Chapter 51: Tibetan Interpretation

In the last one, two Taoist priests are standing in the secret room, one of them should be the Taoist priest of the Yin Void sect who has become bad, and the other is wearing a white Taoist robe and a Zhuangzi crown, which is my ancestor.

The inscription reads: Repay grievances directly.

When we entered the painting, we saw that the Taoist priest of the Yin Void School was obviously not the opponent of the patriarch, and had been forced to the wall of the mural, standing there panting, and there were a few talismans scattered on the ground, but I had never seen them, and the side of the talismans was full of paper ashes.

The patriarch carried the bronze sword and said, "If you occupy the magpie's nest and occupy this place, I will treat them in the same way as others." ”

The Yin Void Daoist said sharply: "You monster, I fought with you." ”

As he spoke, a powerful aura was generated behind him, turning into an ancient beast, and opening his mouth at the ancestor.

Master Zu didn't panic at all, just took out the talisman seal, cut his fingers with a sword, and then threw the talisman seal into the air, and the talisman turned into a human form, all of which became the appearance of the ancestor master.

Master Zu said: "You Yin Void Sect use pieces of paper to make people, and our Louguan Sect can do the same. Saying that, the few people who made the talisman seal rushed towards the Taoist priest of the Yin Void Sect, and in a few moves, the ancient beast was subdued and the Taoist priest was captured.

Master Zu approached the Taoist priest, glanced at the seal on the Taoist priest's waist, and said, "This is the key to your Yin Void Sect, the seal of bloodline. ”

Then the painting ends.

The three of us came back to reality again, and I didn't think clearly at all, the reason why Senior Sister Xuanji said that the ancestor painted was hidden here, but I didn't listen to Master Zu at all.

At this time, all eight paintings turned into white scrolls.

Senior Sister Xuanji walked to the immortal ascension diagram on the wall and observed it carefully.

I was puzzled and asked Senior Sister Xuanji: "Senior Sister, didn't you say that the reason why the ancestor painted is hidden in this last painting?" How I can't see it. ”

Senior Sister Xuanji turned her head, looked at me and said, "Brother, you are sometimes very smart, sometimes very stupid. ”

I laughed awkwardly.

Senior Sister Xuanji explained while looking at the painting: "Look at the last painting, what is your grandfather doing?" ”

"Defeat the Yin Void Sect Dao Technique."

"How did you defeat it?"

"It seems to be a talisman."

Senior sister glanced at me and said, "Don't you understand?" ”

I suddenly realized that the talisman seals that were sprinkled on the ground by the ancestor may have been deliberately painted by him, which was used to deal with the Taoist technique of the Yin Void Sect, and then used the talisman seal of the clone to deal with the aura of the Taoist priest, in other words, the ancestor told us the way to defeat the Taoist priest in the last painting.

I hurriedly said, "Master Zu is teaching us how to defeat that Taoist priest. ”

Senior Sister Xuanji nodded and said, "This is only the first layer of meaning, but what about the second layer?" ”

I'm puzzled again, there's a second layer?

Seeing that I didn't speak, Senior Sister Xuanji prompted, "Have you forgotten what that inscription is?" Have you forgotten what your grandfather said? ”

I thought about it, but I didn't understand.

Senior Sister Xuanji continued: "Repay grievances with straightforwardness, from Confucianism, in ancient times, people used straight branches to measure the length, and straight is actually a 'ruler' with only one scale. Now people interpret it as complaining with integrity. However, I think what your patriarch meant was to treat others the way they did. In other words, I will do unto you as you would have done to others. ”

I finally understood, then that Taoist priest was probably sealed in the painting by the ancestral master.

And the most likely thing here is the diagram of ascending immortals.

And the finishing touch, it seems, will only work under the light of the corpse oil.

And now on the diagram of ascending immortals, although the Taoist is drawn on it, it is very weird, but it is motionless. But I felt as if those black clothes were blown by the wind, like waves.

Senior Sister Xuanji looked at it for a long time and said: "The black paint in this picture seems to be alive, but the Taoist priest in this painting doesn't feel like he is alive." Could it be that your ancestor removed that Taoist priest, but this is not in line with his words. I really can't figure it out. And there is no text on the painting, and our souls cannot enter the painting. ”

Su Xuanke kept staring and didn't speak.

Senior Sister Xuanji began to walk, thinking as she walked.

Could there be any ingenuity in these paintings?

With the character of Master Zu, he would never paint these eight paintings for the final solution, he just needs to write them.

Wait, the purpose of his painting these, there seems to be another one, that is, the soul of the person who reads it will be sucked into the painting, and only those who understand the spell of the Louguan School can crack it, in other words, the purpose of the ancestor to paint these paintings is to teach the Louguan School.

