After the whole piece of copper is completed, it is just like the auspicious cloud engraved on the pot itself, and its mimicry and meaning are similar. Where the porcelain piece was broken, Guan Xiangwei laid a dark eye in the porcelain fetus and buried it in the copper pillar. Then the auspicious cloud copper sheet is covered on the notch, and the copper sheet is welded on the copper pillar from the inside. An auspicious cloud floats on the pot, full of antiquity, and is integrated.

The porcelain is seriously damaged, and the glaze is greatly missing, how to restore the porcelain to its original appearance on the basis of making its artistry a higher grade? According to the trend of the damaged form, the curium art pattern is designed into bamboo, which not only covers up the broken glaze, but also gives the porcelain a unique charm, and the name "Sparse Bamboo Moon Shadow" complements each other.

On its broken teacup in the shape of a large flower and plant, a lotus leaf or a flower is inlaid according to the modeling characteristics, so that when it blends into the whole, there are more bright spots; A pot lid with the shape of a bamboo branch that has been knocked off uses the tin repair process to reshape the structure of the bamboo branch, which fits perfectly with the original utensils, which is beautiful and harmonious and practical.

When the metal and the utensils are perfectly integrated through the skills of the craftsmen, it is not only to restore the past form of the utensils, but also to add an indescribable "incomplete beauty" to the utensils after adding the wisdom of the craftsmen, which is the mission of the craftsmen in this era.

Cold and summer, hot summer, calm heart, endure loneliness is the basic characteristics of a curium craftsman. In order to make his work less disturbed, Yang Peihao usually fights at night in the dead of night and works hard.

Curium porcelain is not only curium is broken objects, but also has its practical significance, from Yang Peihao's work experience found that curium porcelain is nothing more than two purposes, one is the pursuit of aesthetic concepts, the other is the bond of emotional maintenance.

Many of the restored objects are not because of their own value, but because of the irreplaceable feelings formed between the objects and their owners over time, and another meaning of restoration contains the unique aesthetic concept of Chinese.

Some people deliberately put soybeans into the teapot, after sealing, add water to make it strong to break the surface of the pot, and then put beautiful patterns on the natural pattern to achieve the effect of artistic appreciation. Every broken one hides a story, and every restoration also inherits the traditional philosophical idea of "curium (poly) and cherish blessings".

He has been making curium porcelain for decades, and there is no need to say much about the work in his hands, but the most troublesome thing for him is the design. Each piece of utensils he handles has different positions, shapes, and sizes of damage, and how to carry out ingenious ideas according to these points is a great test of the craftsman's aesthetic sense and design ability.

There is a tea cup, the bottom is broken, Jin Ning inlaid a whitebait, poured tea, it is the fish in the middle of the cup. Restoration themes like this are fitting, auspicious, and agile.

Cultural accomplishment, there is no doubt that the curium porcelain industry has declined. What Jinning has restored is mainly some ancestral objects and valuable antiques. This also requires him to have a deep traditional cultural heritage in addition to his skills and aesthetic sense.

For the production and use of many traditional patterns, Jin Ning has long been familiar with the chest. He said that his understanding of thousands of years of Chinese porcelain culture was just a "drop in the ocean", but watching him lay out a pile of broken porcelain pieces, detailing the name, age, faction, materials and meaning of each piece, one can see the depth of his hard work.

There is also a gold thread that has the same effect as curium porcelain. The gold thread is the name of the process of repairing the broken utensils with pure natural materials, which requires a certain aesthetic skill. Originating in China, the Golden Silk is essentially a category of restoration.

The restoration of gold threads has a wide range of applications, mostly used for porcelain and purple sandware, in addition to bamboo, ivory, small pieces of wood, jade, etc.

Lacquer is a kind of strong decorative technique in the porcelain restoration process, not only used for the restoration of ceramics, but also can be applied to the restoration of bamboo, wood, teeth, purple sand, jade, and this method is more in line with the aesthetic concept of Asians. If the appropriate technique and elegant design are adopted, not only can the original work be restored, but it can also add another indescribable "broken beauty".

Repair with gold, most people see the decorative effect of gold paint or lacquer, few people pay attention to the role of lacquer on the basis of the structure, the viscosity of lacquer is large, stable, the key is that such a natural adhesive has no chemical pollution. The general repair period with gold paint is about 20 days, and the final part of the gold paint can be completed in about 5 days, and the basic part of the previous paint will take about half a month, and this part of the work is hidden under the shiny appearance, which is not easy to notice. Therefore, the gold silk process is also called the lacquer process.

