Thank you all for your continued companionship, and I have finally finished writing this book today.

When I wrote it in the later stages, my emotions were really too depressed, and now I finally breathe a sigh of relief.

This book is more casual.,It's just that I like the ship girl game.,And then I started writing.,I was even thinking about double opening.,This one is written to play.,Update with fate.,And then seriously open a normal update of another theme.。

But I had no idea that this book would become the best I ever did.

The results at the beginning can be very good, and after a few recommendations, there is the potential for high-quality products.

However, it continued to fall in the later period, rising from 1700 to 2500, and then slowly falling again, stopping at 2260 at the end.

In fact, from the middle term, I started to find my own problems, some of which I have always had.

Sometimes impatient, sometimes procrastinating, sometimes impulsive, sometimes dazed.

At the beginning, the plot was written very quickly, and it fell out with the headquarters and overturned the Deep Sea Fleet, which came too quickly.

At that time, I actually couldn't help it, because I didn't plan to write long at that time.

After the independence of the Royal Navy, gradually uniting the various commands to destroy the deep sea of the Western Islands, this section slowed down a little, but looking back now, it was actually a bit faster, but it was already the most satisfying part for me.

IJN was impatient because I set up a character that no one liked, and then I quickly solved the story and adjusted some progression.

The later part of the Shuangyue Islands has become a drag again, the first half is fine, and the second half is more and more wordy.

There are more and more characters, more and more forces, and more and more camps, and the protagonist's personal role is becoming less and less.

It's natural for everyone to be uncomfortable to watch.

But the tone of the book has been set, and it will be difficult to reverse it later, so I went all the way to the dark and wrote until the end.

If possible, it should be rebuilt in its entirety, and it may look much more comfortable.

But in the case of the online article, there is really no way to modify it significantly, the key is that I don't know how long I can live.

I can only use the experience I have summarized in the next book and try to be as steady as possible.

And then there's the content of the book, and some bits and pieces.

In fact, with the theme of the ship girl, it should have been written to destroy all the deep seas, and the protagonist and his ship girls lived happily and happily, and they lived without shame or shame, and it could be over.

Originally, I didn't need to fix the world background, the universe was going to end or something, and the war was over.

It's just that my consistent habit is to build a relatively complete world for every story I write for myself.

On the whole, it is not too true, but it should be as reasonable as possible, be able to justify itself, and be logically self-consistent.

Specifically, it is to design a reasonable context for the main things in the world, and relate them as much as possible.

Specific to this book, these are basically these questions:

If there is a ship girl world, what will the political, economic, and social pattern of this world be?

Then I designed the headquarters structure led by the ship's mother.

Since there are creatures like ship girls, how did they come to be?

I designed Xingchen, a super energy creature, in order to save herself, she grabbed the information of the earth's universe, but when the information crossed the cosmic barrier, it was distorted, and Xin Chen created the ship mother based on the distorted information.

Since there is a deep sea, what is their source, and what is the relationship with the ship's mother?

The deep sea and the ship mother are of the same origin, there is a relationship, but there are differences, it is a wrong design of the stars.

Ship Niang and human beings exist at the same time, what is the relationship between the two?

A super life like a ship mother, it is natural that it should manage humans, and it is impossible to be managed by humans.

What is the role of the commander? If it's useless, what do you want him to do?

The commander must really be able to command the battle, understand the dynamics of all the ships through telecommunication, and make timely decisions after synthesizing the information.

Is the setting of the common ship girl reasonable? How to modify what is unreasonable?

The main thing is that you can't live without the human ship girl.,Or humans rule the ship girl world.,At the same time, use the ship mother to fight each other.,I don't think this setting is reasonable.,So the result is the command mode I set.。

How should the strength of the ship's mother's hullization, the combat effectiveness of the ship's mother's state, and the comparison with the roadbed armed forces be defined?

The upper limit of the combat effectiveness of the hull state is slightly higher than that of the origin battleship, because the control of the ship is equivalent to a living warship, equivalent to a warship in a state of total victory plus a group of top sailors.

The combat effectiveness in the state of the ship mother is greatly reduced, and the defense is equivalent to the defense of the main armor, in front of the land-based weapons of the same era, because of the density of firepower and a slight advantage, in front of modern land-based forces, there is no firepower advantage.

The weight of the ship in the state of the mother is the weight of a normal human woman, and it will not crush people, but the power is very large.

What is the relationship between multiple shipwives of the same battleship? How do you call each other? Is there any impact on the battle?

I have compiled my own naming rules for the ship, including Japanese, European, American and Chinese, so that they can match the corresponding cultural background as much as possible.

The Japanese ship name is pre-placed as the surname, the European and American ship name family name, the ship class is used as the family name, plus the commander's name, it has become a long list, so there is also a shorthand setting, and the middle system is the simplest, and the ship name plus the surname is preposed.

At the same time, the hull interference is set, which is affected by the deep sea and the distance.

Settings like this are all slowly accumulated, and there are few practical places for many of them, but the author is a little obsessive-compulsive, so I went to write.

All in all, it's finally over, it's all over.

…………

The next step is to prepare a new book, starting from scratch and describing a new world.

In fact, the idea of the new book has been in place for a long time, and even when the book is opened, there is already a general idea.

But the book just started, and the results were still very satisfying, so I never wrote it.

Then in the last two months, I wrote a few chapters in the gap between the yard ship mother, but I was never very satisfied, deleted and rewritten, wrote and deleted, and now there are more than a thousand words left at the beginning (laughing and crying).

Because the number of words is not enough, so I haven't submitted yet, these days, I will write 10,000 or 20,000 words as soon as possible to submit, if it is fast, the book can be published from the end of this month to the beginning of next month.

However, the setting of the new book is strange, and the manuscript may be killed, and once it is killed, and then change the brain, it is not sure when it will be released.

All in all, I'll do it as soon as possible, and I hope that everyone will be willing to read my new book when the time comes.

See you later!