506. When the wind comes, it is better to chase the wind
Lin Chuni also came back with the crew, but after most of the cast and crew got off the car, they couldn't wait to follow the early staff to visit everywhere, and the changes were a little different.
I happened to see the entrance of the square, where the gate wall had not yet been torn down, and the sculpture that was as high as one floor was tightly tied with plastic film and messy straw rope.
At first glance, it looks like a huge box that has been carried over.
Take a closer look, there is a pedestal below, which should be placed on some bottom, and the edge is suspended twenty or thirty centimeters in the air.
The aunt had the leisure to squat down and touch the edge below, confirming that it was something fixed on the scene.
And then I thought a little bit about it.
Just now on the schematic diagram of the cultural and creative park, I saw that there was a sculpture on the square at the entrance of the park, but the spray painting was blurry and unclear.
Now after walking around twice, he took out his mobile phone and called Wan Changsheng: "Is your new sculpture in this square?" β
Wan Changsheng said.
Lin Chuni asked why it hadn't been opened.
Wan Changsheng wondered: "No why, the wall hasn't been demolished yet, the gate is still there, and the movie hasn't been completed, why did I tear it down so early." β
Lin Chuni was maverick: "I'll help you dismantle it." β
Wan Changsheng was disdainful: "You are really idle!" β
Lin Chuni hehe: "This month in the countryside is really idle, I demolished it." β
Wan Changsheng didn't care: "Whatever." β
Lin Chuni hung up the phone and took out a knife from her backpack, a very delicate ornamental knife, but she used it to carefully cut the two-finger-thick straw rope.
Then, in the empty square around him, he slowly circled around the building, and unwrapped the straw rope little by little, as patiently as opening a birthday present.
Even the dismantled straw ropes were piled together.
The girl who circled around in the empty square soon attracted the curiosity of the rest of the crew: "What, what is this, what are you dismantling?" β
Lin Chuni explained: "Awesome, being a director, being a principal, this is his identity, being a sculptor, isn't he also making the sculpture at the door of our new campus?" β
So everyone's interest is even stronger.
However, when she still wanted to demolish it with her hands and feet, Lin Chuni said that she should maintain respect for the artwork, and this was the consecration ceremony.
The quirky appearance of the gods made everyone giggle and just watch.
In fact, as long as she is not facing the camera, Lin Chuni is still very beautiful.
Wan Changsheng came over at noon and waited to greet the crew.
At this time, of course, in the most important shooting scenes, the main creators who came back were introduced to the before and after changes.
The renovation of the teaching building and dormitory building is still early, and now you can only see the dense scaffolding support and steel splashing inside.
The camera crew that came back early didn't shoot this kind of construction scene, maybe it could be used.
The main thing is that the picture is better.
However, Wan Changsheng probably still thought about his own hard work, and was given a head start by Lin Chuni, so he walked out while introducing the transformation of the business district.
The previously chaotic and dilapidated pavement has been completely resurfaced, except for a few stone pavements with southwestern characteristics that have been retained, all of which have been repaved with black asphalt, and then neatly painted with eye-catching fluorescent yellow road signs on both sides.
Although the entire park is closed to vehicles, the new and clear pavement gives a strong psychological hint.
It feels like the whole park is a new construction, and it is deliberately old.
Then, on the black pavement, various social media emojis such as those that are now popular are sprayed.
The expressions that people are most familiar with are particularly striking on the road.
Lao Lei Du praised this kind of scene as having a sense of drama that is out of time, and it will definitely become a gathering point for tourists in the future.
Talking.
Everyone saw the straw rope snoring and collapsing from a distance, and Lin Chuni, who was already tall, stumbled and tore off the last layer of sponge film outside.
The four-meter-eight-high sculpture, plus the pedestal, is exactly five meters.
The square width of one meter and two, seen from the inside of this factory, is just on the back, is a slender tall and thin huge seal!
Stone carved with yellow amber moire.
The two sides are straight, and there are rounded beast-shaped buttons at the top, which deepens the feeling of the seal, and then on this side wall, the two lines of vertical words cut by the axe are cut: "The wall is broken for ten years, and it is difficult to reward the heroes of the sea."
There is no color in the carving, but the stone is still showing a little carved gray and white, which is in accordance with the ancient style of the seal.
This is a poem that few people know.
But someone in the old drama bone recognized it at a glance: "Oh? This was written by the Founding Prime Minister? I don't think it was inscribed here. β
Wan Changsheng nodded: "Yes, he went to Japan when he was nineteen years old, and gave up the poems he wrote when he returned to China. β
The art is really the same, and the old drama bones are leisurely and fascinated: "Breaking out of the wall, this is a good description, after the finishing touch, the original lifeless dragon shook his head and shook his tail and broke out of the wall, at least when we went to the location after filming the first part, I didn't expect that there would be such a earth-shaking change here, this place should indeed change...... Hey? β
Because the crowd is walking towards the sculpture.