The original intention of lacquer is to treat imperfect things with near-perfect means. Every utensil has life, from being made to being used by others, it is inevitable to bump and bump, just like a person will always encounter something in the course of his life, which will inevitably be hurt or damaged.

Lacquer represents an attitude, with the world's most precious material and spirit to face defects, carefully repaired, in the face of defects do not try to cover up, calmly accept the imperfections in life, in the impermanence of the world to abide by the heart of the yearning for beauty, the imperfection into beauty, in the imperfection of the pursuit of perfection, thus sublimation, but beyond the original level, to reach a higher realm.

Originating from China, it has undergone changes and carried forward by the times, and has its own school of gold in Japan, Vietnam, Singapore, and other places overseas. Because the repair of gold silk requires the use of the adhesive bonding fragments of lacquer, it is suitable for rough carcass utensils such as pottery and purple sand.

However, with the development of China's porcelain industry, the carcass is delicate and solid, and the gold repair gradually declines in China. On the other hand, curium nail repair porcelain came to it.

China and Japan are geographically close to each other, and the development of daily ceramics in Japan for thousands of years has been dominated by the pottery stage, so Japan has a history of thousands of years of gold. In Japan, the word "Jinji" is called Jinji, and there are three main genres: "mosquito foot", "no clothes" and "Baichuan".

Among them, the restoration of the "no clothes" genre is the most exciting, which is called artistic recreation. The name of the no-clothes genre comes from the Chinese poetry book "National Style, Qin Feng, No Clothes"

How can you say that you have no clothes? with the Son. Wang Yuxingshi, repair my spear, and have the same enmity with the son!

How can you say that you have no clothes? With the Son. Wang Yuxingshi, repair my spear halberd, and work with my son!

How can you say that you have no clothes? with the Son. Wang Yuxingshi, repair my armor soldiers, and go with my son!

From the origin of the name of the Wuyi faction, it can also be seen that the relationship with China is inseparable. The restoration characteristics of the Wuyi genre are to make up for the missing parts of the pottery and porcelain pieces, and then make the glaze from the lacquerware, and the glaze has a strong chiaroscuro contrast, as if putting on a dress for the tea bowl, and the creative characteristics are strong, such as the content of Qin Feng Wuyi.

Japan, Singapore, the United States, Australia, Brazil and other areas with a large number of immigrants from China, Japan and South Korea have a rank examination for the restoration of gold. Because China itself is mainly based on word of mouth, there is no rank system in China. In 2003, he was examined in the rank of the Japanese gold

Paragraph 1: Mosquito foot gold, Baichuan gold, and unclothed gold are used freely, and they will be basically drawn from time to time

Section 2: On the basis of the gold thread, the pottery can be repaired with nails, lacquer carving, tin repair, and no metal wrapping

Stage 3: Fragments of different artifacts within 32 pieces can be repaired into one artifact with gold threads, open curium, and dark curium

Section 4: More than 32 pieces of fragments of different utensils can be cast into a carcass with Shippo ware and glass and pewter, and the carcass can be repaired on its basis

Section 5: It has the intermediate level of identifying ancient Chinese pottery and ancient porcelain, and has the advanced level of identifying Japanese pottery and porcelain, and can flexibly distinguish 70 kinds of gold repair schools. And you can flexibly master 25 genre repair methods.

Section 6: It has the ability to identify the advanced level of ancient Chinese pottery and ancient porcelain, has the ability to repair non-ceramic objects such as bamboo, wood and tooth horns, and has the ability to wear dragon curium for ceramic pieces with a wall thickness of 2 mm.

Section 7: More than 32 pieces of fragments of different utensils can be made into a single artifact with micro-casting or mortise and tenon structure

8 Duan: 6 people who have been recommended by level 8 and above and have been in the industry for more than 30 years can teach the younger generations the techniques of more than 45 genres of gold restoration

9 sections (national treasure level): need to be recommended by level 8 and above, I have been in the industry for more than 45 years, the family engaged in gold can be clearly tested for more than 3 generations, teaching to the younger generations, excellent conduct, with more than 7 kinds of gold repair secret methods, can be a model of the industry, the national treasure of the nation.

Gold repair is to glue the broken porcelain with natural lacquer, and then apply gold powder or gold leaf to the surface to give the tea set a new life.

Although the tea set has no vitality, it has become a member of our tea table from the clay embryo to the production, and has experienced the baptism of the long years (tea) months (soup), and more or less has cultivated a tacit understanding with us.

