Wan Changsheng stood in front of the orchestra pit and had a simple explanation: "We used the existing equipment and scene simulation screens to virtualize the final scene, and there are some mistakes and omissions, please correct the leaders......"

Then he waved his hand, and the whole theater was dimmed.

The stage is getting brighter.

The expressions of the leaders are relatively fresh, but the knowledgeable entourage, especially the seniors of the national television station, are somewhat frowned.

The Spring Festival Gala is often in the form of a family tea party, with a table below sitting around, and a few rows of spectators sitting on the periphery.

The camera will also give proper care to the funders, which is a form of giving back to the sponsors.

After all, for the old era, the big entrepreneurs who came out of the wave of reform were very happy to show their faces and become famous.

But the times are really different, and the current rich people are more particular about Taoguang and obscurity, and the difference is very big.

So a lot of the people who show their faces now are extras.

The point is that this form is already very accustomed to many ordinary people.

It is also a conventional scene in the Spring Festival Gala, rather than directly facing the audience.

Because the entire Spring Festival Gala has to pay attention to the interaction with the audience, it will not be a black oppression under the stage.

It's not that there hasn't been a reform, in the eighties of the last century, one year the Spring Festival Gala was made like a concert, and it was black under the stage.

It turned out to be smashed.

It seems that the tradition of the national audience scolding the Spring Festival Gala began that year.

So from now on, no one will dare to do this.

It's a bit taboo.

But it must be admitted that from an aesthetic point of view, the lighting color can only have the best effect if the surroundings are pitch black.

Because the dark color unifies the distraction of the surrounding chaotic light and shadow.

The principle is the same as Du Wen's effect of painting on dark colors is particularly brilliant.

Looking at the past before the Spring Festival Gala, the stage seemed to be mixed with a bunch of red and green grass, what kind of show did you enjoy?

The visuals are ruined to the worst.

This is a classic battle between professionals and laymen.

I don't care about layman officials, I want to have a lively and celebratory atmosphere, not to be dark, to make the people of the whole country happy, not so gloomy.

Professionals think that you know a ball, and there is no point in celebrating and lively, and you can look like a fart.

But in the end, it will inevitably give in to the administrative demands, which is a common drama before.

Therefore, the previous Spring Festival Gala was often very beautiful in the planning stage, and when it was changed back and forth, it became the last hanging sample that everyone who watched it was terrible.

Today it seems that people have seen the routine repeated.

But as the stage lights turned on, the whole stage background shrouded in festive red and yellow tones, the original huge electronic screen, began to play the picture.

Well, just use some lighting on the stage, and everyone is equivalent to sitting in their seats and watching a TV with a large screen.

Who said that this theater does not have oversized projection or holographic projection equipment?

There is no need to get some equipment for this judging program alone.

Wan Changsheng is a thrifty style.

Although many of the managers said that there was no equipment for the Spring Festival Gala that they did not dare to enter, he still said that it was okay for the leaders to see.

But the meaning is clear, the first show that was quite lively did not report the curtain, nor did it have an impassioned string of words, and it clicked and clicked when it came up.

The auditorium was a little dumbfounded.

But I can't say anything, because as long as it's the first time I see it, I will almost immediately pay attention!

Follow this program that I have heard and watched, but I haven't seen it in the Spring Festival Gala to enter the atmosphere of the party.

Then, as soon as the overwhelmed program came to an end, there was a loud clear sound and entered the singing ......

The singing was accompanied by an anthropomorphic dance of this year's mascot.

The cartoon shape is honest, and there is some playfulness in the honesty, and the old people will be happy when they see it, and the children will feel very novel.

In December, the zodiac mascots will go on sale, and from the moment you walk in, you'll see a similar thing on every seat.

Now even the serious leaders are a little bit smiling at each other.

The things on the screen, the special feeling of connecting with reality.

After that, the host took the stage, and now a few paper people are used to perfunctory billboards, but there are narrations from the professional choreographer and director of broadcasting, congratulations on the New Year, and ridiculed that the whole stage is full of vigor and vigor on Monday.

It reveals the whole program according to the arrangement of the links from Monday to Sunday, as well as the lottery steps of each link.

Remind everyone to pay attention to their mobile APP at any time, and hurry up if you don't register......

Reduce the part of the host's beep and reduce the host's presence.

Re-entering the show is a sitcom.

In fact, the sketch was originally adapted to the Spring Festival Gala to change the sitcom that the drama major usually practiced, and it used to be the main traffic responsibility of the Spring Festival Gala.

But with the change of the times, this kind of situational drama is becoming more and more out of shape, every word and sentence must be politically correct, and all kinds of greatness and righteousness must be made, the people who act are painful, and the people who judge are also terrified.

So now it's just entertaining.

Someone wanted to say something, but they couldn't, because the performance was very compact, and it was smoothly received by children's singing and dancing.

Then he sang and danced.

This bang bang bang past six or seven shows, the whole stage changed tones at the same time, and the first draw began.

On Tuesday, there were five or six more programs, and then red envelopes were distributed, with a total price of 100 million yuan in red envelopes at a time!

