At this time, everyone in the Freshman Symphony Orchestra had a solemn look on their faces.

One by one, they walked on the stage, and this time they didn't allow anything to go wrong.

What Ouyang Yuxin didn't know on the stage was that in another corner, Tang En. Richie grumbled after Clay. Coshet said: "It's not you yet, it's okay if the ticket you bought is not in a good position, and now you're almost late." ”

If they had been one step late, the concert would have already begun.

Clay. Koshet knew that he was wrong, and whispered comfortingly: "Don, I was wrong, now we are quiet." ”

The tone was pitiful, but Donn. Richie agreed, after all, the audience was quiet now.

On the stage, with the flash of Liang Huiqing's baton, everyone consciously played.

This time, the Freshman Symphony Orchestra prepared the Brahms Violin Concerto for the first time, a concerto with a solo vocal part.

It is pastoral at first, but then it is replaced by the mournful melody of the oboe, and then, with a firm and powerful call, its emotional intensity, its courageous pace, it prepares the stage for the solo violin.

Played alternately by solo violins and first violins, this is a beautiful melody, full of singing, it is both lyrical and dramatic.

You see, the audience seems to be led into a labyrinth of intertwined melodies - this intricate and changing piece of music requires considerable skill to play well.

Finally, it is performed in the woodwind and French horn sections, and since the string groups do not participate, its rustic pastoral flavor is accentuated and leaves a very charming impression.

Later, when the solo violin is repeated in an incomplete and varied manner, the effect is even softer and more beautiful.

Here, the music is not touching with force, but lies in its natural and direct expression of true feelings, the violin deviates from the original mood, and seems not very stable, sometimes high-spirited, sometimes depressed; There are two different types of sound at the same time, sometimes gentle, sometimes assertive, sometimes emotional, sometimes calm.

The cologue begins with a triplet on the cello, followed by a repetition of the basic theme on the solo violin, with a faster tempo and a new power growing, and the music becoming more and more brilliant and bright.

In the end, the solo violin surpasses the strength of the whole orchestra, and the whole piece ends with three powerful chords that are characteristic of Hungary.

The infallible performance of this piece relieved the people of the new symphony orchestra on the stage, after all, it was also their initial success.

The audience also applauded warmly, after all, the excitement is everywhere.

Even Ike. Wellman, Jerman. Charles, too, they saw the strength of the Huaxia Orchestra.

This was followed by Beethoven's Violin Sonata No. 7, which is the most authentic representation of Beethoven's inner emotions and spiritual world.

The mood of the music is quite varied, and it combines the stylistic characteristics of classicism and romanticism.

First there is a splendid Allegro, then a song-like adagio, A flat major, a three-part, piano technique back and forth, and finally a calm finish, and then an allegro, very light. The layered expression of the violin, the fugue chase of the piano in the bass, is very distinctive.

The final Allegro, in C minor, is a very irregular rondo, ending with an armagnosis.

It is a song that achieves victory through struggle, and it is also a celebration of heroism. In short, in this piece, Beethoven's musical ideas are more open, the associations are richer, and the logic is rigorous, serious and witty.

With the arrival of the song, everyone was very surprised.

However, the friends from Huaxia are very sorry, after all, since now, there is no song from Huaxia, is this still their pride?!

It's a pity that no matter what they think, the next one is not.

On the stage, the piano of the Ninth Violin Sonata sounded, also known as the Krotzer Sonata.

The Kroetzer sonata is known for its required violin playing technique, deep and passionate feelings, and nearly forty minutes of playing time.

The work is rich in emotion, with the first movement expressing anger, the second contemplative, and the third expressing a joyful and exuberant atmosphere.

I saw that the friends present were all pulled into that emotion.

Some people were moved, some people were even more sad, and there is no doubt that this song also affected the people present.

At the end of this song, everyone came back to their senses for a long time, and although the applause came late, it was indeed more moving.

On the stage, there was another change.

Everyone knew that the last track on the track list was TBD, and the audience was eager to find out.

Especially Hughes. Hebrew said, "I would like to know what the finale is!" It always feels like Adele is putting a big move. ”

This is Theseus. Hebrew's instincts over the years, he didn't feel that he was wrong anyway.

"Since we want to know, let's listen to it." Let's be honest Robus. Ent, too, was curious.

And when the familiar music comes to mind, Huaxia's friends are excited, isn't this the "Liang Zhu" they are familiar with?

The people of Huaxia couldn't help but be excited, and then pressed down and listened seriously.

Especially Qiu Yue, she was very excited, she didn't expect that at this moment, in the name of the orchestra, she could actually hear the music that belonged to their country!

Sonata structure, single movement, with subheadings. The main content is "Grass Bridge Worship", "Anglo-Taiwanese Resistance to Marriage", and "Butterfly in Front of the Grave". It is composed of birds singing and flowers, grass bridge worship, classmates for three years, eighteen send-offs, long pavilion farewell, Yingtai marriage resistance, crying spirit accusation, and butterfly in front of the grave.

At first, a melody is played on the flute imitating the call of a bird, and then the oboe shows a beautiful scene of spring light and the singing of birds and flowers.

The violin plays a poetic theme of love. Next, the cello responds with the lightness and softness of the violin with its rich and mellow tone. Finally, the whole orchestra played the theme of love again.

Bright and cheerful, the performance method of jumping notes is used in many places, so that the melody is lively and jumping, and the solo and the band alternately appear, vividly showing the happy life of Liang Zhu's classmates for three years, reading and playing together.

Subsequently, the music of the three plots of "Anti-Marriage", "Loutai Meeting", "Crying Spirit, Accusation, and Throwing the Grave" was pushed to the climax at the same time.

Finally, the flute plays a soft and colorful melody that complements the glissandos of the harp, leading people to a mythical wonderland. The solo violin once again plays the theme of love, turning into a pair of butterflies flying joyfully and freely among the flowers.

In this beautiful and touching music, it slowly stopped.

There was a momentary pause at the scene, followed by loud "encore" and "encore" sounds, and warm applause was endless.

The people on the stage also smiled with satisfaction, and they completed their mission.

(End of chapter)