She felt that her life had entered a new stage, and at the same time, "The Empress" continued to be broadcast.

As the plot develops in a more and more exciting direction, the discussion about it is also more in-depth, and this overall TV series that is still serious has not only received national attention comparable to a bloody family drama, but also has been discussed about the idea of the whole story.

In recent years, there have also been many TV dramas on the market about powerful women, including the harems of emperors of previous dynasties represented by Wu Zetian, Lu Pheasant, and Cixi. Compared to those works, the biggest highlight of "The Empress" is its overall approach to the relationship between women and power.

As if an appointment, in recent years, palace fighting dramas always like to portray the heroine as a white lotus who has strayed into the quagmire, she is innocent, kind, and unambitious, and she is only forced to save herself because she is constantly framed, and even finally embarks on the road of blackening. This is still a conscience, and some of them are not even blackened in the end, as if they have reached the pinnacle of power just because of their kindness and simplicity.

But "The Empress" is different. From the beginning, Wu Meiniang was ambitious, she entered the palace to compete for favor, but she did not desire a man or love, but the power represented by that man. She approached the pinnacle of imperial power almost fanatically, because she knew that once she was far away, she would be dominated by others, and this was something she could not bear.

Shen Yuan was impressed by this idea when he finally saw the script, and shouted that this was the correct way for the Martial Emperor to open it. It's like when describing a hero who has conquered the world, few people write that he is forced to be like that, in the eyes of the world, it is natural for men to desire power, but women are always forced to go down that road. And in the end, the screenwriter will tell you that even if this woman has everything, it is unfortunate to lose the person she loves deeply, and she can only die alone. Shen Yuan has always felt that this is fundamentally looking down on women from the perspective of male power.

Lu Yan's version of "Wu Zetian" also made this mistake before, the heroine seized power for Gaozong, and her accession to the throne was also to fulfill her promise to Gaozong, if she was allowed to choose herself, she only hoped to be a virtuous wife by her husband's side. Maybe most women do take love very seriously, but Her Majesty the Empress, who is unique throughout the ages, has also been written as a little woman who can't live without love, which is too bullying!

This discussion about women and power has pushed "The Empress" to a new level, and some people even say that this is Zhou Xingfang expressing her feminist ideas through her works, and Wu Meiniang is the embodiment of her self-consciousness, representing the vanguard of the rebellion against the patriarchal society. What's even more unexpected is that this statement has been recognized by many people.

Of course, there are many people who like it, and fans chant "Director Zhou is sharp, long live Emperor Wu", but there are also many voices of opposition. Many viewers think that this idea is too dark, blindly emphasizing the power struggle, and missing the most important truth, goodness and beauty of human nature. However, not long after this point of view came out, it was severely suppressed by the other side.

"If we can shoot "House of Cards" and "Tudor" abroad, what if we make "The Empress"? I'm already tired of the Virgin White Lotus-style heroine, and finally there is a drama about appetite, can some trolls shut up! ”

"What is the truth, goodness and beauty of human nature, Wu Meiniang is not bad from the beginning? She is just ambitious, but the aspect of kindness and sense of justice is also reflected, she didn't want to be more handsome when she helped Xu Hui get rid of the frame, my lily soul is burning! ”

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