There are 200 million, 300 million, and 400 million heavy prizes in the back, and a round of smashing atmosphere!

Acrobatics, drumming, symphony, orchestra, folk music, magic, martial arts, talk shows, talent shows, and much more are interspersed with a large number of singing and dancing programs.

Even the singing forms cover everything from opera singing, rock, jazz, folk to rap, and they are basically familiar hits.

This is Wan Changsheng's characteristic as a director.

The pursuit of change in form, but in terms of content, it is the safest choice.

It's even more secure than the previous Spring Festival Galas.

Almost all the programs are entertainment functions of singing, dancing, and hip-hopping, and do not involve connotations and various meanings.

Simple, clear and straightforward.

All the songs are common tracks, classic tracks, that are known to the whole people.

It's just that the wrapping paper has been replaced with an extra beautiful style.

Not only is the entire virtual stage beautiful, but the theater lighting is also very thoughtful.

The leaders' expressions were involuntarily relaxed.

Because this kind of scene can only be picked on from a professional level.

Even Wan Changsheng mentioned the overall structure that is most likely to appear loose before, because the program types are interspersed and alternate, and because the color tone is eye-catching and beautiful, in fact, I feel a little out of breath!

As long as you watch these wonderful performances carefully, you will feel that this is very good, and that is not bad.

Those knowledgeable TV bigwigs gradually cocked Erlang's legs and exchanged their heads, and some even turned back to give a thumbs up to the choreographer and director team sitting behind them.

There's a lot of detail in that.

Wan Changsheng just put forward his own requirements, asking the two programs to look more compact, to relax slowly, how to do it, and what programs to use to connect, that is the effort of the choreographer team.

It's not that these young choreographers didn't have this ability before, but their leaders didn't ask them like this, or that the older generation of famous directors didn't necessarily demand them with this kind of color palette and priority.

The key is to give these choreographers a great deal of creative freedom.

In fact, among the seventy or eighty alternative programs that can be selected by everyone, there are more than ten choreographers and directors, and two of them are responsible for "one day", so they have to compete with each other for the show!

Those high-quality and effective programs were naturally robbed by various groups.

Wan Changsheng is responsible for the deployment, what should be the mood of the day, whether the lighting of that show is appropriate, and there are fixed colors every day.

So in this situation where the general direction is determined, the choreographer's work is as precise as filling in the blanks, putting all his talent and focus on the program effect and stage feeling.

This is different from the creative method of any previous Spring Festival Gala.

is precisely the kind of stage art point of view that Lao Lei emphasized:

Does the choreography obey the director's script, or participate in the director's script?

Here is who does the Spring Festival Gala obey? Or are all parts participating in the Spring Festival Gala?

In the past, the Spring Festival Gala was largely based on programs, and those famous actors who have been on the Spring Festival Gala for many years formed the main skeleton of the Spring Festival Gala performance, plus a few fixed praise scenes, adding all kinds of oil, salt, sauce and vinegar, it is a table of hodgepodge of paste pot dishes.

And here, it is obvious that there is a whole relationship, and the whole play is divided into seven sections, seven tones, and seven emotional states.

All the programs are first to obey this big relationship, and then they are brilliant in their own way, and they also need to consider the relationship with the before and after programs, whether to continue the mood or to maintain the contrast, or to change the atmosphere.

This is the relationship between the whole and the part, which is common in various art forms such as painting, dance, opera, film and television.

Insiders naturally look at the doorway, and laymen watch the excitement, feeling that ouch, one program after another is so compact, I can't be busy with it, I want to express some opinions, and I am full of all kinds of difficult expressions.

Finally, let's finish it with a groove.

Even if a lot of lucky draws, red envelopes, public service announcements, New Year's greetings, zero-hour countdowns, etc. are omitted, the whole show still lasts for more than three hours.

No one went to the bathroom.

When the famous song "Unforgettable Tonight" sounded, everyone watched this rather novel interpretation for a minute or two before they got up and went to the bathroom.

Wan Changsheng simply beckoned to stop when the show ended.

The choreographer, the organizing committee and other parts all knew that they would be left for three or four hours, and they were mentally prepared, not so anxious, and they didn't want to go to standby with the leaders, how embarrassing it was.

So almost all of them sat in their seats a little nervous, full of pre-trial apprehension.

Wan Changsheng was not so apprehensive, still wearing a black pullover sweatshirt, but the chest pattern was produced around the Spring Festival Gala, jeans and sneakers sat easily on the edge of the orchestra pit, and he picked up the microphone and smiled in the face of his temporary comrades-in-arms: "It's been two months, I still thank you for your efforts, no matter what adjustments will be made later, I am very honored to be able to work with you, I think the meaning of life is to create with your heart, to get to this point, all the participants present are very lucky, because we have more or less found our talents." No matter how much value this kind of talent creates, the focus is to use the mind, and the mind is to create, just like the chef can carve vegetables into flowers, and the craftsman can make furniture into a work of art, we can be intoxicated with our work and vision, and strive for excellence, we are already very lucky, thank you! ”

When the bigwigs heard it, their evaluation of this young man could only be that the future of this son was limitless.