“¡Ven aquí!” (Don't be afraid, come here!) ）

Qin Li walked towards the girl and stretched out her hand.

“¿Quién eres?” (Who are you?) ）

The girl stretched out half of her head and looked at Qin Qi suspiciously.

“El dueño de la galería。” (The owner of the gallery.) ）

Qin Li walked up to the girl and continued: "Alguien que pueda protegerte. (And the people who can protect you.) ）

“¿Protegerme?” (Protect me?) ）

The girl tilted her head, looking a little puzzled.

“¿Sabes quién eres tú?” (Do you know who you are?) Qin Qi asked.

“¿Yo?” (Me?) ）

The girl had big blue eyes like the sea, and her expression was dazed.

“Ven，Te diréquién eres。” (Come, let me tell you who you are.) ）

Qin Li stretched out his left hand in front of the girl and looked at her with a kind face.

The girl blinked, slowly stretched out her white and smooth, but covered with gold jade arm, and after hesitating for a moment, she gently placed her right hand on Qin Li's left hand.

Qin Li lightly grabbed the girl's right hand and led her out from behind the statue.

When the girl completely walked out and stood in front of Qin Li, Hu Yi discovered that the girl had an amazing appearance and skin like snow.

However, on her naked and white body, there were golden ornaments, some like gold coins, some like gold flakes, and some like golden grains of rice... From the neck to the ankles, it was densely pasted, and under the light of the remnant sun, it reflected a dazzling golden light.

Finding that Hu Yi was looking at herself from head to toe, the girl's face flushed slightly, and she lowered her head shyly.

“¿Quién es ella?” (Who is she?) The girl's red lips opened slightly, and she asked softly.

“¿Quién?” (Who?) ）

Qin Qi turned around, only to realize that he had forgotten Hu Yi.

Letting go of the girl's hand, Qin Li walked to Hu Yi, helped her cut her hair, and helped her with crutches, before he said softly: "You go back first, don't go out these days, I'll go to your house to see you when I'm free, be good." ”

Hu Yi bit his lip, raised his eyes to look at the girl, pouted and asked, "Who is she?" ”

"A friend, I'll send you out."

Supporting Hu Yi, Qin Li took her towards the door.

As they passed by the girl, Hu Yi and her looked at each other at the same time, with curiosity and some other emotions.

"She's beautiful!" After walking outside the door, Hu Yi said suddenly.

"Huh?" Qin Li lowered his eyes and looked at her, a little puzzled.

Hu Yi smiled bitterly and slowly left with a cane.

Looking at Hu Yi's staggering back, Qin Yi suddenly felt distressed.

Why did the little girl come over suddenly today?

didn't have time to think about it, Qin Li rushed over with an arrow step, but unfortunately, Hu Yi had already gotten into a taxi and left.

Qin Bai sighed, his mood inexplicably low.

When he turned and walked towards the gallery, he saw the girl pushing open the door of the gallery and looking out with her head out, her eyes full of curiosity.

Qin Li held his forehead, feeling that there was an unconscious guy on the stall.

He hurried towards the girl, dragging her back to the gallery before passers-by could notice her.

Perhaps because he was not in a good mood, Qin Li changed his previous pleasant face and said coldly to the girl: "No salgas por esta puerta, ¡Las consecuencias son tuyas!" (Don't step out of this door, you do it at your own risk!) ）

The girl seemed to be frightened by the cold aura emanating from Qin Li, and hurriedly took two steps back, tugging at her long hair, and said weakly, "Tengo curiosidad." (I'm just curious.) ）

Qin Qi raised his hand, looked at his watch, and found that it was not yet six o'clock.

It seems that Dana'e's refinement time is different from that of others, Qin Qi thought with his eyebrows.

That's a bit of a hassle!

“Ven conmigo。” (Follow me.) ）

Qin Li took the girl to the gallery on the second floor.

“Son como tú。” (They're just like you.) Qin Bai pointed to the paintings on the wall and said to the girl.

