102015, 416th time and space, A.D. 2015, Hanyi Museum, H City.

The crew of "The General's Wife of the Domineering Military Division" did not shoot the feature film today, because Miss Zhong Liqiu, the screenwriter and investor, suddenly proposed to change the script after the big change, and the filming was postponed until tomorrow morning. At this moment, the idle crew members all went to rest, leaving only Han Chongyan, who was forcibly left behind by Zhong Liqiu, the two male protagonists and female protagonists, as well as Zhou Yu who chased after him, Ge Tianming who accompanied Zhou Yu, and Zhengshen, who was invisible to ordinary people. Zhong Liqiu didn't think about how to change the script, but just took the people who stayed behind into the exhibition hall of the Hanyi Museum.

Jin Wu sinks in the west, and the jade rabbit rises in the east. In areas that are not prosperous, people are gradually dispersed. At night, the museum is quiet, everything is still, except for the surveillance footage and the seven people who are still stranded after the closure of the museum.

This Hanyi Museum, originally the ancestral industry of Zhongli's family, from the Eastern Han Dynasty to the present, has a history of more than 1,800 years, its shape still retains the style of the Eastern Han Dynasty, after many changes of dynasty, several repairs, still exists, has not been destroyed. In that particular decade, the building was also in danger of being demolished, but no one could approach it, let alone demolish it. It wasn't until the descendants of the Zhongli clan returned to China to take over that it was no different from an ordinary building, and once it changed hands, it would become an inaccessible supernatural building.

In this city where every inch of land is valuable, in order not to let such a large land area be wasted, and in order not to have any strange forces to make trouble, this land and this building can only be handed over to the people of the Zhongli clan to take care of. In the formal process, the land is still state-owned, and the actual right to use it belongs to Zhongli's family, and there is no time limit.

There are many rumors about the building, each version is very different, the only thing in common is that the house is haunted, but no one has actually seen it. I don't think there's anything unusual when I pass by, but it looks too quaint, surrounded by modern buildings, like a passage. This has also become one of the selling points of the Hanyi Museum.

It is the private property of the Zhongli clan, its founder Zhongli Wuji is a returned overseas Chinese, the ancestor is one of the eight immortals of Han Zhongli, this building is also expanded on the basis of the original residence of Han Zhongli, there is a genealogy to prove. This Mr. Zhongli was not only wealthy, but also had a high social status in various countries and owned many industries.

He was not a businessman himself, but a scholar. His understanding of ancient Chinese culture is better than that of any expert or scholar at home and abroad, as if he had lived in ancient times, any details about ancient life are impeccable, and his understanding of culture and history does not follow the mainstream, or even go against the norm. In his view, the ancients are different from the present, and the culture of the ancients has not been inherited by the present, and even has a deviation in understanding.

Its exhibits are mainly high-quality imitation items of daily necessities and clothing from the Eastern Han Dynasty to the Western Jin Dynasty, and the shape is no different from the real thing. There are even cases where the counterfeit object is exactly the same as the real thing that came into existence after the imitation, and it can be said that every piece of exhibit placed here will have an exact original object that has not yet been discovered.

In this way, the exhibits are like the illustrated books in a game of collecting, and some of the exhibits will one day be found in the same authentic works in state-run museums. There are historical accumulations and cultural stories, and in this respect, the value of genuine products is naturally higher than that of imitations. However, with its brilliant colors and high integrity, the imitation is more authentic than the original.

The building is also strictly in accordance with the shape of the official residence of the Eastern Han Dynasty, using a mortise and tenon structure, which is completely retro. In this country where land is state-owned, it is not easy to obtain the right to use such a large piece of land, build a private museum, restore ancient buildings in the name of an individual, produce high-quality imitation cultural relics, and study ancient history and culture.

First of all, there must be a certain social status and popularity; secondly, there must be the consent of the big people at the top and the protection of powerful social groups; Finally, and most importantly, you must have enough money to afford to lose, even if you lose it all. Coupled with the descendants of Han Zhongli, such a mythical background and the supernatural color of the building itself are more conducive to publicity.

The shares of the Hanyi Museum were originally in the hands of Zhongli Wuji and his wife Zhong Lianyi. Now, all the shares in Zhong Lianyi's hands have been transferred to the third daughter, Zhong Liqiu, and most of the shares are still in the hands of Zhong Li Wuji. But Zhongli Wuji has retired and no longer cares about any affairs, just a nominal shareholder, and everything is handed over to the second daughter Zhong Lixia and the third daughter Zhong Liqiu to manage. Zhong Lixia is a female calligrapher who does not know how to operate, and she is also a nominal manager.

holds the real power, and the real one is still in charge of Zhong Liqiu. After Zhong Liqiu took over, the era and region of the exhibits were relaxed, as long as they existed or may exist in history, regardless of the era or region, they are all within the scope of the selection of exhibits. Zhong Liqiu himself preferred the era of the late Qin and early Han dynasties, and the style of the exhibits also developed in this direction.

Now, Zhong Liqiu, who has the actual management of the Hanyi Museum, takes seven people, including himself, on a night tour with candles.

The days are short and the nights are long, why not travel with candles (quoted in "Nineteen Ancient Poems, Less than a Hundred Years of Life").

The museum at night is a very mysterious place, one of the best places to have a supernatural story. Open flames are not allowed in the museum, and the seven night visitors hold candle-shaped LED lights plugged into their mobile phones, which illuminate the surroundings like real candles and are not prone to fire.

"Alright, no one will bother us now." Miss Zhong Liqiu dressed as a noble woman in the Heian period of Japan, shining her face with candle lights, white eyebrows and black teeth, long hair hanging to the ground, and heavy clothes, looking very weird.