Therefore, when the tea set is incomplete, it is a pity to abandon it, and it is useless to keep it, and in the process of cultivating tacit understanding with the new tea set, we will also be unforgettable with the old tea set. The restoration of gold can solve this problem for tea lovers.

Gold repair is to glue the broken porcelain with natural lacquer, and then apply gold powder or gold leaf to the surface to give the tea set a new life. Moreover, the gold restoration process has a wide range of applications: porcelain, purple sandware, wooden ware, glassware, jade and new materials can be repaired.

Strictly speaking, it should be called lacquer. Some people think that the gold repair process originated in Japan, but in fact, it originated from China's curium porcelain and gold painting, but it was only carried forward by Japan.

This view is well documented in ancient texts. During the Edo period in Japan, the Confucian scholar Ito Toya wrote "The Legend of the Leech Stumbling Tea Ouji" that a Longquan kiln bowl of the Southern Song Dynasty was brought to Japan and was regarded as a national treasure and treasured by the imperial family.

In the Muromachi period of Japan, the treasure of the country was obtained by the powerful shogun Ashikaga Yoshimasa, because of the long time, the bottom of the bowl has appeared cracks, the general sent a messenger to bring it back to our country, ask the Ming Emperor to give another exactly the same, but at that time all over the kilns, can not make such a glazed bowl, so I had to order the craftsman to cure the crack and bring it back to Japan.

Later, on the basis of China's curium porcelain technology, Japanese craftsmen used natural lacquer to fill in, glue the cracks of the fragments and then apply gold painting on the surface, which led to the gold repair process.

First, the binder is blended to mix natural lacquer with egg white, glutinous rice flour, loess flour, flour and an appropriate amount of tile ash and other materials in proportion. The adhesive does not contain any chemical components, so it can be used with confidence. Once the adhesive is adjusted, follow these steps:

1. Wipe off the excess dust and soil with clean water first, and if it is difficult to wipe, you can also use coarse sandpaper to polish;

2. Use tweezers to align the originally damaged porcelain pieces with the position and glue the porcelain pieces;

3. Then use adhesive to fill the gap between the excess porcelain tiles;

4. After the adhesive is dry, brush the repaired place with the adjusted lacquer;

5. Put it in a cool place to dry, and after it is dry, polish it smoothly, and be ready to brush the lacquer several times;

6. The best time to use gold powder is when the last paint is half dry and not dry, at this time, the gold powder will stick more firmly, and it should be applied several times until it is completely covered;

7. Dry and polish, pay attention to the grinding strength, and simply dispose of the raised part to complete the projection.

The process of gold repair is easy to say, but it is not easy to operate in practice, for example, the thickness of the landfill lacquer should be strictly controlled, and it should be consistent with the trajectory and area of the previous lines; For example, painting gold dust is like painting a painting, and if you want every line to look good, you must also strictly grasp the thickness, frustration, texture and so on of the line.

Although the tea set is not exactly the same as the original after the restoration of the gold thread, as long as the tea set can still be used to the fullest and exist in another form of beauty, why not?

The gold thread is the name of the process of repairing the broken utensils with pure natural materials, which requires a certain aesthetic skill. Originating in China, the Golden Silk is essentially a category of restoration. The restoration of gold threads has a wide range of applications, mostly used for porcelain and purple sandware, in addition to bamboo, ivory, small pieces of wood, jade, etc.

Gold repair is to glue the broken porcelain with natural lacquer, and then apply gold powder or gold leaf to the surface to give the tea set a new life. And

The key to turning decay into magic is a craft called "gold restoration". It allows you to renew your relationship with your beloved tea vessel that you accidentally break!

Jinji, which means that broken porcelain is glued together with natural lacquer, and then gold dust or gold leaf is applied to the surface to give it a new decorative language.

After the porcelain was golden, although there were scars, it was like a new life.

"Defects are impermanent," said Deng Bin, the first person in China.

It is always said that "life is impermanent", and the fate of its objects is the same as the fate of people, and they experience all kinds of joys and sorrows in this world, and they will also be bruised, bruised, and bruised.

In the world of impermanence, there are always involuntary injuries.

Whenever the injured and mutilated utensils were handed over to Deng Bin, he gave them "magic", painted gold objects, gave the utensils new life, and returned to the owner, which made people suddenly feel the joy of reuniting the mirror.

After the "spell casting", the scars turned into golden Qianmo, like the sunlight behind the dark clouds, bright and warm.

It makes people believe that in the world of impermanence, every wound suffered will become a place where light shines through. Take a look at the latest chapters of "Dream Claw Book House in the Great Era" and read it for free for the first time.