If you look at it a little from the side, you can see that it is not a whole stone seal.
The cast and crew who were surrounding the sculpture were also curiously looking back and forth, left and right.
Sure enough, when I got closer to the side, I could find that the whole back looked like a complete seal stone, and from the side, you could see that there was a whole front half of the faΓ§ade that was made of stainless steel!
Or stainless steel is the one that occupies the majority.
The combination of stone and stainless steel is mottled and uneven, as if a neat stainless steel has been carved from the seal stone faΓ§ade.
This is a kind of contrast that breaks through the wall.
Mirrored stainless steel, full of modern symbolism, the mirror is shiny enough to illuminate the exact human shape, but if you look closely, you can see that it is covered with lines.
On the front, of course, is Su Munan's handwritten "Special Steel Fu", sprinkled with hundreds of words, expounding from the most difficult construction years, as an important part of the first batch of large-scale steel cities established in China, special steel mills have made great contributions to national defense construction, but between the stars, time flies at the same time, everything around people is changing, for environmental protection, for quality, for a better life, the overall relocation of Shili Steel City, the functions and responsibilities here have disappeared, and a new mission is needed to face.
Now it has become a cultural and creative park, promoting the construction of spiritual civilization in the surrounding areas......
It not only remembers the rich history of this place, but also looks forward to a new future.
It is a subtle reminder to those who are still living in the past, let's change.
Times are always changing, for better or for worse, maybe in the era of overall decline or even collapse and collapse, the power and influence of individuals are so powerless, but in the good times, at least they can change and improve themselves.
On the stainless steel mirrors on both sides, a large number of binary codes symbolizing the Internet era are etched.
It is very simple and easy to understand the fusion or transformation of ancient seal carving and modern society.
It is a symbol of the special steel plant, the rebirth of the old factory here.
This is the combination of East and West, which Wan Changsheng has been pondering in recent months, blending the old and the new.
In terms of artistry, it is a little lighter than the stage sculpture, and the commercial atmosphere or the connotation that ordinary people can understand is more superficial.
Wan Changsheng is trying his best to make his works grounded.
He doesn't care about the opinions of art critics, he only cares about whether or not they can achieve the purpose that literary and artistic works should have.
Lao Lei, as Bole who discovered Wan Changsheng's stage sculpture, the big man of the stage art major, touched his mobile phone with a smile and took pictures: "What did the head of your sculpture department say?" β
Wan Changsheng rolled his eyes: "Sarcasm, ridicule, disgust, but these words were written by him, I said that this calligraphy does not look like a cultural person at all, and it is not as good as the hundreds of words in front of him, it is the handwriting of a graduate student majoring in calligraphy." β
The professors and teachers of the School of Drama all laughed, and they knew very well the deep affection between Wan Changsheng and his sculpture teacher.
In fact, Guo Huaisheng is describing Wan Changsheng's ups and downs in his artistic career, constantly looking for his artistic positioning.
Originally, Wan Changsheng established stainless steel as an important symbol of his future artistic career, and the safest way at this stage was to make a series of abstract sculptures similar to the stainless steel cat.
The more Xuan can calm people, anyway, he has the title of the gold medal of sculpture in the National Youth Exhibition, no one dares to say that his sculpture is shallow, anyway, how to pretend to be profound, and he will soon be able to establish his artistic status.
It seems that the more you can't understand the trend, the more art you have.
But Wan Changsheng is getting more and more superficial.
The last stainless steel monk is already very realistic and simple, although the dynamics and shapes have their own characteristics, but there is no artistic content at all.
Now this one has even added a bunch of words, and the taste has not dropped a little.
In the future, if you want to collect all of Wan Changsheng's works and discuss them, you will find that these two works, and the stage sculpture that won the gold medal, are almost like two people made by two people.
Therefore, Guo Huaisheng took Wan Changsheng as an example, and warned other students in the sculpture department in a sarcastic tone, including graduate students, that without Wan Changsheng's economic strength, they could spend two or three hundred thousand yuan to make a sculpture to practice, and they should honestly take the ordinary road.
Wan Changsheng's practice of taking money to smash the style and trying the style little by little is a standard local tyrant style!
Anyway, Lao Tzu can afford to spend this money, do whatever you want!
Zhong Mingxia followed behind in a hurry, only glanced at the sculpture from a distance, but still habitually walked away from all the shops.
Then I wrote it down on the soft copy, and there were several densely packed pages.