Seeing that the girl tilted her head and looked at the "Swing" curiously, Qin Li continued: "Todos ustedes son cuadros, pero no todos. (You're all drawing, but you're not all painting.) ）

“Hmm？” (Huh?) ）

Qin Li's words seemed to make the girl a little puzzled, and she turned her head to look at Qin Li, her eyes full of doubts.

“Ustedes son criaturas de la pintura antigua，Parece humano,pero no humano。” (You are living beings turned from ancient paintings, like people and not people.) Qin Li continued to explain.

“¿No soy como esa chica,verdad?” (I'm not like that girl, am I?) The girl asked.

"Hu Yi?"

“Hu？”

“Sí,ella es humana。” (Yes, she's human.) Qin Qi nodded.

“¿Y ella?” (What about her?) The girl asked, pointing to the Rococo in "The Swing".

“Igual。” (Same.) Qin Qi nodded.

“¿Quién es ella?” (Who is she?) The girl wondered.

“Rococó，¿Quieres saber su historia?” (Rococo, want to know her story?) Qin Qi asked.

The girl nodded, and raised her hand, caressing the rococo's face in the frame.

"The Swing" is a classic painting by Jean-Honoré Foragonal, which depicts a flashy aristocratic boy hiding in a bush to peek at a young lady swinging.

In the picture, Baron St. Julian, the court guard, is looking up at the young lady's skirt, while the priest pushing the swing for her admires her back.

At this moment, one of the high heels of the young lady on the swing accidentally fell off and was thrown out, and Baron Saint-Julien reached out to pick it up.

The camera stops here, perfectly combining explicit and frivolous content with superb color skills, expressing the author's praise and love for natural humanity that has been imprisoned for a long time, and also rendering the gorgeous court rococo style to the extreme.

“Por eso la llamo Rococó。” (So I named her Rococo.) Qin Li explained.

The young lady in "The Swing" is unnamed, and since she has been refined, Qin Li has named her Rococo to commemorate the prevailing Rococo painting style.

“¿Y ella?” (What about her?) The girl walked up to "The Girl with the Pearl Earring" and asked curiously.

“Ge li。” (Greet.) ）

"Girl with a Pearl Earring" is a masterpiece of Vermeer, a master of the Dutch Golden Age, in which the girl Greette is a girl from a poor family who is hired to work as a maid in the painter Vermeer's home.

At Vermeer's home, Gree's first encounter with the wonderful world of painting awakened her latent artistic cells, and at the same time, Vermeer was also moved by Greet's artistic talent and beautiful temperament.

Gradually, Greet fell in love with Vermeer's artistic talent and was willing to give everything for him, and as a result, Greette became a part of Vermeer's work.

"The Girl with a Pearl Earring" is the best testimony to the pure love between Vermeer and Greet, and it also shows Vermeer's great talent.

It's just that happiness is always fleeting, and the painter and the girl finally failed to break through the obstacles and came together, leaving a melancholy story in vain, which will be embarrassing for future generations...

“Una historia hermosa y triste。” (A beautiful and sad story.) After hearing this, the girl shook her head with a look of regret.

Qin Li smiled and said, "Esta Ge li no es Pierre Ge li, La gente de la pintura no es como la gente real." (This Greta is not Griet, and the people in the painting are not the same as the real people.) ）

Looking at the girl's expression that seemed to understand whether she understood or not, Qin Li explained to her that the prototype in the painting and the refined characters in the painting were actually two people, some of them were completely different from the prototype, and some of them had the character and characteristics of the prototype.

Greette and Rococo are completely different from the archetype, except for them, and Vincent is also different from the archetype.

"Self-Portrait in a Straw Hat" is a work by Vincent. One of Van Gogh's many self-portraits, but there are several other self-portraits wearing straw hats.

In this painting, Vincent wears a yellow straw hat and blue clothes, his expression is relaxed and happy, and his eyes still hide a longing for life.

It is said that when Vincent painted this painting, he wished to become a farmer and embrace heaven and earth.

The tone of the whole painting is saturated, revealing a bright and pleasant mood, which makes people can't help but be happy.

After the refinement, although Vincent can't get out of the painting, his temperament is still lively and cheerful, and he is everyone's happy concoctor.

