Speaking of which, Tang Yun first knew about Xiang Dexin, not because of his paintings, but because of his father, Xiang Molin.

Xiang Molin was a famous collector and connoisseur in the Ming Dynasty, good at painting and calligraphy, and studied landscape Huang Gongwang and Ni Zan in the Yuan Dynasty, and wrote Shu Xiu, while calligraphy entered Zhiyong in the Tang Dynasty and Zhao Mengfu in the Yuan Dynasty, published "Tian Lai Pavilion Post", and wrote "Orchid Bamboo Map" and "Molin Shanren Poetry Collection".

In the second year of Shunzhi of the Qing Dynasty (1645), in leap June, the Qing army broke through the city of Jiaxing, and its collection was looted by Wang Liushui, the commander of the thousand commanders at that time, and was scattered, and some of the collections were returned to the imperial palace, and are still in the Kyoto Museum and other museums.

Xiang's calligraphy and painting and two arts can be described as the origin of family learning.

In addition to his father Xiang Molin, Xiang Dexin's uncle Xiang Yuanqi, eldest brother Xiang Dechun, nephew Xiang Kuishan, third sons Xiang Jiamo, Xiang Huimo and Xiang Shengmo, and nephew Xiang Yuxuan are all well-known figures in the field of calligraphy and painting.

From the Ming to the Qing Dynasty, the descendants of the Xiang family appeared in the calligraphy and painting world one after another, and their number was only comparable to the Wenhui Ming family at the same time.

But then again, the painting in front of me from Xiang Dexin's "Ink and Bamboo Picture", although the overall look is not bad, and Xiang Dexin's works have been handed down very little, but its actual value is not as high as imagined, at most it is more than 100,000 yuan.

However, this still did not prevent Tang Yun from appreciating it, not to mention, he had already confirmed it 100% that it was a genuine product.

Like other calligraphy and painting antiques on the shelves, Xiang Dexin's "Ink and Bamboo Picture" is also clearly priced, as for the price, the "Treasure Pavilion" antique shop gave it a price of 130,000 yuan.

Obviously, this price is not expensive, it can be said that it is extremely in line with its market value, it can be seen that although this antique shop exists, the price is clearly marked when the premium is paid, but for those really valuable antiques, this "Treasure Pavilion" antique shop is still relatively honest.

Compared with Gu Kaizhi, Wu Daozi, Fan Kuan and Huang Gongwang and other well-known painters in ancient China, Xiang Dexin's popularity is naturally far from being comparable to these masters, at least there are not many people who know Xiang Dexin in the Ming Dynasty, even Tang Yun only learned about it inadvertently.

"Hmmm......"

Tang Yun stared at Xiang Dexin's "Ink and Bamboo Picture" in front of him for a while, and still didn't decide whether to take it down, because in his opinion, this painting was still a bit too ordinary, at least compared with the "Traveling in Streams and Mountains" in his collection room, both the collection value and the economic value were far from the same.

"Forget it, let's wait and see!" In the end, Tang Yun decided to wait until he had seen all the antiques in this antique store before deciding whether to take down this "Ink Bamboo Picture" from Xiang Dexin.

After all, in all respects, this painting is actually quite good, and it can be regarded as a careful eye.

After that, Tang Yun began to turn his gaze to the calligraphy and paintings hanging on the wall.

Although there are also couplets, paintings, and poems in the wall area, there are many kinds of them, and they also have a certain value, but on the whole, their age is still mainly modern and modern, which can't help but make Tang Yun feel a little lacking in interest.

Speaking of which, this antique shop called "Treasure Pavilion", although most of the antiques are genuine, and have a certain collection value and economic value, but in terms of age, it is not enough for Tang Yun to be satisfied.

Because the vast majority of the antiques in this antique shop are still mainly in the Qing Dynasty, relatively few in the Ming Dynasty, and even fewer before the Ming Dynasty.

Modern painter Xie Zhiliu's vertical scroll "Bicui Mountain Color Map", and Qianlong's eleventh son Prince Cheng's five-word couplet, these two paintings and calligraphy are good works, and the value has also reached about 100,000 yuan, but unfortunately it is still not within Tang Yun's target range.

"Hey, could it be that all the calligraphy and painting works in this area are only of this grade?" After looking at all the calligraphy and painting antiques in the wall area as a whole, Tang Yun never found even a single high-quality calligraphy and painting that could enter his eyes, which made him a little frustrated.

"Huh?" But in the next second, he immediately found a calligraphy work dating to the 16th century, that is, the late Ming and early Qing dynasties.

Although it is not an ancient painting, it is obviously a pity, but if this calligraphy is from a famous artist, or if it has enough collection value, Tang Yun thinks that he can consider whether to take it down.

On closer inspection, it appears to be a cursive calligraphy.

Tang Yun didn't know enough about cursive writing, so when he observed this calligraphy work, it was a bit more difficult.

But in the end, he still got it.

The content of this cursive work is: "It is the moon, the scenery is the best, the spark is in the night, the Bo Zhao Ming and the yin, the cool dove is used and Yang Sheng." When you can raise your look, you can go out to stay and travel, there is an edict, and you love to open your ancestors. ”

It's familiar!

This was Tang Yun's first feeling.

It seemed that he had seen such content during his previous practice of calligraphy, but for a while, Tang Yun couldn't remember where the poem came from.

However, it can be seen that the content of this cursive calligraphy work is obviously not original to the author, but it is very likely that it was copied.

In addition, this calligraphy work is no exception, and there are also styles and bell seals.

The paragraph is recognized: Ren Xu Chongyang is coming, for the old man who has Weng Xue, and the younger brother Ren Yue.

The bell seal is: Ren Yue's seal, Xi'an, and Di Yutang.

Obviously, this cursive calligraphy work was written by a calligrapher named Ren Yue in the late Ming and early Qing dynasties.

Although Tang Yun has a certain amount of research on history and calligraphy, this Ren Yue, he is indeed the first time he has heard of it, maybe Ren Yue was a celebrity in the late Ming and early Qing dynasties, but Tang Yun can be sure that the other party will definitely not be the kind of particularly famous calligrapher......

However, since this antique shop called "Treasure Pavilion" has placed it in this position, then from the value of several other calligraphy works, combined with the specific age of this cursive calligraphy, Tang Yun can roughly judge what its market value range is.

He estimated that it should be between 100,000 yuan and 200,000 yuan, and if it is 150,000 yuan, it should be more accurate.

The number of calligraphy and painting antiques in the wall area is not particularly large, and after taking a look at this area as a whole, Tang Yun beckoned and called a nearby clerk.

"Hello sir, is there anything you need?" (https:)

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