In fact, most of the locals come out in yukata robes and clogs, like countless midsummer nights' after-dinner walks.

Wan Changsheng walked over and noticed this.

The fireworks display, which is one or two hundred years old, will not be mainly for tourism revenue.

Looking at this dress, it should be like the temple fair of Guanyin Temple, which is a tradition of local people praying for blessings and pastimes.

That's what he thought.

But when the whistle of fireworks hit the night sky, it was like blowing the horn of a movement, and the fireworks that rose into the air one after another completely refreshed Wan Changsheng's definition of fireworks.

He didn't have much of this kind of knowledge, and his feeling for fireworks was the moment they exploded in the air, and colorful was the most beautiful feeling.

But the burning pattern in front of you, from the first bloom to the full bloom, bursting out of the kind of burning beauty!

It's like being able to paint in the night sky.

The unkempt and dense fireworks are about one or two hundred meters wide at the bottom, successfully depicting a scene of chaotic reeds, a little above is purple among the reeds, and then above is a starry sky of golden sparks, interspersed with a few slender flowers!

It is really a flower, and the slender flower stalks pass through the reeds to leave clear long lines, and then the red flowers set off by the green leaves, which are extremely gorgeous!

Surrounded by a field of silver flowers, dancing and flying......

From an artistic point of view, there is a background, an overall picture, a local fine operation, and a supporting role in the periphery.

Wan Changsheng was stunned,

He never thought that fireworks could be painted like this, and so finely.

Even if it's only for a moment, it's the result of how much calculations and tests.

This is not a reverence for foreigners, but a refreshed concept.

When the people are resting, fed, clothed, and warm, with sufficient human and financial resources, artistic creation can run through every profession and every corner of life.

Yesterday he also decided to reform the temple of Kannon to promote the beauty of this changing era.

In the afternoon, he already felt that beauty can break through into all aspects of life, in this era of alternation between the old and the new, in this era of a bit of change and chaos, beauty, and even have to bear the responsibility of contributing to the progress of the times.

And at this moment, the beauty of the fireworks display made Wan Changsheng completely understand how lucky he is in this era!

The era of breaking and standing.

It is necessary to let the people of this era understand beauty, appreciate beauty, and create beauty.

I am afraid that this is my social responsibility as an artist.

With the deep blue and purple night scene, the sparkling river surface also reflects the colorful outline of fireworks.

Countless fireworks of different shapes leap up one after another, making every face with their heads sparkle in the dazzling night.

This light is the yearning and pursuit of all good things, even if there is endless darkness, pain and suffering, it will be felt in this moment of light.

Looking at the flowers from the other side, the broken silver is sprinkled like stars.

During the hour-long fireworks display, more than a dozen young people from the Chinese tour group watched motionlessly.

No screaming exclamations, no affectionate veins.

Each with their own feelings, quietly watched.

It is in great contrast with many locals singing and dancing in the surrounding area.

At the end of the day, there was even a sense of waking up from a dream.

Jia Huanhuan jumped into Wan Changsheng's arms with a runner and cheered: "Good-looking!" It's worth it, it's really worth it, it's better than going to Italy! ”

Of course, she couldn't grasp the deep artistic heritage of the Italian Renaissance, and in terms of visual effects alone, today's fireworks are indeed quite a lot.

The boys all crowded into Tang Jiancheng's place to watch the video of the whole process taken by him with the only tripod.

Yu Kaixin stretched her waist beautifully, forwarded the fireworks background that a boy helped her photograph, and posted it to Moments.

Zhong Mingxia was still sitting on the ground, quietly looking at the other side of the river, many local boys and girls were playing with fairy sticks, or carrying lanterns, and they were full of first love in their bathrobes.

It's all beautiful that she's never experienced before.

Du Wen got up and looked at Wan Changsheng and smiled, blinked her right eye slightly, and beckoned everyone to get up and go back to the hotel.

Jia Huanhuan relied on Wan Changsheng's shoulder to see far away, and found that there were lanterns and snacks sold over there, so he pulled Brother Changsheng's ears and drove it.

But she bought a handful, came back and giggled and gave one to each girl.

You don't have to turn on the flashlight anymore.

After watching the beautiful fireworks show, go back to the hotel with a good mood.

And it's also the standard Japanese-style Odori tatami room, of course, the boys and girls are separated.

It's interesting.

Wan Changsheng put his hands behind his head before going to bed, thought a lot, and fell asleep groggily.

Yesterday's Kiyomizu-dera Temple is said to be one of the best Upper Seven Shrines in all of Japan's 22 major shrines, and today I visited one of the Lower Eight Shrines, the shrine that is hated by the Chinese I don't know why it is not among them.

In short, coupled with the shrine with the most incense in the Kyoto area, Wan Changsheng has basically gradually touched the style of Japanese temples.

There is a real need to reform the Guanyin Temple.

But this time he didn't even say Huanhuan, lest his wife be caught in the middle again.

I slowly felt and thought in each temple with my hands behind my back.

