In order to avoid the deformation and cracking of the root carving material, it is often necessary to dry the root carving. The general drying treatment method can be divided into two methods: natural and artificial. Natural drying, that is, the roots are placed in a shaded and ventilated place to let them air dry naturally. It should be noted that do not expose the roots to the sun, nor do they put them in places where the air circulation is too intense, so as not to crack the roots and avoid rain to avoid insects.

There are many methods of artificial drying, such as fire roasting, boiling, steaming, oven baking, electric heating and other drying methods. Generally, due to the constraints of conditions, most of them use the boiling method for drying. Boil the roots in water for about five hours, which can not only achieve the drying effect, but also peel the roots, and also help to kill insects and bacteria. Natural drying only requires the roots to be placed in a cool and ventilated place, which is simple and will not damage the roots, which is the most convenient and desirable method.

Peeling is not an absolutely necessary step for root carving artwork. Whether or not you need to peel and how much you need to peel depends on the specific situation of the creation of the specific work. When peeling the root material, pay attention to the material of the root material, as well as the color, type of peeling, cracking, etc. There are also those that are peeled before drying. There are many peeling methods before drying, such as blister method, decay method, fire method, etc., and the factory generally uses the mechanical peeling method. In order to protect the root carving material, the peeling needs to be cautious, and the general wood peeling method is not suitable for the peeling of the root wood.

Fungi and borers tend to hide inside the root material, and when the temperature is right, it will cause damage to the root material, making the root material rotten and discolored, so it must be treated with insect and bacterial control. Immersing the roots in water to maintain the highest moisture content can effectively prevent bacteria and borers. Mulching or adding preservatives and pesticides to protect the roots is the "dry storage method".

When we create root carving, we can make abstract or concrete, can be ornamental or practical artwork, and the theme of root carving must be clear. It is necessary to consider the overall concept and partial conception, give full play to creative thinking, respect the natural taste of the root material, and organically combine the vigorous momentum, pimple pits, incomplete block surface, skin color treatment, light and shade lines, and round and decent modeling techniques into a rhythm, so as to achieve from "resemblance" to "godlike".

In order to show the natural beauty of the work and the creator's creative intentions, it is often necessary to polish the wood. Grinding and polishing can be done by hand or mechanically. In order to maintain the charm of natural beauty and achieve the ideal artistic effect, the polishing liquid should be targeted. Carving and polishing: Carving and polishing are important processes in the production of root carving works. "If the jade is not cut, it will not be made", and the same is true for root carving.

Through careful conception, according to the material, bold choice, so that the natural beauty of the root material is revealed, and then, the use of carving technology to make up for the lack of natural growth of the root, so that the work is more exquisite. The process of grinding and polishing is not grinding for the sake of grinding, but polishing and polishing as a better way to reveal the natural characteristics of the root material, revealing the subtlety of "heavenly workmanship" and the ingenious process of "artificial".

In order to highlight the artistic image of the root carving and improve the artistic appeal of the root carving, it is often necessary to color the root material. There are three common methods of root carving coloring: complementary color method, antique coloring method, and maintaining the natural color of the root material.

Some root materials are affected by a series of external factors, and the color of the surface will become different shades, and in order to make the color uniform, it is necessary to carry out complementary color treatment. Complementary color needs to use chemical raw materials or natural mineral raw materials to imitate the color of the wood itself to repair the root material, so that the color of the root carving works is natural and unified.

In order to make the root carving works with antique charm, people often like to use a variety of pigments to make simple tones for the root carving handicrafts, which is very popular.

There is also a part of the root wood itself with clear texture and bright color, so it is not necessary to color, and the effect of maintaining natural color will be more outstanding. Colorless lacquer or wax should also be used when lacquering or waxing, so that the texture of the root material is clearly visible.

Varnishing and waxing serve two purposes: aesthetics and protection. Lacquering and waxing can form a smooth protective film on the surface of the root material, which can play a role in beautifying the root carving handicrafts and prolong the preservation time of the root carving works.

Use a coarse abrasive cloth to polish the root material to smooth out the wound marks, and then polish it with a fine abrasive cloth to make the surface bright and visible. When sanding with an abrasive cloth, the force should be uniform to avoid destroying its original color and texture.

The raw material for coloring is varnish, which can be painted 3 times on the root material repeatedly, and practical root carving handicrafts such as flower pot racks, TV stands, etc., can be adjusted and lacquered to make it antique. The final step is naming. A good root carving work with a good name can add a lot of value to it.

After watching the creative process of the root carving, the blue eucalyptus could not hide its love, and bought a few carved ornaments with vivid root carving.

Before leaving, Hu Sang told them that the root carving belongs to the collection, and there are a few points that need to be paid attention to in maintenance.

Prevent the root carving works from direct sunlight and avoid long-term sunlight exposure, too strong light will make the color of the work fade, the surface wax layer melts, the paint film aging and peeling off, and even the material cracking.

Prevent root carving works from being stored in a dark and humid environment, and the humidity is too high, which is easy to breed mold and pests, resulting in mildew, insect moth, and rot and hollow phenomena. Root carving works are generally not suitable for washing, and even more avoid soaking in water, pay attention to air circulation.

Prevent chemical substances and corrosive things from contacting the root carving works, so as to avoid chemical reactions, causing the destruction of the protective film on the surface of the root carving or shelling.

The position indoors should be kept away from doors, windows, air outlets and other parts with strong air flow, and should not be exposed to strong direct sunlight. It should not be placed near open flames, fire walls, ondols, and stoves. Do not place it near the heater in winter, and do not put it indoors too hot.

It should not be placed in a very humid or dry room - in a very humid environment, some wood carving crafts will grow "hair". For example, green sandalwood handicrafts will spit out silvery-white silk. If the environment is too dry, some wood carving crafts may partially crack.

Because it is completely exposed, it is easy to get dust, especially the carved part, it is easier to accumulate dust, and the dust has all kinds of oxides and sundries, it should be removed in time, otherwise it will cause the surface of the handicraft to be corroded.

Wipe daily with a waxy or greasy cotton towel. It is recommended to wax once every six months, and then polish with a dry cotton cloth to remove the oil. Note that it is not advisable to wipe with a towel with water.

In the collection, it is necessary to avoid collisions and bumps, especially the collision of metal utensils. In particular, the openwork parts should be protected.

Most of the insect pests are various wood-borers and termites. Collectors can use chemical moth-proofing methods, such as placing mothballs, or spraying the moth-eaten area several times with the usual mosquito spray.

Lan Eucalyptus thanked Hu Sang, and his mother took so many carvings, lifting and hugging, his hands were sore, but his heart was satisfied.

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