be released on the public platform, and I believe that the quality will not be bad. However, what puzzled Chu Guang was that Niguang Culture and Shihua Lushan didn't seem to have any intention of continuing to compete with Aurora, but were just pushing their company's two star virtual idols, Mi Yu and Andy Leo.

Is this a scramble to give up the newcomer's side?

Anyway, for Chu Guang, it is a good thing that there are two less virtual idol competitors.

On the top floor of the Silver Wing, Duan Qianji, together with several other Silver Wing executives, used the video and sound equipment in the conference room to watch the MV of the third movement after the official upload.

The entire Silver Wing people, whether they are singers or actors, or people from other technical departments or logistics departments, who have arrived at the company, or are still on the halfway train, are all paying attention to the dynamics at 8 o'clock in the morning.

Fang Zhao was alone in the office, closed the curtains to block the sunlight outside, turned on the video and audio equipment, and played the MV of the third movement when the platform was updated at eight o'clock.

The third movement differs from the first two movements in that it is suppressed and then raised, and from the very beginning, the orchestral coordination of the expanded orchestra releases a magnificent momentum with a distinctly epic style.

In the MV, this is a time of real conflict, and the picture inherits the dimness of the second movement, and the opening is a bleak blue as a whole, with the sky full of haze, and lightning in the thick clouds.

There were many figures running on the ground, and the rapid beat of the drums perfectly reflected the tense rhythm of the moment. In the rapid rhythm of the drums, the chorus dominated by the familiar male voice blends symphonic and operatic techniques, and combines some styles that are more acceptable to people in the new century, showing a primitive wildness and aggression. As the picture progresses, the momentum of the battle between the two sides unfolds from a broader perspective.

Under the terrifying crisis everywhere, the momentum rushed straight in.

A figure leaps high, like an eagle piercing through the clouds, and the branches of the trees are knotted into the shape of well-defined muscles, and just by looking at it, you can feel the terrifying explosive power contained in it.

The falling body kicked the side of the beast in front of him, and his fist smashed down like a polished rock, smashing fiercely into the throat of the beast.

Under the sound of the drums and the eerie electric sound, the human ear seems to hear the crisp sound of bones breaking.

It is not the sound of the instrument, but the sound that is heard in the human mind under the "hint" of images and rhythms.

In the video, the flying mud stars shoot out with blood and water in all directions, some splashing on the treeman's face and around the eyes, which makes the person watching the image pay attention to his eyes.

It was a pair of murderous eyes, like a furious beast awakened from a deep sleep.

The person who saw this scene seemed to be plucked by a pair of hands to pull the nerves in his brain, and his bones trembled. They may even wonder if it is the ferocious beasts that are going berserk, or the treants who were once peaceful with the insects and birds?

Such a change did not only happen to the figure at the front, beside him, behind him, there were many, many figures with the same murderous aura.

The variations of the enlarged brass make the melody played by the strings more majestic and powerful, and the violent and fierce timpani represents the unyielding resistance.

Compare the appearance of these tree figures in the first movement, and you can see the difference in them. From the appearance to the momentum, there has been a huge change.

This is the state of adapting to the battlefield and adapting to this period.

They choose to become the last thing they once wanted to be, to rebel against this cruel and absurd fate.

As Yan Zhou's attention to the "One Hundred Years of Annihilation" series would expect, the third movement is a theme of struggle.

With the variation of brass and woodwinds in the nature of a march, the violent rhythm alternates, such as the confrontation and fight between the two sides, tense and intense, not weaker than the momentum of the first two movements, and the huge visual shock brought by the magnificent image, which is perfectly combined with the music, which is a direct impact to the heart.

In this dark background color of bluish, there is a fierce collision between the transformed trees and the brutal beasts.

Even if it is only a virtual image, it makes people feel a real, three-dimensional feeling, and experience a sense of vicissitudes through time.

After the transformation, the cowardice at the beginning has already been worn away in the life and death battles again and again. In search of a place of peace, they are willing to give it a go!

From the mountains to the grasslands, to the basins, to the hills, however, there is no place that is a happy land, and there are crises everywhere.

However, in the third movement, the compromise and resignation of the second movement are gone.

From timidity, to resistance, to habitual and numb to war and death. Along the way, some people left, and new partners joined. Until, they finally found a relatively peaceful place - the polar region.