Wan Changsheng, who is a supernumerary temporary worker at the Imperial Palace Museum, of course, also went to the ancient Japanese Imperial Palace in Kyoto.

In addition to feeling that the largest hall of the people's house is not as good as a side room in the museum, it is to notice the murals in all the halls of the people.

This is Wan Changsheng's old business, although all the halls are not allowed to enter because they are royal property, but many open doors allow him to see those pictures at a glance.

Whether it is telling the fable in the "Classic of Mountains and Seas", or the picture of Yueyang Tower, the Lanting Map, or the picture of the Eighteen Bachelors Dengyingzhou, they are all Chinese themes, and in that ancient era, it was the Japanese who worshiped Chinese culture as a noble display.

Even the pretended royal family pictorial tour is modeled after Wang Xizhi's flowing water and waterside banquets, which is a real Chinese literati taste.

It took two or three hundred years in modern history to lag behind, and now it has taken twenty or thirty years to catch up, but the road to cultural revival is not as simple and direct as economic data.

This kind of thinking tourism can only stay here for two or three days.

The rest of the tour group is free to go on their own tours.

Compared to a noisy metropolis like Tokyo, Kyoto is a bit more artistic.

In addition to going around the ancient palace, the old town, temples and shrines, there are sightseeing trains in the surrounding area.

The girls all show that they love it very much, because they can take wonderful pictures everywhere they go.

Boys, it is estimated that they still take care of Wan Changsheng's face, in addition to mainly taking pictures of beautiful women, everyone doesn't think about going to Akihabara all day long.

As a result, they found that there are all kinds of strange shrines in Japan, and there are actually shrines dedicated to praying for hair loss, and there are shrines that pray for what kind of birds spread their wings bigger!

Of course, there is also the football shrine that the Chinese disdain the most, and there is nothing to worship here.

Another advantage of staying in this kind of place is that you don't buy anything, except for some shrine souvenirs, you don't have anything to buy.

When the group set off from here to Osaka, they didn't have any luggage.

But at this time, I still miss the omnipotent courier service in China, and I chatted on the road more than once and mentioned that if there is a courier, I can send what home first.

From Kyoto to Osaka, I went to Nara in between.

It is also a place that girls like very much, this place that also served as the capital in ancient times, in addition to a large temple, which is said to be the largest wooden building in the world, but also because there is a famous herd of Nara deer, the kind that can be fed and touched casually.

Fortunately, Boss Wan had money, and the tour group rented a nineteen-seater van to go, and when visiting Nara, the driver also took care of the luggage on the car.

It's mainly a girl's big box, Lin Chuni despises it, she often comes to Japan with a small backpack to go around the world, all the trends are crooked by Du Wen and Yu Kaixin, and now Zhong Mingxia pushes a big box silently, of course, she mainly helps her sister-in-law load things.

As a result, as soon as they arrived at Nara Park, the girls rushed into the middle of the deer herd on the side of the road, and Jia Huanhuan almost wiped off the deer cakes in the old lady's shop!

It's only seven pieces of deer cake for five days, it's cheap!

The deer have met a fairy today!

Later, the boys described that there may be hundreds of deer in this area, and all of them gave up other tourists and came to eat!

And if there are many people, they will be diligent, and in the past, they would compete for everyone's deer herd, which was very well-behaved, and they all had to eat.

Each fairy was surrounded by a large herd of deer.

The kind of warm and lovely deer face that looks at it up close makes Jia Huanhuan want to raise a deer in the end!

Wan Changsheng didn't look at it, he took the opportunity to sneak to the big temple next to him to pay his respects.

This is also the closest temple he saw in Japan, which was built at a time when Buddhism had just been introduced from the Tang Dynasty in China.

The big Buddha hall dozens of meters wide is larger than the Taihe Hall in the museum, and it is also the old color of the smoke and fire.

This is in contrast to the shrine next door, reminding Wan Changsheng that this shrine is actually not Buddhism anymore, and the Japanese have long since copied it and made up their own shrine system.

For Wan Changsheng, this trip to Japan does contain a lot of cultural thinking, which was not available in Italy last year.

Of course, if he had come to Japan last year, he might not have reached the point where he would have thought about it.

It was precisely during the filming of this movie that Wan Changsheng had a lot of doubts about the role of this kind of literature and art, especially in this Internet era, the role of art.

Maybe someone will go to the mentor right away and ask.

Wan Changsheng, who grew up in the stele forest, was used to thinking for himself.

Maybe what you figure out on your own will be more lasting and useful.

With this kind of thinking, I looked at the big temple and the shrine, and when Wan Changsheng returned to the park, what he saw again was a large area of deer who were lazily holding up and didn't want to get up to greet the guests.

Jia Huanhuan is really mighty!

Thousands of miles across the ocean, first put the deer raised by the devil flat, now we must take it back to the Guanyin Temple to show off to the ancestors!

Gather your tour group and head to Osaka, the last stop of the tour.

To tell the truth, not only do I miss the express delivery and the hot pot at this time, but I also really want to go back to China.

In particular, the date for the premiere of the film has been set.

Everyone is starting to get worried.