Whenever I can't come up with a suitable title for my article, most of the time, all I can think of is Yu Yusheng.

Yu Yusheng's "Untitled" has given us infinite reverie, given us too much interpretation and pondering of the so-called love and hatred, and also given us an essay title that will never go out of style.

I'm a countryman, and occasionally I have some feelings and thoughts. But I'll never feel or admit I'm one

"Literati", I know, I am just a countryman, at most just a country man.

In the early years, I loved Li Yishan's sentence to the point of madness, one sentence

"Leave the residual lotus to listen to the sound of the rain", I have used it thousands of times, and I have never felt tired. This kind of love is still there today.

I woke up in a dream the day before yesterday, and a sentence flashed in my head

"Straight lovesickness is useless". secretly laughed at his stupidity: how can an old man have lovesickness? It's not a girl with a spring, a concubine who lives in seclusion.

So, I turned out Yu Yusheng's "Untitled" to taste: heavy and deep under the Mochou Hall, after lying down the night is slender and slender.

The career of a goddess was originally a dream, and the sister-in-law lived without a husband. The turmoil does not believe that the lingzhi is weak, who will teach the laurel leaf fragrance in the moon?

Straight lovesickness is useless, and melancholy is frivolous. When we talk about poetry, we always mention it

"Knowing people and discussing the world". On that note, I don't deny that, in any case, we all have our own upbringing; In any case, we all have our own living environment; This background and environment always consciously or unconsciously, consciously or unconsciously, carve an imprint on our lives, and have a vocal or silent impact on us.

However, we need to know that creation is a process of mental activity. Anyone who has ever written knows that at some point, our minds are completely detached from our actual living environment.

Secondly, we must know that our interpretation of poetry, many times, has a preconceived mindset, such as we identify the poet's origin and solidify the social environment in which the poet lives.

We always presuppose a premise and then interpret it. In this way, there will be no major deviation in the understanding of poetry, but it may limit the space for our imagination of poetry and restrict the wings of our thoughts to fly.

Regarding Yishan, when people mention it, they will inevitably have a dispute between Niu and Li. I think this is also true, but it is inevitable that it would be biased to link all of Yoshisan's poetry with political strife.

In my imagination, Yu Yusheng is a literati, and it is those unsatisfactory life and unsatisfactory career that have made his literary style.

Although he has had the same undesirable experience, he can't be as free and easy as Fan Chuan. This is not unrelated to the individual's growth environment, social experience, career, life attitude, personality endowment, etc.

It is this kind of kind that has made a righteous mountain that is different from Makiyuki. Aside from the rest, let's look at the poem "Untitled".

Feng Hao said in "Notes on the Collection of Jade Yusheng Poems".

"This kind of really sinks into grief and indignation, and every word and tear ......." Feng Hao has his own reasoning, but, in my opinion,

The saying "sinking into grief and indignation, a word and a tear" seems to be somewhat different from my understanding. In my humble opinion, the hero of the poem is an unmarried girl.

The poet wants to use this protagonist to express his feelings. There is no doubt about it. Let's look at the protagonist first, the poet chooses an unmarried girl.

Why are you an unmarried girl? First, the first line of the poem is introduced

"Don't worry". Because there is one in Yishan's poem "Ma Wei".

"How to be the son of heaven in the fourth era, not as good as the Lu family." If he

"Mo Chou" is this

"Don't worry". So let's take a look at Mochou's situation first! Xiao Yan's "Song of Water in the River" clouds: "The water in the river flows eastward, and the daughter of Luoyang is not worried." Mo Chou thirteen can weave Qi, fourteen pick Sang Nan Motou. Fifteen married as the wife of the Lu family, and sixteen gave birth to the character Ahou. ......" poem says,

"Mo Chou" married fifteen and gave birth to sixteen children, as expected, I am very reluctant to put the marriage after marriage

"Mo Chou" imagines a resentful woman. Well, in Untitled

"Mo Chou" is likely to be when the word is in the boudoir

"Don't worry". Second, the use of the poem,

"Goddess" with

The "sisters-in-law" are all unmarried girls. Or you may suspect that the dream of a goddess is the ideal before marriage, and the sister-in-law is the actual situation after marriage.

