Last night, Wan Changsheng must have been curious to experiment with watercolor paints.

It's a much more diluted toothpaste-like thing than gouache, and it's a bit like a runny soup.

Dilute it with a little water and it will become very light.

Then apply it to the watercolor paper with small potholes.

I immediately understood why the paper was not smooth.

Because it's like a porous sponge, it absorbs water strongly.

If you don't absorb water, the drawing board is so diagonally supported to paint watercolor, and most of the paint will run away with soup and dripping, and what else will you paint?

So this is the characteristic that Wan Changsheng learned last night, and it is similar to what he saw in the watercolor model painting textbook.

I heard Du Wen say that the color of the fluorescent lamp in the living room of the apartment has an impact, and Wan Changsheng didn't paint much, so he started to try it now.

The monochrome shades of ultramarine in front of him are light and dark, and if they look about the same, when he begins to follow the colors of the still life and begins to apply various colors, the characteristics of different types of paints are revealed.

Aqua pink is opaque, except for black or rose red colors that are too tenacious to cover, almost all colors can be covered by each other, and later colors can be applied thickly to the surface to suppress the color underneath.

The watercolor will not, the transparency is very high, when Wan Changsheng smeared the yellow pear color, the dark side of the ultramarine below was naturally revealed, and the three-dimensional sense of color that he had a headache before suddenly came out.

Moreover, the watercolor has a strong fluidity, the feeling of water stains is very heavy, and the change of dry and wet shades is obvious.

I can even wash off the color underneath.

In short, the requirements for color seem to be less complicated than gouache, because the pigments diluted with water always show a very elegant temperament.

I don't require a very delicate sense of color, because the different brushstrokes that are blended together create a unique color.

There is a bit of magical interpenetration in transparency.

And the imprint of the flowing water marks is dripping and fresh, and it is unique.

Let Wan Changsheng, who was very unaccustomed to a thick lump of paint before, actually find a little elegant Gongbi light color feeling at this time.

The water mark mark is similar to the smudge in the gongbi heavy color, and it is a little addicted.

Found an old friend.

The water color is one, and the smart charm makes Wan Changsheng, who has been distressed for two or three days, breathe deeply, and he can finally find the charm he is used to.

Even in the field of color, what he needs is this flowing aura.

happily looked back and wanted to share his breakthrough with Du Wen.

As a result, I saw Du Wen painting on that black paper!

Holding the drawing board, she used a pencil to trace all the objects, including the creases of the backdrop, on the surface of the gouache paint that had dried.

The graphite lead core exhibits a slightly reflective metallic imprint on the surface of the dried black-brown pigment.

In this way, Du Wen's basic ability to hold a long brush and not be able to shape accurately was skipped.

On the re-erected panel, she began to apply a variety of colors to the black-brown painting.

It's like using a dark color to make a base, and then painting on top of it with a light color.

The problem of her colorful but a bit messy in the picture before was solved!

Because all the later colors are not as eye-catching as the ubiquitous black and brown, all colors have a primary and secondary relationship.

It's like in a messy and undisciplined company, where a black-faced Bao Gong suddenly came to the town, and the other employees who were silent didn't dare to make a noise, and they had to look at the black-faced Bao Gong secretly.

The order of the whole company was established.

A special painting technique that can only be tried at a professional level can solve two basic problems that were originally stubborn at once.

This may be the absolute strength crushing brought about by the generation gap.

Like Teacher Fan, the novelty in her eyes showed that she might not have thought of using this method to solve the problem.

Her talent or vision,It can only be done within the scope of the ordinary color test strengthening,How to draw closer to the high score,More distinctive,For most of the well-behaved cram students should guide her must have some experience,But when you meet students with the same distinct characteristics and shortcomings,Especially Du Wen, a novice who feels super good in color,Modeling and overall control are far from enough,She is helpless。

Or for tens of thousands of immortals, she may think of changing watercolor, but her status determines that she does not dare to propose rashly, and if she can't paint gouache, it is because the time is too tight and her color sense is not good.

Only those who stand on the top of the pyramid will not care about the consequences, because they can afford it.

The other cram students soon followed Teacher Fan to the back of these two transfer students, and silently watched the overtaking of others!

That's naked corner overtaking!

It is clear that one has never been exposed to Western color painting, and the other does not even have the foundation of painting.

I was forced to be downed by the Heavenly Rank masters, pass on some skills, and then forcibly overtake in the corner!

Wan Changsheng only made the cram students have a kind of psychological balance in the first two days, calling you crazy, calling you a printer, haha, now God is finally fair, open a window for you, and have to close a door for you.

As a result, the people here forcibly changed the wall and came out directly.

The result of changing the pigment medium is that the colors painted by Wan Changsheng are different from everyone in the audience.

It can be described in four words, elegant and chic!

Wan Changsheng's previous color paintings can't be seen, that is, he is very cautious and very restrained, it seems that his character does not have a wild side, and the pears painted are all smooth, as if he cut a piece of yellow and pasted it on the painting.

Now that I change to watercolor, the kind of flowing change is actually the painter, at least many beginners can't control it themselves, with a lot of accidents.

It seems to perfectly make up for Wan Changsheng's character shortcomings.

How can there be so many plans and then actions in life, how can there be 100% calm judgment of gains and losses, and accidents will always appear in every corner.

On the background cloth, he wanted to draw a wide open and closed cloth format, but it was made hazy by the flowing water.

His first watercolor project was actually a failure in the sense of an exam, but his first watercolor painting was of indescribable beauty.

It is accurate to describe the feeling of looking out of the glass window on a rainy day, and the colorful world is blurred by the water marks on the glass and seems to be clear.

Wan Changsheng's super modeling ability still ensures that several main objects are clear, so this unique charm is formed.

That's the beauty of art.

It's not a mechanical operation that lasts a stone, but an infinite possibility full of inspiration and serendipity, which shines in the swaying of craftsmanship.

Sometimes skill is not the main thing, because skill is just to make the chance of this bloom greater.

For example, Du Wen, her skills can be said to be a mess, imagining the feeling of steamed buns full of deformation, she can't control the brushwork and paint, just like the joke said that the four table legs, the sawing is always uneven, and finally sawed to no legs, and the desktop has to be placed on the ground.

She is colorful and colorful, but she always has to draw wrong, and she draws more in order to cover it up, and then she makes mistakes and covers it up, and it is a mess everywhere.

Now after the black and brown base, it magically makes all objects not wrong, because the wrong points are also covered up by the black and brown.

The most important thing is that the most beautiful and bright colors are actually set off by dark colors, Du Wen's previous paintings are not dark, she wantonly sways those bright and flying colors, and the color contrast distance is not large enough, so the whole painting looks a little flat.

Now it's completely set off by the black-brown background.

Those brilliant images are often set off in a bunch of contrasts.

Her peculiar painting method is equivalent to taking the initiative to put all the foils there first, and then start to make up for the brightness.

Only by standing in the abyss can we see the light!

Faintly a little bit of this philosophy.

How can it not be beautiful.

Teacher Fan commented that Du Wen's test results would not be too bad.

I've only been studying this for a few days, and I'm already qualified to compare with everyone.

The mentality of the cram students is really a bit broken!

I really want to send this male and female away, don't make everyone's Dao heart unstable here, and they can't cultivate!