“Oh,se ve terrible。” (Oh, she looks a little scary.) ）

The girl stood in front of "The Crying Woman", covering her lips with her hands and showing fear on her face.

“Se llama Dora。” (Her name is Dora.) Qin Qi said.

The woman in the painting is named Dora. Mar is an accomplished photographic artist from Yugoslavia. In 1936, at the age of nearly 30, she met the 55-year-old master Picasso, and for nearly a decade, she became Picasso's favorite lover.

Picasso regarded her as his personal muse and trusted her so much that he entrusted her with his own works. However, in the end, Picasso commented on this 10-year relationship: he really has no memory of her except crying.

In the last three years of Mar's relationship with Picasso, in an annoying spring, the beautiful female painter Fefrancis appeared, bringing the "fifth spring" to the master and becoming the new goddess on the master's canvas.

At first, Mar pretended not to know, then withheld, then secretly wept, and finally, the great contrast of emotions from her heart made her unable to help herself, and she seemed to have no patience, and was determined to desperately reclaim the most private and unshared feelings in the world...

The transformed Dora seems to continue this sadness, crying as long as she encounters something slightly sad.

“El pintor no es muy bueno。” (This painter is not very good.) Looking at Dora's geometrically shaped colorful face, the girl couldn't help but complain.

She then walked up to Romeo and Juliet, "¿Amantes?" (Lovers?) ）

“Sí。” (Yes.) Qin Qi nodded.

The story of Romeo and Juliet is deeply rooted in the hearts of the people and inspired the painter, and this "Romeo and Juliet" by the British painter Frank Dixie shows the tragic couple of Romeo and Juliet kissing in a hurry before parting after the first night of their wedding, and they did not know that this would also be the last kiss of their love career.

The painting is full of colors, vivid details, and vivid characters, depicting the sweetness and reluctance between a pair of lovers who are about to separate.

An art critic pointed out: "The atmosphere created by the paintings makes people feel that death is close and love is not extinguished, and people love such works, which still move people to this day, shows that people in this era still crave passion and loyalty." ”

“Dulce amor。” (Beautiful love.) When the girl heard this, she looked envious.

Qin Li looked at the girl and asked, "¿Quieres saber tu historia?" (Want to know your story?) ）

The girl nodded, her eyes full of anticipation.

“Tu nombre es danao。” (Your name is Danae.) Qin Qi slowly told the story about the girl.

Danae was the daughter of the Argos kings Akrisios and Eurydic in Greek mythology. An oracle had warned her father that Danae's son would murder him. In order to avoid his own misfortune, the king ordered a bronze tower to be built, and his daughter Danae was locked in the tower, and the door was guarded by fierce dogs, and Danae was not allowed to go out for half a step, nor did anyone else get close for half a step, so Danae's heart was extremely painful.

One day, Zeus, the god of the Celestials, passed by and fell in love with Danae, who turned into golden rain, and droplets of water seeped into the house through the roof, landed on Danae's knees, and then mingled with it. Eventually, Danae gave birth to Zeus with another hero from Greek mythology, Perseus.

The story of the golden rain has been painted by several painters, and the "Golden Rain" brought back by Qin Li was created by the Austrian artist Klimt.

Klimt used a realistic approach to depict a plump and charming girl from the aesthetic concept of modern people. Through the shrunken posture and ambiguous expression of the girl in the picture, Danae's subconscious desires are fully released, and her long-suppressed inner emotions are vividly displayed.

“No soy ella。” (I'm not her.) ）

After listening to the story of "Golden Rain", the girl shook her head, feeling that the girl named Danae told by Qin Li was not herself.

“Bueno,no lo eres。” (Well, you're not.) ）

Qin Bai also agrees with the girl's opinion, after all, Danae was originally a character in Greek mythology, and Klimt's Danae is somewhat different from Danae in mythological stories.

“¿Su nombre?” (What's your name?) Qin Li looked at the girl and asked.

The girl thought for a moment and said, "Nana." (Nana.) ）

Qin Qi nodded, and said to the girl with a smile: "Nana, bienvenido a la galería." (Nana, welcome to the gallery.) ）