The polar region is cold, covered with snow, and many viruses and diseased organisms cannot adapt to the climatic conditions here, so relatively speaking, this is the last pure land in this sick world.

Here, there is no thick reddish-brown smoke in the sky, and here, you can see the daytime sun, the stars that have not been seen for a long time at night, and the dreamlike and colorful aurora.

For example, the temporary calm after the hustle and bustle, the music becomes calmer, and the interweaving of the slightly soft tree flute and the sound of the piano relaxes the tense spirit of the listeners, which is a description of a peaceful life.

In this polar region, the group of treants was given a chance to rest, and there was no need to worry about the fanged beasts that would pop up at any time, and some of the little treants also showed a relaxed smile. It's cold, but it's safer, isn't it?

The running little tree man laughed stiffly on the snow-covered ground, and when he was about to slip, he was picked up by the strong arm of a twig and placed on his high broad shoulders.

The picture and the rhythm are warm and intoxicating.

Against this backdrop, it seems that a scene of stability and tranquility is about to unfold.

However, those who look at the video understand that the polar region here should correspond to a period of destruction described in real history.

In the middle and late stages of the annihilation, there was a polar summit, which was not divided into 12 continents at that time, only each theater, and nearly 100 leaders and important leaders from various theaters gathered in the polar regions to discuss all-out war.

This temporary peace is not the end, but a harbinger of the final outbreak!

The violin plays a change, like the contemplation of the survivors after a storm.

This place, although not completely safe, is indeed peaceful compared to the area they pass through. However, this place is also not suitable for their growth.

Best of all, they're no longer content to live in one place!

In the new century, in many books about the history of the annihilation period, a few sentences of the polar summit are recorded, and no one knows who said them, but they have been handed down.

"What can be done in our generation, why leave it to the next generation? Now that you've come here, why not fight again? ”

"Our generation has become participants in the struggle, martyrs, but at least, we have experienced a short period of peace, and those who were born in the last days have never seen a peaceful world. They were born in blood and fire, but they should not belong only to war! ”

The things of the period of extinction recorded in the history books will be polished, but they are not made up randomly. Fang Zhao remembered that someone had indeed said something similar, and he himself might have said it.

Why can't you live in the homeland you once cherished?

On what basis should the world be given away?

We're already strong, aren't we?

In the video, a group of tree people stand on the ground covered with snow and ice, looking up at the sky. The polar light that shifts under the dots of the stars resembles a group of burning and flowing fires.

The percussion creates layers of increasing intensity, as if to emphasize a certain firm belief.

The figure standing in front of the trees, without the anger and madness of fighting with wild beasts in his eyes, was calm with a little nostalgia and nostalgia, as if he was saying goodbye to an old photo.

The aurora in the sky faded away, and the sky began to light up.

The figure in front of him no longer lingered, turned away, and there were already many traces of turtles on the spine behind him that supported the entire body, and he might fall down from his injuries in the next moment, probably no one knew the load he was bearing except himself.

In the team, many of the treants were in the same situation, but as long as they were not seriously injured and could not walk and run, they all joined the team that left.

In the middle of the trees, some figures who were playing with the little tree man, saw the departing team, lifted the little tree man from his body, carefully placed it on the ground, and then turned to leave.

One of the treemen lightly pressed his fingers against the forehead of the little treeman to stop the other person from trying to keep up, and then got up and left, punching another treeman who was also walking out, and smiled wordlessly. Don't look back, because if you do, you may not have the courage to leave.

The little tree man who stayed there looked at the departing figures suspiciously, as if he didn't understand. Aren't they already safe? As long as you are here, you don't go out, it's so dangerous outside, why do you still have to go out?

More and more figures walked out, joining the departing team, leaving only those old and weak tree men who could not fight in the cold polar regions. Although the polar region is cold, it is the safest place at this time.

The orchestral ensemble, with the foreshadowing of battle, paired with specific electroacoustic instruments, once again creates an atmosphere of tension that fits into a chaotic rather than rational fate. In that era that no one wants to experience, a cruel choice must be made.

Looking down from the sky, dense figures form an endless wriggling brown gray, advancing in the opposite direction to the polar regions against the background of white snow.

