In fact, the villain king has a lot to learn. However, in his daily class schedule, calligraphy is placed in the first place. The reason given by Cheng Ziyang is: "I don't want you to have to use y zhang instead when you sign documents in the future because the handwriting is not good-looking." ”

Indeed, taking calligraphy as a daily lesson, practicing it every day, tasting, appreciating, and thinking about it, after a long time, I gradually realized that calligraphy is beneficial to self-cultivation, and the way of calligraphy has a lot of inspiration for life.

"It's okay," Ning Xiao said to Cheng Ziyang after seeing the calligraphy that the child practiced this day. "The power and heat are also in place. If you continue to practice, you will find it possible to become a calligrapher. ”

"That's a matter of course," Cheng Ziyang glanced at the calligraphy a few times, and then sat down next to his wife. "After practicing for decades, if I don't get ready for the fire, I'm going to cut off his two little paws, so as not to use them as decorations all day long!"

Chinese calligraphy has a long history. Different eras have all been marked with the distinctive marks of that era. The Qin and Han dynasties, the Wei and Jin dynasties, the Tang dynasty, the Song dynasty, the Yuan dynasty, and the Qing dynasty, each led the Feng sao, laying a solid foundation for the inheritance of calligraphy.

Those who like the situation figure out the calligraphy of the Qin and Han dynasties, and the calligraphy of the Tang Dynasty in the law is still in the law...... Or learn from others, take the essence, for my use, self-contained, if people agree, become a calligrapher.

It is often said in the book that the debut is the first to enter the Tao. Entering the Tao is for accumulation, for the sake of thick accumulation and thin hair, in order to master the basic laws of calligraphy, in order to make a better debut. Debuts require innovation. Whether or not they can innovate is often the boundary between a bookmaker and a bookmaker.

This is true of the way of writing, and the same is true of life. Life needs to be inherited but not confined to inheritance, and needs to accumulate but is not satisfied with accumulation. In the pursuit of innovation and breakthrough in inheritance and accumulation, life can write its own chapter.

"Mom," the villain Wang took the opportunity to entangle Ning Xiao. "I read the words written by my father, calm and atmospheric. What about yours? I rarely see you writing. Can you write to me today? ”

"Okay!" Ning Xiao readily agreed, and the pen flew on the rice paper. Although she doesn't have to sign articles at every turn like Cheng Ziyang, when she draws talismans, her pen is unstable, but something big will happen.

In fact, Chinese calligraphy, walking between black and white, gives people a rustic feeling. However, to control this black and white, to achieve a degree of black and white, sparse and dense, it is still necessary to have considerable skills.

Calligraphy, especially regular script, is the most taboo to fail, and sometimes the charm of the whole work is lost because of an improper stroke. Besides, it cannot be repeated. Therefore, the formation of a work seems to be completed in an instant, but, in addition to the perseverance of tempering, before the pen, it is necessary to repeatedly figure out, carefully plan, once the pen is raised, the breath is clear, when the mention is pressed, when the disease is slow, when the fine is thick, are in the planning, can not hesitate, so that often can the pulse be connected.

The same is true for navigating life. To depict a beautiful life on a blank piece of paper, you must be clear-headed, distinguish between the light, grasp the degree, and once you have made a decision, you should move forward boldly without regrets.

"Daddy!" The villain Wang looked at Ning Xiao's words, and couldn't help but look at Cheng Ziyang. "Damn's words are fast and elegant, which is very different from your calm atmosphere. Judging by the handwriting, you two really don't look like husband and wife!"

"Oh-" Cheng Ziyang scratched his son's little nose, prompting him. "Then think about it, what is your mother used to write? What did your dad often use to write? ”

"Oh-" After his father's prompting, the villain king quickly figured it out. "I know, my mother's handwriting is mainly used to draw talismans, and my father's handwriting is mainly used to approve documents. So, the penmanship varies. ”

"Now that you understand," Cheng Ziyang took advantage of the victory to pursue. "Then you have to think about what kind of brushwork you should practice?"

"Hmm!" The villain king really thought about it.

Chinese calligraphy pays attention to the law. Seals, subordinates, grasses, truths, and lines are all bodies, with different postures and different interests. The lines of the seal script, the stability of the official script, the unrestrained cursive script, the rigor of the real book, the arbitrariness of the line of the book, nevertheless, any kind of book style, there are three elements of structure, pen and chapter, only the more appropriate the combination of the three, the more perfect, the higher its artistry.

But this is only the general law of calligraphy, and each calligraphy has its own rules, and it is difficult for a calligrapher to be good at all forms. On the road of life, you are required to grasp the general laws of life, but also to grasp the characteristics of the profession, if you learn the regular script, and you always want to use the strokes of the official book, it is better to abandon the regular script and follow the subordinate. The misalignment of roles is often a major tragedy in life.

"The child is still young, you just let him position in writing, isn't it a bit early?" Ning Xiao couldn't bear it, so she muttered to her husband.

