Hu Zi snorted: "If you want to find you quickly, I won't accompany you, you have a lot of blood, you are a mortal, Zongzi is not afraid, that's because Zongzi can't play conspiracy and tricks, Ye can see clearly, follow you sooner or later to rest the food, from now on, you take your Yangguan Road, Ye take the single-plank bridge, we don't need Dabao, we can only say goodbye!" With that, get up and leave.

I was about to stop him, but the knife reached out to stop me and shook his head at me. I said in my heart that there are many people and many ways to live in this kind of place, and you must not let the beard leave, besides, the beard is single-handed, one has no equipment and two has no food, isn't that equivalent to looking for death?

Unexpectedly, the beard took a few steps, and suddenly turned around and scolded: "Dog, it's too unrighteous, right?" Lao Tzu was born and died with you, and he didn't keep Lao Tzu before leaving? ”

I smiled speechlessly, just about to speak, but saw that the face of the beard changed instantly, I suddenly realized that he was looking behind me, the scalp exploded, there must be something behind him, but this time I learned to be obedient, did not look back, but at the moment when the brain reacted, rolled forward, and then turned back, or was startled, I saw that in the darkness on both sides of the stone gate, there were two black shadows, with a big head, but a thin and long neck, at first glance it looked like two big pythons.

The knife quickly focused the light in the direction of the black shadow, and in the dim light, it turned out that the two shadows were actually two bronze lamp slaves, and on their heads were two thin-necked lotus lamps.

Depend on! Scared me. I breathed a sigh of relief, I felt that my legs were a little weak, although I had experienced a lot of terrible things, but the shadow brought to me by the big python in the Great Khing'an Mountains is still difficult to erase.

The knife walked up to the lamp slave, removed the battery of the miner's lamp, pulled out the copper wire inside and connected it to the positive and negative poles of the battery, and fired at the wick, and the flame jumped up instantly, turning from dark blue to dim yellow. Then, the knife removed the lotus lamp holder and lit the next lamp slave, and as the firelight intensified, the outline of the entire space gradually emerged.

This is a round stone room of more than 200 square meters, about three meters high, around the whole space, a total of eighteen lamp slaves are placed around the center, we don't let go of any of them, and soon all the lamp slaves are lit, the stone room is bright, there is a doorway hole opposite, the back is pitch black, it should lead to other places. We saw that the surrounding stone walls were full of murals.

The picture of the mural is very layered, it seems to be a whole narrative painting, from the first picture on the left we see an old man wearing a trench coat and a cloak, sitting in a circular square, many people kneeling in front of him, bowing their heads as if praying for something. The old man's cloak covered his face, and he couldn't see clearly, and the reason why he thought he was an old man was because he was holding a cane in his hand, and it was very special to hold a cane, with a tiger head and a dragon body, which seemed to be somewhat inconsistent with the beliefs of the Chinese, but the worship of the ancestors was very complicated, and I was unprofessional about this, and I couldn't say a word.

I leaned over and saw that the old man was not dressed very carefully, but there were many patches on his cloak, like a beggar, and I couldn't help but wonder if these people were actually paying homage to a beggar! Could it be that he is Hong Qigong?

In the second mural, the praying people are still bowing their heads, but they are holding a golden bowl in their hands, and the old man is pouring wine for them, no, it should be wine, otherwise these people will not kneel. Who is so awesome, he is about to catch up with the emperor.

On the next mural, to my astonishment, the men and women were stripped naked after drinking, and they did not shy away from standing around the old man naked.

"Wow!" Hu Zi coldly burst out of a sentence: "A bowl of wine goes down and you go crazy with wine?" This old man is fashionable enough, I didn't expect that the ** of that year and month would be such a scene, atmospheric enough. ”

But when I looked at the fourth one, I realized that it was not what the beard said, and all the men and women who had stripped naked were lying down around the old man, and they were also posing in a gossip-shaped pattern!

For the sake of smoothness, the number of pages is omitted here, and I go straight to the details, and the more I look down, the more I feel a chill on my back. Then the old man also took off his clothes, but still wore his cloak, as if he was particularly taboo to be seen by others, and looking at his naked body, I came to the conclusion that this man was not as old as I had imagined, and was even younger than the people lying on the ground. Because I can see from the painting that this person's skin is quite smooth, not only the painter wants to highlight his craftsmanship, but the stone wall of the painted person is also deliberately thrown away, and the whole person looks like a beautiful jade carving, I think this is by no means a chemical skill or a personality cult, but obviously wants to highlight the young state of this person.

What's even more strange is that the whole process seems to be carried out in a dark place, the ancient murals are rarely realistic, we can't tell whether the mural is day or dark, there is sunlight or the moon, but this mural is very concerned with these details, from the torches and lampstands carved around the mural, it can be seen that this is in a place where the sun does not shine.