"I said Zhong Liqiu, are you going to make a ghost movie this big night?" Under the coercion and temptation of Zhong Liqiu, Han Chongyan put on armor, put on a wig, and dressed as a warrior in the Heian period of Japan. He holds a Japanese sword in one hand and a paper lantern with a candle-shaped LED light in the other, and the wooden pole of the lantern is inlaid with a mobile phone case of the same material, and the end of the candle is wrapped around the wooden pole in the form of a flower branch, which is connected to the charging port of the mobile phone placed in the phone case to obtain energy.

"You know what, this is called 'Candle Night Tour'. It's fun when there's no one! Zhong Liqiu was in a good mood, and he didn't bully Han Chongyan, "Also, if you want to enter the role, you know, call me Her Royal Highness the Princess!" ”

"Okay, Your Highness Princess, are we going to make a ghost movie?" Although the martial artists of the Heian era who were forcibly cosmetic were tied to armor or something, and they didn't get a salary yet, Han Chongyan was already very satisfied, at least there was no verbal attack, Zhong Liqiu's spiritual attack was terrifying.

Wearing golden armor, he quietly asked his lord: "Princess, what is a ghost movie?" ”

"Eat."

Expected answer. Zhao Xin'er, who was dressed in ancient white, didn't intend to answer properly, she was still so cold. According to Zhao Xin'er's nature, although she is cold, she will generally answer other people's questions. Only to the Zhi, this loyal minister who fell from the sky, can't give a serious answer, and always wants to deceive him. Looking at his resentful expression after knowing the truth, I don't know why, I will feel very relieved.

"The so-called ghost movies are films that specialize in making strange and chaotic things and are used to scary people."

Zhao Zheng, who was dressed in a black strategist suit, habitually explained all kinds of modern terms for this cross-over Western Chu overlord, like a walking encyclopedia, although he himself did not have a good impression of Ji.

Zhao Xin'er and Zhao Zheng were still wearing costumes, even wigs. Although it was not comfortable to dress like this, they had no objection, because this was Zhong Liqiu's request, after all, it was up to her as a sponsor to eat. Besides, these three are all very dedicated actors, and they don't mind working overtime at night or anything, not to mention that Miss Zhong Liqiu gave them overtime pay.

There are two elementary school students left, who do not need to be bought, and will stay. Zhou Yu's mother won't come back today, and his father may be in heaven, so no one will care if he plays outside with the overlord all night. Ge Tianming must follow Zhou Yu, he has always been very concerned about how the pair of CPs of "Yu Liang" came about, and why does he look more affected no matter who he sets up CP with? Ge Tianming felt that following Zhou Yu might find the answer, because in this life, Zhou Yu is a girl, so as a boy, he will not look very uncomfortable.

They are dressed in ancient costumes from the late Eastern Han Dynasty, one article and one martial arts, and they look like historical figures when they were children. Ge Tianming didn't wear a wig, his short black hair matched the cloth clothes unexpectedly, and a white feather fan in his hand, which had a bit of the temperament of the young Zhuge Kongming. Zhou Yu is wearing men's clothes, tying a high ponytail with his own hair, brocade clothes, and an ancient sword.

Zhong Liqiu told everyone that at this time when there were no other visitors, the museum was opened by his own family, although this was the case. You can visit as much as you want, and you can eat as much food and drinks as you like, as long as you swipe the QR code used by the internal staff with your mobile phone, and you don't need to spend money. Before dawn, they gathered at the official residence of the Eastern Han Dynasty on the first floor, that is, the set borrowed by the crew.

There are signs on each floor, and the mobile phones of the seven people are equipped with special software for the internal staff of the Hanyi Museum, with real-time positioning functions and maps of the museum, which can query the location and make a route map. Of course, this software is a new software developed internally, and it is still in the testing stage, except for the current seven people, no one has used it, and so is the QR code for insiders.

After confirming various matters, the seven men went their separate ways. Zhong Liqiu and Han Chongyan were going to inspect the entire museum, and after explaining the relevant matters to everyone, they left first. Ge Tianming took Zhou Yu to the Eastern Han Dynasty exhibition hall to see musical instruments and weapons, and temporarily separated from the overlord. Zhou Yu didn't object, after she said goodbye to the overlord, she walked with Ge Tianming. The remaining three went to the Qin Chu exhibition hall in one go, because Zhao Xin'er wanted to see the clothes of the Qin Dynasty.

The Qin Chu exhibition hall is lined with clothing and daily necessities, which are displayed in the same way as ordinary museums, with glass display cases displaying exhibits and text introductions. However, it has a special area, which is a highlight that no other museum has ever seen - it shows the interior layout of the Qin and Chu periods in a real-life way.

Its layout is modeled after the living rooms of the nobles of the Qin Dynasty, and the placement and decoration of utensils are well documented. There are no glass windows, no fences, the candles are replaced by LED lights, and the cold light source looks bright and does not flicker, but it is lifeless. It's not like a museum gallery, but it feels like you've broken into someone's dungeon by mistake, and it's eerie, like a place where supernatural events are frequent. The righteous god floating around said that his underground palace is bigger and better than here, and the lights are not so permeable.

When you visit during the day, you can't just visit it without barriers, after all, the country has a large population and a considerable number of visitors, and these visitors are not all so civilized, if you really visit completely freely like this, it will not take a day to see it will be unrecognizable. Therefore, before the opening of the museum, this area will be covered with glass cover and a fence will be pulled up, so that visitors can only watch from a distance and not play with it, so as to protect the safety of the exhibits to the greatest extent.