It took everyone ten days to build a bamboo house, and this was still completed with logistical efforts.

It is said that it was built by six people, but in fact, it took more than 30 people to make this bamboo house decent and inhabitable.

The built bamboo house was only filmed for the overall effect, and then the bamboo house was given to a pair of lonely widows and grandchildren in the fishing village who were living in difficulty and the houses were broken.

These grandparents and grandchildren are the two most difficult people living in this fishing village, empty nesters and left-behind children.

Originally, the old man's son just went out to work, although he was not at home all the year round, he would send money back regularly, and the life of the grandparents and grandchildren could still go on.

It's a pity that there are unforeseen circumstances, and later the old man's son had an accident while working outside, and the daughter-in-law couldn't stand this hopeless life, so she left the child and the old man alone.

The old man and his children had no financial resources, and they survived only by relying on relief money and the care of well-wishers in the village.

The old man's granddaughter is only eight years old, and she is already sensible to do housework by herself, taking care of the old man by the way, a little child, I don't see any naughty people at this age, and the sensible one is distressing.

In addition to this bamboo house, the filming team also left a lot of living materials for the grandchildren, as well as a donation, which is enough for the old man to retire and train his granddaughter to go to college by the way.

In addition to this, Zhang Huijuan also promised to donate part of the proceeds of this episode of the Changing Life program to set up a relief fund for left-behind children and the elderly.

Wen Ren Shuangshuang and others immediately responded positively, and they also donated part of their remuneration.

Of course, Zhang Huijuan had already discussed this with them before, this kind of thing of brushing character in front of the public, even if it costs money, everyone is willing.

And the grandparents are just a microcosm of this fishing village, which is full of empty nesters and left-behind children.

It's just that the children of other families give money regularly even though they are not around, and they are not as miserable as this pair of grandchildren.

The main purpose of Zhang Huijuan's painstaking filming is to emphasize the problem of empty nesters and left-behind children in rural areas in front of the audience again.

Zhang Huijuan is a conscientious director, and one of the things she often says to the media is that if I have the ability to influence a group of people's three views, then I hope I can establish a normal three views for people and guide people to goodness.

Zhang Huijuan doesn't just say this on her lips, the shows she shoots, there is never a lack of these thought-provoking contents in the funny and joyful.

While watching the show happily, moisturizing things silently infiltrates these into the hearts of viewers, not dry preaching, which makes people feel bored and resistant after listening to it too much.

She never makes any appeals, but she can make people feel spontaneously and automatically, and unconsciously follow her wishes and pay attention to the lives of these socially difficult people.

Because it was very tiring to build a bamboo house, Zhang Huijuan gave everyone an easy task, and the three teams were divided into three directions to take a good look at this fishing village and the surrounding area of this fishing village.

Of course, it can't be a dry stroll, but also follow the example of the host of a travel show, talking while walking, as for what you want, feel free to play.

Wen Ren Shuangshuang and Xi Shuang chose to pass through the middle part of the fishing village, and then go to the foot of the mountain at the top of the fishing village.

The two entered the alley in the middle of the fishing village, looked at the moss growing on the side of the road, and Wenren sighed with emotion: "Seeing such a place always gives me a strange sense of familiarity."

This place reminds me of when I was a child, I lived in a small alley with my parents, and when I went out to school every day, the side of the alley was always covered with these mosses, and this kind of slender alley, I really miss it.

At that time, I didn't think there was anything special about walking through the alley every day, but when I grew up and left the alley and lived in a high-rise building, I never saw this scenery again.

So there was always a moment when I felt nostalgic for the scenery that was just ordinary at the time, and that was a feeling that I can't get back now. ”

Xi Shuang blinked, he had lived in a high-rise building since he was a child, and he couldn't experience the emotion of hearing people at all, so he thought about it, squatted in front of a piece of moss and said, "For me, this place is very novel.

I grew up living in high-rise buildings, and the houses I saw were neat and neatly arranged, and the flowers and plants were built, although they were beautiful but full of craftsmanship.

But this place is different, wild flowers and weeds grow chaotically, and some people may feel messy when they look at it, but I think that such a wild scenery has a different charm.

And I really don't see moss very often, you look at this moss, it seems to have fruit on it, and if you look closely, it looks like a shrunken grassland. ”

Wenren looked at the moss on the ground, and suddenly had an idea: "The moss here grows so well, why don't we make a miniature landscape?" ”

Miniature landscapes? Xi Shuang raised his eyebrows, and immediately became interested, he knew about the miniature landscape, which is said to be built by using moss as flowers and trees, and making some small houses in it.

"Will you do it?" Xi Shuang's eyes were shining, and Wen Ren asked.

Wenren waved his hands and replied very happily: "No!" ”

Xi Shuang: "......"

"Not as quickly as you promised."

"Teenager, do you know, the wonder of life lies in the unknown, in the creation, what is the meaning of knowing everything, exploring the unknown is the most interesting."

"Okay, so how do you explore the unknown?" Xi Shuang said that he couldn't smell the people, and spread his hands to say that everything was with the smell of people.

Wenren beckoned to the logistics and asked her to prepare tools for making miniature landscapes, as well as glass covers, and then the two of them began to make miniature landscapes without doing their jobs.

Due to the hasty decision of the two men, the logistics did not provide all the tools to make the miniature landscape, such as the supplies for making the miniature house.

The two of them used children's plasticine instead, making a variety of mushroom houses the size of thumbs that only appear in fairy tales, as well as anthropomorphic small animals that live in the houses.

Wenren didn't expect that this Xishuang had a talent for dancing and a hand in playing plasticine.

The anthropomorphic animals he pinched out were vivid, the two of them used moss as grass, small grass as big trees, and small mushroom houses fell on the grass in a patchwork manner.

The two of them began tossing and turning in the morning, during which they were engrossed in not even eating lunch, and it was not until the evening that the whole miniature landscape was completed, and a small fairy tale kingdom appeared in the glass cover.

Wen Shuangshuang and Xi Shuang looked at their victory with muddy hands, with smiles on their faces, Su Jie and Xie Wen'an, Su Jinjiang, and Wang Hanxiao surrounded this miniature landscape in amazement.

Su Jie looked at Wenren and said enviously: "Sister Shuangshuang, you also take me to make a miniature landscape, I want to take it home and take good care of it, this is so beautiful." ”