The agitated trumpet sounded, and the sound intensity of the piece grew rapidly as the timpani was added. Driven by the low and powerful propulsion of double basses and wind instruments, the chorus is accompanied by the sound of a compact horn in an upward fourth, like a procession walking beyond the poles in the image. A large number of expanded brass groups show the introverted madness and decisive momentum of this team!

This team contains infinite strength and hope, as if it is about to carve out a higher and farther track.

The chorus gradually intensifies, and the picture quickly crosses the polar regions, over the mountains and hills.

There seemed to be a sound of a hula like a cold winter wind blowing in his ears, and a brown and gray figure stepped on the ground hard, jumped one after another, and came to a wild beast like lightning, and the strong arms of the branches were knotted, like a sharpened axe, with an unbridled ferocity, striking at the sternum and throat of the wild beast.

The tendentious triplet, as violent as this explosive blow, struck the eardrum one after another.

Without scruples, those brown and gray figures became more and more unscrupulous and crazy when they moved, broken branches, scattered sawdust, mixed with the blood of the wild beast.

Gusts of fierce wind blew through the brown-gray and reddish-brown figures fighting together, bringing up countless pieces of mud mixed with sawdust and hairy blood on the ground, making people seem to be able to smell the fresh and rich smell of blood and sawdust in the air through the image.

The continuous roar of the timpani, the violent dissonance sound, the use of irregular accents, and the complex musical orchestration combine classical symphony, new century music, sacred music and hymn, elegy, military march, electronic music and other styles, and the momentum is like a volcano that has been dormant for hundreds of millions of years suddenly erupting, and the sound waves seem to be about to set off a wave that can submerge the world!

The theme color of the picture in the image has gradually changed from oppressive blue to bright yellow, like the color of the sun penetrating the clouds, and more like the color of a burning flame, and the brightness of the overall picture is twice as strong as before the movement begins! And the brightness is still increasing!

When does a tree glow brightly?

When burning.

The image ends in this heart-wrenching symphony.

"MV Protagonist: Aurora

Species: Dragon elephant Tianluo

Song Title: The Third Movement of "One Hundred Years of Annihilation" - "Mission"

Producer: Fang Zhao

Production team: Aurora project team, Fang Zhao, Zu Wen, Song Miao, Pang Pusong, Zeng Huang, Wan Yue, Fu Yingtian, Stella, Zhang Yu, etc.

Production company: Silver Wing Media. ”

……

Fang Zhao turned off all the video and audio equipment, pulled up the curtains, didn't look at the reviews on the Internet, didn't pay attention to the number of downloads, but got up and stood in front of the large floor-to-ceiling window on the fiftieth floor, looking out the window.

He remembered a conversation with some old friends.

"What is a mission?"

"The devil knows, it's just fighting, and suddenly I feel like I should do it."

No one knows what they will become.

People may become what they loathe, or they may become what they worship.

In that period of fighting against heaven and earth and fate for a hundred years, at first it was to survive, but later, for various reasons, knowing that they might not see the expected prosperity, many people would still voluntarily participate in the war that burned with their lives.

People are the real miracles of that dark period!

Fang Zhao himself participated in the polar summit, but eventually died in a battle in the latter part of the all-out war, in the period described at the end of the third movement, in the Qi'an theater of operations at the time of the annihilation, that is, the city of Qi'an, the center of Yanzhou, one of the twelve continents of the new century.

"Goodbye, old friends."

——

At the same time, Lei Zhou, which has a three-hour time difference from Yanzhou.

Eight o'clock in the morning in Yanzhou is equivalent to eleven o'clock in the afternoon in Leizhou.

Today is the first day of the new year, and it is also the long-awaited battle of double-topic films in the Leizhou entertainment industry. However, the "radio" company said that their film "God of War" will be released at 11 o'clock sharp.

This makes many people curious, they rarely see this kind of situation in the middle of the day, and some people speculate, is this a disguised concession?

However, in order to cooperate, "The King of Sniper" also postponed the time and put it to 11 o'clock at noon.

Salo's agent has been busy hyping up the topic these days, he is not optimistic about "God of War", but in order to return to the cost, he has been hyping up the topic with the team, and the topic has been hyped.

Seeing that the time is reaching eleven o'clock, everything he can do has been done, and whether he can return to his original cost can only be resigned to fate.