What's even more strange is that it's not just the person who is covering his face, but the men and women lying on the ground have no facial features, and it's obvious that these people don't want to be seen.

"It's not that you don't want to be seen, it's that you don't!" At this time, the knife looked at the next mural, and his brow was furrowed.

I turned my head to look at him, and the "old man" in the mural was still sitting, with the tiger-headed dragon crutch in his hand held high above his head, and it seemed that those people were performing some grand and obscure ceremony.

On the mural, next to the people lying in eight directions, there were several people who looked like dwarves, squatting there and not knowing what they were busy with. I'm trying to find the meaning of the knife in the mural, what does it mean to have no? Could it be that these people don't have faces in the first place? Thinking about it, I went to see those dwarfs, at first glance, it seemed that they were holding a brush in their hands to draw something on the faces of those people, and the beard did not forget to gag on the side: "Dare to love these people are singing, rushing to paint their faces, the dressing room of the ancients is really spectacular, one by one, stripped naked, isn't this an obvious unspoken rule?" Damn, you actually use a knife to draw faces? Is it a facelift? ”

With a knife? I fixed my eyes on the hands of those dwarves, and suddenly I was excited, obediently, what kind of brush they were holding, it turned out to be a sharp short knife! Moreover, the people they crossed had all grown lifelike faces! To be exact, those faces were carved by the gnomes with knives! I took a breath of cold air and immediately understood what the knife meant. Those who originally had no facial features, their faces were actually carved out of knives!

"Holy shit, isn't this a fucking ** sculpture?" The beard jumped up all of a sudden: "Such a pervert! ”

"Not like that!" I pointed to the next mural, those who were depicted with "faces", were driven into a big room by a group of people wearing masks, many chains were hung from the ceiling of the house, some people were hung on chains, expressionless, after hanging, several people wearing masks carried in a coffin, the coffin opened, and a disgusting reptile crawled out of it, looking at this reptile, my scalp suddenly exploded, it turned out to be - the mother!

Yes, that thing almost killed me, it just turned to ashes I know, but the proportion of insects in the mural is very large, and after standing up, there is more than one person tall, it is simply Yao Ming in the mother of the cockroach. Then, everyone was hung on the chain, and the huge mother climbed on one of the ** women and began to spin silk like a silkworm.

Seeing this, I faintly felt that my back was already cold, I seemed to have grasped the key to the problem, and couldn't help but look at it again, the feeling became stronger and stronger, and then, everyone was wrapped in "silk", and the scene of hanging on the chain appeared in front of us, we had just experienced it, so this scene on the mural was simply familiar, thinking, I couldn't help but glance in the direction of the stone gate, and the cat-faced monsters who rolled their eyes came out of my mind again.

Then it must have been a long time, the masked man appeared again, they escorted someone to the big room, opened the sealing stone on the ground, threw the escorted person in, and then, the silk shattered, and the cat-faced monster appeared and entered under the sealing stone

I was completely stunned, I couldn't understand or explain the transformation of the faces and physical features of the characters on the picture, and I didn't want to think about it, but through this mural, I realized a problem that suffocated me even more, that is, the person who put us in the closed stone room, it seems that his purpose is exactly the same as recorded in the mural, which is to feed the cat-faced monster! And that person turned out to be Leizi!

The beard looked at me with a serious expression, I knew why he looked at me like this, he was asking me with his eyes, did I believe his conclusions?

By now I have to believe it, the question is how does Leizi know these things? I suddenly found myself unable to think, I haven't solved the mystery of my father, and now there is another thunderbolt, what the hell are they doing?

I shook my head violently, telling myself that it was all a nightmare, and that when I woke up everything would be gone, hopefully, I comforted myself, that now my mind was completely messed up, and there was no way to speculate about these things.

Thinking about it, I took a long breath, tried to calm down, and continued to look at the murals. In the next picture, the masked man reappeared, and they brought out the cat-faced monster from the closed stone chamber under the sealed stone, those things seemed to be asleep, motionless, and the other masked man had the broken dry bones in his hands, presumably the cat face ate the leftover food scraps.

The masked man moved the cat-faced monsters to a stone chamber full of coffins, and there were many craftsmen carving epitaphs on the coffins, and they opened the coffins and put the cat-faced monsters inside, and at the same time, each masked man carefully poured some liquid into the coffin, and the mural did not pay much attention to the portrayal of this process, so it was impossible to see what liquid was poured. The whole scene was very grand, as if a special funeral had been carried out, and the "old man" in the cloak appeared again, as if supervising everything.

The last one, it is still the stone room full of coffins, many coffin lids have been lifted, I thought that kind of cat-faced corpse, but I didn't expect that what stood out from it was a living person!

At this time, my thinking was a little frozen, and I felt that all this was incredible, which was even more absurd than Nuwa's creation of people!

At this time, the beard asked the knife: "You also came out of those coffins, boss, don't tell me, one of those people on the mural is you!" ”