This book is the third volume in a series of long historical novels "Emperor Yongzheng". Nian Qianyao died, and Long Ke was banned for many years, but the remnants of the Eight Masters Party were not exhausted.

The palace secretly discussed, wanting to use the iron hat king to force Yongzheng to abdicate the throne; In the Qianqing Palace, there was a war of words, and there were many storms.

On the one hand, Yongzheng severely punished the flesh and blood brothers, and on the other hand, he was entangled, forcing his brother and daughter-in-law who looked like his old lover.

Is it God's retribution, or is it an accident in the world, but Chenghuan serves the emperor but is the blood of heaven. ** The torment, the erosion of the elixir, the haunting of the undead, just now I was still shaking my spirit, pointing out the country, but in an instant, the white tiger and jade rabbit went to Dazhen together.

Ding Dan candle shadow through the ages of mystery, covering the volume and thinking about the clouds and fog. This volume is the finale of "Emperor Yongzheng".

The writer has been immersed in traditional culture for a long time, not only familiar with the three religions and nine streams, Buddhism, Taoism, Zen and Confucianism, but also has a lot of research on the emperor's career and the historical facts of the Qing court.

With the help of his years of discussion of the most outstanding classical novel "Dream of the Red Chamber", he organically combines the artistic techniques of traditional novels with modern consciousness, so this magnificent historical picture scroll is brilliant and has a great layout, which not only describes the intricate political struggles in the Forbidden City in the late Yongzheng period, but also shows the overturning and ruthless struggle between officials in various places, as well as the unpredictable and unfortunate fate of literati.

The secrets of the palace, the market style, the imperial examination, and the Qinlou wine shop have all been vividly expressed in the author's pen.

The reading of the exhibition scrolls is undoubtedly an artistic tour of the history of the alternating period of Yong and Qian.

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