Thirdly, from the last two lines of the poem

"Straight lovesickness is useless, and it is frivolous to be melancholy", in my opinion, it is more like the purity of a girl's tone, not like the solemnity of a woman's thoughts.

That is, as I said, the protagonist of the poem is an unmarried girl, so the feelings of the poem are much lighter.

The girl's liveliness and agility set the main tone of the poem, and there is sorrow and contemplation in the poem, but if this feeling is

"Sinking into grief and indignation, a word and a tear", in my opinion, this obviously does not match the image of a girl. Therefore, as far as I understand, the whole poem is written in the tone of an unmarried girl, although it is also written with some sadness, but this sadness reveals a lively aura, and the whole poem is not drowned by sadness, there is no concern

"Sadness flows backwards". It is this kind of aura that makes the whole poem have perseverance in sorrow, and freedom in the bond, giving people more space for thought and taste.

"Heavy and deep, Mo Chou Tang".

The word "heavy" already makes people feel depressed, and how to depict this thing again is really a bit difficult.

Yishan's word refining kung fu is really perfect, this

The word "deep" is really brilliant, both increased

the "heavy" sense of thickness; It also writes about the sense of space of the hall, that is, the vastness of the hall. Just imagine, such as in the narrow alley, that

How can the word "deep" be reflected?

The word "Mochou" points out that the protagonist of the poem is none other than the Lu family cited by others

"Mo Chou", or only the poet's self-aware heart

"Don't worry". In the first sentence of the poem, there are three heavy words: "heavy",

"Deep" and

"Sorrow", if you just look at these three words, you will feel that this sentence is extremely dignified, there is

"The Sinking Elephant". However, one

The word "Mo" first dissipated a lot of grievances; again

As soon as "Mo Chou" came out, a lifelike image of a beautiful girl was drawn. In this way, the vitality of the first sentence reveals the back of the paper.

"After lying down, the night is slender and slender", the lonely night, the curtains are heavy, the high house is wide, a person sleeps alone, thinking about the wife of this night, although it is a little lonely, but the taste of the night, not everyone can understand.

The psalmist put this night's

"Long", I used it

"Detailed". It's really a case! The length of the night, we use it the most

"Long", the poet used

"Fine" is not only out of the realm, but also emotional. nocturnal

"Slender" is not for grief and emotion, but for tasting and experience.

"The career of a goddess is a dream" - as soon as "Gao Tang Fu" came out, the god-like encounter became a complex for many girls.

However, the career of a goddess is just a dream no matter what.

"The sister-in-law lives in Ben Wulang" - no matter who the sister-in-law in "Qingxi Little Sister-in-law Song" is, as far as this union is concerned, it seems to say that no matter how good the dream of the goddess is, she is still doing it to those people

As far as the girls of the "sister-in-law" are concerned,

The fact of "no Lang" exists objectively. On the one hand, it is emotional

"The meeting of the goddess", on the one hand, is helpless

"Ben Wulang", it's really tangled!

"I don't believe that the turmoil is weak", everyone knows

"Rhomboe" is delicate, but

The "turmoil" just didn't believe it, and wanted to bully and destroy it. This is the accepted explanation. However, in my opinion, there is another layer of meaning, that is: although the "rhombic branch" is delicate, it also has the tenacity of its inner essence.

Although the "turmoil" is raging to the fullest; But

"Lingzhi" still lives in the water with great style.

"The storm does not believe that Lingzhi is weak",

Is "Lingzhi" really that weak? Not necessarily!

"Who taught Guiye Xiang in the moon dew", I thought about this sentence for a long time, but I never came up with an explanation that satisfied me.

If the "moon dew" is not given, who can make it

"Cinnamon leaf" is fragrant? Or, even though

"Moon dew" is not applied,

"Cinnamon leaves" are still fragrant?

"It's useless to be lovesick in a straight way, and it's frivolous to be melancholy." Even if I know that lovesickness is useless, but, melancholy, it can be regarded as my youth

"Frivolous" air of it! I think that "Untitled" is originally a topic that does not know what to do, so these words about "Untitled" can be regarded as doing it without knowing what to do.