Hiding all the information in the painting, only the disciples of the Louguan School can find out.

At this time, Senior Sister Xuanji suddenly spoke: "There are eight paintings here, and there are also eight paintings upstairs, so is it possible that in fact, the eight paintings upstairs are on this floor, and these paintings are just used to block zombies?" ”

Even so, so what? Now the paintings on the previous floor have been destroyed.

And I think that Master Zu painted the following eight paintings, not just to tell the descendants of the Louguan School.

What is it for?

On the one hand, these eight paintings of Master Zu introduce the origin of this place, and it also implies a way to crack it.

But the core content of these paintings seems to tell the story of a dove occupying a magpie's nest: Zhang Yuanzhi occupies Qiao's family, and Taoist priests occupy Zhang Yuanzhi, so next, it should be the ancestor who occupies Zhang Yuanzhi.

However, Master Zu obviously returned to Taoist Bay and did not stay here.

Senior Sister Xuanji said that the painting below may be hanging on top, but the one above should be hanging below.

Does it imply location?

Where to draw?

I remember that in the secret room of the last painting, the Taoist priest of the Yin Void sect was standing by the wall, and there were murals behind it, and the patriarch was not far from him, and he did not paint those hanging paintings.

I suddenly thought, I remember that in the last painting, there are also lanterns in the back murals, and many of them are placed on the ground, and now it seems that the position of the lanterns is inconsistent with the murals on both sides now, so does it mean that behind the Yin Void faction standing at that time was the third mural, and the third one is behind this immortal ascension picture.

I hurriedly told what I thought to Sister Xuanji, who stopped and continued: "I understand, why are there eight paintings painted underneath, and the positions are reversed, which is to imply that on the last floor of the underground, there are also paintings that have been reversed in order to cover the murals behind. ”

This picture of ascending immortals should be to cover the murals.

Behind the mural of the ascension to immortals, will there be a painting of the Taoist priest?

The three of us moved the ascension diagram out of the way, but the murals in the back, like those on both sides, had nothing but trees and lanterns.

That's weird.

Senior Sister Xuanji looked at the mural and then looked at the picture of ascending immortals.

muttered in a low voice: "Changed position?" Wrong location? Doves occupy the magpie's nest? ”

Suddenly, she asked us to move the Ascension diagram to the wall at the entrance.

The painting is just put on, and the two sides and the murals on both sides are just connected together.

Senior Sister Xuanji stepped back, looked at the immortal ascension diagram and the murals on both sides again, and said, "I understand, this Taoist priest is indeed sealed in this diagram. ”

Looking at the Taoist priest on this immortal ascension map, he didn't move at all, and in the whole painting, I didn't see any talismans and seals, the signs of the Louguan School.

Senior Sister Xuanji pointed to the mural on the right side of the Ascension Diagram, and next to the corner that touched the Ascension Diagram, the text was written: Hundred Ghosts Night Walking Diagram. "This was the beginning of the mural," he said. ”

Then he looked around, pointed to the left, and said, "This is the end of the original mural." ”

I didn't understand a little, Senior Sister Xuanji walked towards the Ascending Immortal Diagram and said: "This space setting should be designed according to the three talents of heaven, man and earth, that is, the first layer is the heavenly realm, the second layer is the human world, and the third layer is hell. These hundred ghosts walked at night, carrying lanterns, and told about the things of the underworld. But you see, there is not a single ghost on the whole mural now, why? ”

Are the ghosts gone?

Senior Sister Xuanji said: "Because all these ghosts have been forced into this immortal ascension diagram. ”

Hearing Sister Xuanji say this, I suddenly thought, why is there a secret seal painted on the first painting hanging, which is a hint that the envelope can be used for secrecy, so on the surface of the painting, is there also an envelope of it, hiding the real painting?

So, is this picture of ascending immortals blessed with a secret seal?

I walked to the side of the ascension map, touched the connection between the ascension map and the mural, silently recited the secret sealing charm, scraped my nails, and felt a thin layer of paper on the painting, I pulled hard, and the whole paper seemed to be attached to the surface of the entire ascension map.

The three of us tore it off with all our might, revealing the painting inside.

I saw that on both sides of the painting, just like on the mural, the trees were depicted, and they happened to be attached to the mural.

In this way, the paintings on the four walls are perfectly constructed together.

And in the new picture of ascending immortals, outside the ancestral hall at night, there is a Taoist priest of the Yin Void Sect, holding a sword, blocking, and around him are several guards like boys and girls, forming a circle, guarding this Taoist priest. Outside the circle, there were countless demons, some with green faces and fangs, some with lanterns.

This is the one in the nocturnal diagram of the hundred ghosts, all the evil ghosts that disappeared were forced into this painting.

This is the way of others, and the body of others.