From the beginning of contacting the school to the day she signed up, Lian Ru always reported a reluctance and worry about Lianyin's desire to learn to dance, and was afraid that the encounter of falling on the stage would be repeated on Lianyin.

But when it really came to the day when Lian Yin went to school, Lian Ru's original worries were faintly looking forward to it. After all, dance used to be her favorite career, and it is always like a kind of inheritance and continuation for her children to choose what they once loved.

So, with such a contradictory emotion, Lian Ru accompanied Lian Yin to the first dance class.

The dance school is divided into beginner, intermediate and advanced classes at different paces. Classes of 10 students are taught in small groups. This is also so that the teacher can take care of every student in the class.

The teacher who taught the legato dance was Monica, a slender Spanish woman with a malty complexion and brown eyes.

Like most Barcelonans, Monica has a warm personality. At the beginning of the lesson, she introduced herself to the 10 students, and then asked the 10 students to report their names and ages. In this way, she can take care of every child in a targeted manner.

One by one, the children reported their names and ages in order, and when it was their turn to be the last one. Compared to the first ten little girls, the name of the ligato is the strangest and the oldest one. The other girls were only five or six years old.

Perhaps because of her many differences, Monica's eyes have been on her for the longest time.

In the first class, the most basic tensile ligaments were practiced.

In Lian Yin's memory, she also had a ligament pulled when she was in kindergarten, but she doesn't remember exactly how it felt. It was only this time that she pulled the ligaments, and she obviously felt a little stiff and strained. Especially compared to other little girls who are four or five years old.

But she's used to doing something and doing it the best she can do. She tried her best to overcome the discomfort in pulling the ligaments, and continued to try in the manner of her teacher, Professor Monica.

Monica soon noticed the difference in Lianyin, she walked up to Lianyin, and said to Lianyin softly: "Pulling ligaments is not an overnight thing, don't rush the child." Also, try to relax your body when pulling the ligaments, if you are too tight, you will only feel the ligaments resisting you. ”

Hearing this, Lianyin relaxed his body slightly. He thanked Monica and said, "I see, thank you, teacher." ”

Monica smiled a little at Legato and simply helped Ligato complete the ligament-pulling exercise.

Pulling ligaments is the foundation of a dancer's foundation, but in addition to pulling ligaments, there is another very basic thing to practice. That's physical training. The obvious difference between a dancer and an ordinary person is that in terms of body shape and temperament, through physical training, many bad postures and habits in life can be eliminated, and then a straight, well-proportioned and perfect posture can be gradually formed.

The above two items are what Legato will learn on the first day of learning dance, and it is also what you will practice in the first week of learning dance.

In the real world of legato, there are two old sayings, called "diligence can make up for clumsiness" and "stupid birds fly first". Lian Yin is quite a supporter of these two sentences, and after studying at dance school every day, she does not forget to review them again according to the curriculum when she is at home, especially the two basic internal abilities of pulling ligaments and body training, which she will practice by herself almost whenever she has free time.

At the same time, Farrell on the other end was also practicing the ball control of being diligent and stupid, and every day after school, in his private time without extracurricular activities, he would practice against the wall with a football by himself.

As Ligan said, Farrell is very talented in football, and it took him exactly a week to go from being less than a metre away from the wall to practice possession, and then gradually expanding to 1.5 metres and then to 2 metres.

Sunday afternoon was the day when Lian Yin and Farrell agreed to meet to test the results of Farel's week's training.

The two agreed to meet after lunch, because they hadn't seen each other for a week, and Farrell appeared very early, and after seeing Lianyin, his little face was full of irrepressible joy. Today, he still wears his small version of the Barcelona team's jersey, holding a black and white football in his hand, and he looks presentable.

The first thing she said to Lian Yin was to ask her if she was tired of learning dance? Bitter or not?

Among his classmates were also girls who were learning dance, and he was especially interested in asking the girl about learning dance. The girls who made it thought that Farrell was interested in her, and she was amorous for several days. Of course, that was something else, and Farrell didn't mean that and didn't want to talk about it.

Lianyin thought that he was a little darker, probably because he had been in contact with the outdoors for the past week.

After a simple and bland account of the week's dance lessons to Farrell, Lian Yin led him to a corner where there was no one and said to him, "Okay, show me the results of your week." ”

Farrell obediently complied, and after picking a distance of about two meters from the wall, he kicked the ball against the wall. The ball hit the wall and bounced back as if it had eyes, and it bounced straight back at Farrell's feet, who took advantage of the fact that he stopped the ball with the inside of his right foot, then kicked it back to the wall, and then did the same with his left foot.

In a group of left and right feet, Farrell did about seventeen or eighteen sets in total, and then shouted at him to stop.

Farrell caught the ball, picked up the clip under his armpit and ran to Lian Yin's side, begging for praise with a face.

Lian Yin praised him with satisfaction: "You did a great job, Farrell. ”

Farrell was greatly satisfied.

He practiced well with the ball on the inside of his foot, and Lian Yin then taught him to control the ball in the air.

Again, use the wall as a training point, kick the ball high first, wait until it rebounds, and this time use your feet or thighs, or chest position, or head to control the ball before it hits the ground.

This technique is much more difficult than the first one, and according to the requirements of legato, not only must the left and right feet be practiced, but even all the four parts she mentioned must be practiced at home, and there can be no one side of the waste.

Because it was a Protestant who taught Farrell the technique, Lian Yin practiced with Farrell for an afternoon today, and when Farrell made a mistake, she would stop as soon as possible, tell him what was wrong, and then let him continue to practice.

Lian Yin didn't know what Farrell was like in front of the school teacher, but in front of her, Farrell was really a very good student, and he would listen carefully to every piece of knowledge she imparted, and then try to achieve every point that Farrell asked him to complete.

And Farel's talent is also more and more revealed as the results of the weekly legato test the results. No matter how complicated the ball is, as long as he is given a week, and then he shows it in front of Lian Yin, it will become a rare and error-free appearance.