Chapter 780: The Master of Modern Chinese Painting (Page 1/1)

"Boss, how much does this bowl sell?" After retracting his perspective gaze, Tang Yun stood in front of the small blue cart, stretched out his hand and pointed to the yellow-colored glazed porcelain bowl with dark patterns, and asked the female stall owner for the price.

Through the observation and "confirmation" just now, he already knew the real origin of this yellow-glazed porcelain bowl, and as he guessed in advance, this yellow-glazed porcelain bowl happened to be produced in the Qianlong period of the Qing Dynasty.

In this way, its value is also revealed.

If it is put up for auction at the auction house, then the final transaction price, even if it is not 100,000 yuan, I am afraid that it will be at least 50,000 yuan.

Now it depends on what the female stall owner's answer is.

If the price she quoted was less than 50,000 yuan, then it would give Tang Yun a chance to pick up the leak, although 50,000 yuan was not much for Tang Yun, but he especially liked the feeling of picking up the leak on Taobao.

Of course, if the price quoted by the female stall owner in the end exceeded 50,000 yuan, then no matter how much it exceeded, Tang Yun decided not to buy it.

To Tang Yun's surprise, after hearing Tang Yun's question, the female stall owner first glanced at the yellow-glazed porcelain bowl, but did not answer him immediately, but frowned slightly, as if she was a little uncertain about the price of this yellow-glazed porcelain bowl......

After pondering for a moment, she slowly spoke, "Well......"

Tang Yun looked at the lips in her mouth, thinking that she was going to say "fifty thousand", but unexpectedly, she said, "Five hundred yuan." ”

During the Qianlong period of the Qing Dynasty, monochrome glazed porcelain worth at least 50,000 yuan can now be won for only one percent of the money, and Tang Yun naturally will not miss this kind of good thing.

"Okay, I want five hundred. Tang Yun nodded lightly.

As he spoke, he once again took out five hundred-yuan cash from his bag and handed them to the female stall owner.

Because he often gambles on stones and pans for antiques, Tang Yun has always had the habit of preparing at least tens of thousands of yuan in cash with him.

The female stall owner took the cash and looked at it, then put it away, carefully took out the yellow-glazed porcelain bowl with dark patterns, wrapped it, and handed it to Tang Yun.

From beginning to end, the expression on Tang Yun's face did not change significantly, as if he was just buying an ordinary small bowl.

However, it was precisely because of this that Tang Yun became more and more interested in the blue antique stall in front of him.

After looking at the jade area and the porcelain area, the next target is naturally calligraphy and painting.

In front of me, the number of paintings and calligraphy in the blue stall dedicated to selling antiques is said to be the smallest, only three, one calligraphy and two ancient paintings.

Speaking of calligraphy, Tang Yun has been practicing it before, although it is not once a day so often, but after a week, he will practice it three or four times.

Therefore, he just glanced at it, and directly skipped the only piece of calligraphy on the stall car, although the handwriting is not bad, but it is obviously not very old, not even more than the Republic of China period.

And then there are the last two paintings.

Like the porcelain, the three paintings and calligraphy on this small blue stall are hung straight above, but each one is protected by a layer of transparent plastic, which can not only allow customers to see clearly, but also prevent dust and other pollution.

And not only that, at the bottom of these three paintings and calligraphy, there is even a label with a clear price, and the only calligraphy is not expensive, only five hundred yuan, which is one of the main reasons why Tang Yun ignored it.

However, the remaining two ancient paintings are very expensive, and the people who look at them at the same time are also the most.

The first one is okay, it is the painting "Fragrance of Bean Blossom" by the modern painter Zhou Canggu, and the size of the whole picture scroll is about 43 * 34 cm.

As the title suggests, this scroll depicts a delicate blooming bean blossom, and on the right side of the scroll there is an inscription: The fragrance of bean blossoms. In 1960, the stock painting was made.

Below the inscription, there is also a bell seal: Zhoucang stock chain.

"Well, it's not bad......"

After looking at the painting "The Fragrance of Bean Blossom" for a while, Tang Yun just nodded slightly, he didn't know much about painting.

However, for calligraphy antiques, it is one thing to draw well or not, and it is another thing to value it, because the most important thing in calligraphy and painting is two points, the person who started the pen, and the age of calligraphy and painting.

At least the modern painter in front of him, Tang Yun didn't know about it, and after seeing the price tag under the scroll, he couldn't help but lose interest.

Twenty-one million.

Once the price of antiques is clearly marked, it is not a good thing that the price is low, although there is also a very small probability of leakage, but this probability can be completely small to negligible.

If the price tag of the painting is 21,000 yuan, then it may attract some people to come and see, and even the possibility of buying it, which is one of the complications of antiques.

Skipping this "Fragrance of Bean Blossom", Tang Yun's gaze naturally locked on the last painting.

This painting, regardless of the content, just looking at the name of the painter is enough to attract a lot of guests to stop and watch, and he is not an ancient painter, because he happened to be born in the early twentieth century.

In the fifties of the twentieth century, he traveled around the world and gained great international fame, and was praised by the Western art world as "the pen of the East".

He was the most legendary splash ink painter in the twentieth century Chinese flower bed, especially in the landscape of outstanding achievements, after living abroad, the combination of painting style and writing, heavy color, ink and wash integration, especially splash ink and splash color, created a new artistic style.

Because of its poems, calligraphy and paintings, it is also known as "South Zhang and North Qi" and "South Zhang and North Fu", and there are many names.

With Huang Junbi and Fu Xinshe, he was as famous as the "Three Families Crossing the Sea", and when he was only in his twenties, he had a big beard, which also became his unique symbol in the future.

In addition, he has also traveled with Qi Baishi, Xu Beihong, Huang Junbi, Huang Binhong, Fu Xinshe, Lang Jingshan and others, and studied with the famous Spanish abstract painter Picasso.

He is none other than a well-known master of Chinese painting in modern China, Zhang Daqian!

Tang Yun knows a lot of ancient painters, but there are very few modern painters, but Zhang Daqian is one of the few well-known modern painters that Tang Yun knows.

I remember that Xu Beihong once praised Zhang Daqian, he is "the first person in 500 years".

Tang Yun has a bad opinion of this, but he also appreciates Zhang Daqian's painting level very much.

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