"It's not small!" Cheng Ziyang also whispered to Ning Xiao. "You know, he's almost a hundred years old now. If it were an ordinary human, I am afraid that I would be able to see my great-grandson at this time. ”

"Oh-" Looking at his son's little hand struggling on the rice paper with pen and ink, Ning Xiao was a little helpless, so he had to nod and admit it. "You're right! So fast, a hundred years have passed in the blink of an eye. ”

Chinese calligraphy is based on form, although a hundred schools of thought contend, calligraphy schools, but all pursue the spirit of expressiveness. Some books, at first glance, feel acceptable, but after a long period of time, but unbearable to read, some books, at first glance, look like children's books, but after careful consideration, they are attracted by their "gods" and are reluctant to leave for a long time.

Wang Xizhi's father and son are both great calligraphers, Wang Xianzhi has been learning with his father since he was a child, and as the days go on, he feels that his books are above his father. One day, he wrote a work, one of which was written by his father. I wanted to win some praise from my mother, but I didn't expect my mother to look at it again and again, and only said that only that stroke was the most expressive in the whole article. After hearing this, he was stunned.

The quality of life is also determined by "God". Spirit is the backbone of life. This kind of "god" is cultivated by infiltration and cultivation day after day. Calligraphy is not practiced for a day, let alone the expressiveness of calligraphy. If you don't cultivate yourself for a day in life, let alone work together, govern the country, and level the world. A generation of saints once admonished: "The day of ginseng is too much to save time."

"Daddy," the villain king finally put pen to paper. Then he took the written words to his father. "I'm a boy, so I'd better learn from you! As for Mom's handwriting, it's too late to learn it later!"

"Little slippery!" Cheng Ziyang reluctantly patted his son's head. "You've been learning to write with me, so it's definitely the best thing to learn from me."

"This is quite good, you can practice it for a few hundred years," Ning Xiao quipped the father and son. "You'll be able to surpass your dad, work hard!"

"Huh!" At this moment, both father and son laughed.

The expressiveness of calligraphy lies in the understanding and grasp of "potential".

At the end of the Eastern Han Dynasty, Cai Yong proposed the "Nine Potentials", proposing that the art of calligraphy is a form rooted in nature. The development trend of the law of contradiction and unity in the natural society is inevitably reflected in the art of calligraphy, and a unique calligraphy situation is formed.

The ancients once had "If you are in power, you will operate at will, and you will be in every corner; If you lose power, you will do your best to clean up, and the paper will not be full. The push and pull of the potential lies in a few micros, and the condensation of the potential is due to the phase. "A "Orchid Pavilion Preface", known as the first line of books in the world, lies in the momentum of the whole work. It is said that after Wang Xizhi's Lanting gathering, he wrote this work again the next morning, and he could not produce this kind of momentum.

Each body of calligraphy has its own unique momentum. It is the regular script, and the same is true, the face muscles and willow bones vividly summarize the characteristics of the regular script. As the book says: "The coming and going of the potential is not up to the people, and the coming and going of the potential cannot be up to the people", and grasping the relationship between the "can be done by the people" and the "not by the people" is a problem that needs to be constantly used in life.

"Ah, it's so lively!" Just when the family was chatting happily about calligraphy, Lingwu suddenly appeared out of thin air.

"Lingwu," seeing it, the villain king threw away his parents and stretched out his hand to let it land on his little arm. "Where have you been? It's been a long time since I've seen you, and I think you've forgotten about us? ”

"Where, didn't I find you a spirit pet?" Lingwu was muttering to the villain king, but his eyes were still aimed at Ning Xiao. "Ning Xiao, when are you coming back? I haven't seen you for a long time, and I miss you. ”

"Poof!" Hearing Lingwu say something similar to his son, Ning Xiao couldn't help but laugh out loud. She took out the ice seed and let it peck at it. "I think I must be based on that!"

"That's for sure!" Lingwu happily pecked at the ice seeds, and replied to her without subtlety.

"Now," Ning Xiao asked after Lingwu finished pecking his food. "You should tell me what kind of spirit pet you found for the villain king, right?"

"Hmph, I'm going to be surprised! Ahem!" Lingwu made a triumphant gesture and coughed a few times.

So, a dazzling beautiful bird appeared in front of the three members of the King of People. With its fiery red feathers, peacock-like tail, and its upturned feathers, even the most light-fearing ghost knows what kind of bird it is. It's just a little small and looks like a pheasant.

"Ah, this is Feng Huang!" The little man king was quick to cry out with joy.

"Like it!" Seeing that the villain Wang was holding Xiao Feng Huang and didn't let go, Lingwu also slapped his wings excitedly. "I searched all over the world to find such a little feng huang."

"Like, like!" The villain king replied without hesitation. "Thank you, Lingwu."

"How do I feel?" However, Ning Xiao was muttering to Cheng Ziyang. "There's another breath in this room?"

"Huh!" At this moment, Lingwu smiled even more. "How could I possibly only find a spirit pet for my villain king? Either you don't look for it, or you have to find more than two ......"