Chapter 55: I'm the Dad You Can't Get 11
Because of the intervention of the Yu family, the crew soon started filming.
When they knew that the heroine was an eighteenth-line, everyone was stunned, and then Song Ning was given an invisible label on her body, accompanying the sleeping girl!
Song Ning doesn't care about this, she just needs to improve her acting skills and use her strength to shut everyone up, anyway, the truth will never be blinded by momentary rumors for a lifetime.
Yu Jiu'er originally wanted to take care of this matter, but later saw that Song Ning didn't seem to care, and even Ye Bai didn't care, so she simply didn't care about it, and this matter should be Ye Bai's shot.
This time, the last thing the crew lacks is funding, so Ye Bai is working hard to improve the details and improve the quality, and everyone has only one thought, that is, the funds are burning!
Although Yu Jiu'er is the second female, she has very few scenes, she is a vase, but she is also a very important vase, she is a conscientious female cannon fodder, a female cannon fodder who loves the male protagonist and is willing to give everything.
But the male protagonist loves the female protagonist wholeheartedly.
From the death of the country, all the way strong, then revenge, retro, called the emperor, and finally became an emperor through the ages, praised by thousands of people, and the female protagonist accompanied the male protagonist from beginning to end, never abandoned.
The female cannon fodder naturally accompanies her, but because she is the princess of the previous dynasty, she and the male protagonist still can't die well, pitiful, she also turned her back on the country and her family for the male protagonist, and finally jumped off the city wall and died as a martyr.
The male protagonist was sad and shed a tear, but that was only, temporary, and in the end the male protagonist forgot about the cannon fodder female partner.
The final outcome is that the male protagonist reigns in the world, the female protagonist is in a phoenix robe, and the mother is in the world, and they jointly govern this great prosperous country.
No one remembers the cannon fodder, and when he mentioned it, he also said that this person turned his back on the country and betrayed his family, and this woman who gave everything for the male protagonist ended up becoming a ruthless and unrighteous person who everyone spurned.
It's also pitiful.,So is this the so-called heroine's aura invincible.,All those who like the male protagonist are cannon fodder.,Used to set off the beauty and strength of the heroine.,And the unswerving feelings of the male and female protagonists?
As for this female cannon fodder, in the end, she is still a person who loves her deeply, collects her body, and then disappears into this country, and this is the third male, the most affectionate male third, who loves female cannon fodder deeply, but unfortunately has not received a response.
This person's talent is very good.,It's a talent.,The male owner wants to use it.,But in the end he was brutally refused.,He took a corpse.,Disappeared since then.,The male owner has been sending people to look for it.,Never gave up.,There were several whereabouts in the middle.,The male owner went in person.,It's a pity that I didn't find it in the end.,Fight again and again.。
If it weren't for the obvious CP line of the whole play, Yu Jiu'er would have to wonder if the male protagonist and the third male protagonist are true love, and the female protagonist is an accident!
Later, I learned that it turned out to be the author, but she was actually an invisible rotten girl, so in the end I buried a line that could make the reader reverie.
Yu Jiu'er just wants to scold this, what kind of immortal author is this, who can write such a plot, but aside from this, all the plots are perfect, the heart-wrenching love, as well as the heroic scenes of the battlefield fighting, and the delicate emotions under the battlefield, are all depicted in detail, so that Ruo really took people into that era of war.
I saw that pair of men and women in troubled times, slowly growing up.